New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. A remarkable second feature from writer-director Yesim Ustaoglu.
  2. Hard to watch but important to see.
  3. Compelling and highly informative.
  4. A plague of child kidnappings in Italy during the '70s provides the background for this chilling, deceptively simple tale of a rural boy who unearths terrible family secrets and rises to the moral challenge they present.
  5. Clever, slightly edgy fun.
  6. O'Connor plays Fanny with an appealingly direct, unflinching gaze.
  7. The production is fantastically funny, high-energy camp, punctuated by Trask's infectious score and by Mitchell, dressing in a succession of wigs twice the size of his body.
  8. Director Margarethe von Trotta nearly buries the drama of the protest itself within the awkwardly sentimental framework of a contemporary New Yorker's quest to learn the truth of her widowed German mother's grief and history. But while the film concentrates on Lena, eloquently portrayed by Katja Riemann, the movie earns your empathy.
  9. The greatest strength of this modest production is Jones. ZigZag's autism is mild, meaning his symptoms are subtle, and the 19-year-old novice is completely convincing.
  10. One of Rohmer's more engaging slices of life. The acting is impeccable.
  11. Given the physical limitations of their characters, Polley and Robbins give remarkably compelling performances, and though the resolution of their slowly evolving relationship is a bit too pat, it is one you won't soon forget.
  12. I didn't feel the love between the flowering idealist and the ruthless killer. If I did, I would have given the movie four stars. Everything else is wonderful.
    • New York Daily News
  13. It comes off as a fairly straightforward assault on the kind of political corruption that has crossed party lines in movies since the dawn of the medium, and in books before that. The pleasure here is in the dialogue, the characters and the cast.
    • 84 Metascore
    • 75 Critic Score
    It's rather confusing. But in the context of this wildly imaginative movie, it's all, rather exciting, too.
  14. Although Voyages is mapped with anguish and fear, director Emmanuel Finkiel's characters are survivors, and he never lets us forget it.
  15. Though younger fans of Cameron's 1997 blockbuster may be a little disappointed at the lack of, well, Leo, Cameron persuades us to share his obsession with the ship's history.
  16. The remarkable footage includes damning evidence of how the media, the people and the army were manipulated. Which leads to that eternal question - if it's not on TV, did it really happen?
  17. Sometimes veers off into preciosity. But it offers something rare in the bond between Andrew and Sam.
  18. There is no great story being told here. Mostly, it is a conventional road movie - a buddy comedy even - about the quests of two likable guys. The memoirs exist only because of Guevara's subsequent fame as a revolutionary leader in Cuba, Congo and Bolivia.
  19. There's a lot of flashy acting going, notably by Travolta, who has not been more engaging on-screen in a decade, and by newcomer Barrett, a willowy Aussie who, as a woman living with the specter of death, gives the film's most complete performance.
  20. And oh, what stories these heroes have to tell - and what incredible sights they brought back with them.
  21. If her (Noujaim's) movie teaches us anything, it's that no reality remains unspun.
  22. A farce nearly as cracked as his previous "The Dinner Game."
  23. Gaudi Afternoon, adapted from Barbara Wilson's novel, is a setup for a smart ensemble comedy, and the cast delivers in hilarious deadpan style.
  24. With its colorful embroidery, Monsoon Wedding feels pleasurably grounded in a reality about which most Westerners haven't a clue. This may be their only engraved invitation.
    • New York Daily News
  25. A fascinating, somewhat frightening documentary.
  26. With a respectfully committed cast, gorgeous scenery and two sad-eyed leads that will break your heart (the kid and the dog are equally adorable), this is clearly not your typical family film. Which will make it that much more appealing to every member of your family.
  27. The jokes are wild, raunchy, surreal and dead-on.
  28. The charismatic young women who populate Daniel Peddle's illuminating documentary are vibrant proof that there's still an untold story waiting around every New York City corner.
  29. Carrey's performance is a tour de force of physical mime.

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