New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Travels so deeply into the confusions of female adolescence that you'd never know this deceptively languid British film was directed by a Polish-born man.
  2. One of the most delightful movies to come along this year.
  3. The town's entrenched racism is impossible to ignore, but the efforts toward change make a compelling history.
  4. That's what Bond is all about -- dazzle, some really bad puns and the kind of sexy fun that satisfies high-school urges while masquerading in tux and tails.
  5. In addition to the strong script, the ensemble performances are topnotch, with no one hogging the limelight.
  6. What "Capote" fails to reveal to the audience is the sense of a homoerotic attraction between the author and Perry Smith (Clifton Collins Jr.). It is more than implied that one exists, but there isn't a scene between them that supports it or even makes it believable.
  7. Too long by about 20 minutes, and takes itself too seriously near the end. But if you're looking for a movie for a boys' night out, it's a winner.
  8. The actors seem exhilarated.
  9. The best performance is by Rampling. (The) camera hangs on her, knowing that nothing escapes those wise, sad-lidded eyes.
  10. Best of all, and worth the price of admission, is Cedric the Entertainer.
  11. Overly polished, but deeply affecting, documentary.
  12. A reasonable facsimile of a perversely funny book whose odd characters are given life by a terrific cast.
  13. Unapologetically graphic and slightly marred by an artistic awkwardness, this is a rare and worthwhile glimpse into another nation's historical legend.
  14. Slick entertainment.
  15. A thoroughly entertaining animated comedy that's sweet enough for the youngest moviegoers, and smart enough for the most cynical chaperone.
  16. In a hilarious bit of actorly sleight-of-hand, Holm (who is not new to the role of Napoleon, having it played it twice before) slips effortlessly from emperor to impostor.
    • New York Daily News
  17. Deftly composed of many small moments, this gentle Israeli film skirts politics to portray a family that is blessedly normal in its internal chaos.
  18. If you can overcome the graphic nature of its casual violence, it is a lot of fun. The banter among the brothers is well-written and has a genuine fraternal feel to it. And the chases and shootouts have a fresh malevolence to them.
  19. Made for $1 million, its production values are raw and Nicholas makes at least one too many obvious choices himself. But its very rawness adds to its creepiness and keeps us in suspense in ways most studio movies don't.
  20. Cage is a wonderful light comedian; were someone to remake "It's a Wonderful Life," he'd be on the short list for the role of George Bailey. And Leoni is Donna Reed, reborn.
  21. The tension and intrigue between the pretender and his would-be associates is as dense as the woods surrounding their hiding place.
  22. The daring, funny and quirkily erotic Secretary examines power exchanges between consenting adults in a way that other movies have not managed without turning off swaths of the squeamish.
  23. Unflinching in its depiction of racism, anti-Semitism, violence and jailhouse politics.
  24. Of them all, only McCartney looks out of place, perhaps mistaking the venue for Vegas. There in a nutshell could be the answer to why the Beatles broke up.
  25. In a feat of truly impressive cinematic finesse, Hendricks manages to capture every possible angle, from below a soaring motorcycle to atop a speeding luger's helmet.
    • New York Daily News
  26. It's no small trick to blend fantasy, slapstick and genuine emotion, but Ellis pulls it off with whimsy to spare.
  27. Although we never feel any true connection to the enigmatic actress, there's no denying the inventiveness of Kon's homage to the possibilities of cinema.
  28. By the end, you may not know whether you've seen a ghost story or a story of delusional obsession, but you'll have had a great time.
  29. There are many ways to say that war is hell, but few filmmakers have said it with as much imagination, humor, intrigue and humanity as Jean-Pierre Jeunet in A Very Long Engagement.
  30. A raunchy, irreverent, generally hilarious sendup of ritual and papal decree.

Top Trailers