New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Has a great deal of empathy for that excruciating limbo that is female adolescence.
  2. It takes a while to get used to the film's campy characters and its broad, "Ace Ventura" stylings. But Ferrell is the anti-Jim Carrey -- his deadpan comic mannerisms are infectiously funny, and his cluelessly narcissistic Burgundy is a joy to follow.
  3. Left-wing flame-thrower Robert Greenwald (Uncovered: The War on Iraq) gets after the global giant anyway, and he may have you thinking twice before entering another Wal-Mart parking lot.
  4. A charmer with an attractive cast and an excellent soundtrack.
  5. Though the Chinese government won't be too happy about it, everyone else ought to be deeply moved by the tragedies Peosay records.
  6. Ultimately, the film is so determinedly evenhanded, it probably won't change anybody's mind. But no matter where you stand, it's likely to leave a lasting impression.
  7. The vitality of the hip-hop scene serves as both backdrop and metaphor in a romantic comedy as sweet as its title.
  8. The film leaves us wondering about all the war stories we haven't heard.
  9. The mildly surreal drama doesn't always make sense, but it sure does look great.
  10. Every action scene is a spectacularly choreographed set piece. At one point, Jaa literally fights with feet of fire. Unfortunately, whenever he comes down to earth, so does the movie.
  11. The movie pulls off the trick of blurring the distinctions between romantic and platonic attractions across the generations.
  12. Writer-director Danis Tanovic, a Bosnian who spent years documenting his homeland's turmoil, makes a bold feature-film debut with this funny, sobering message movie.
  13. A taut and thought-provoking thriller .
  14. Director Gay deals so honestly with the boys' emotions, it's almost a revelation when compared to Hollywood fabrications.
  15. It's often maddening, because of its structure, and some of its visuals are pretentious nonsense. But, as a story of undying love, it's certainly unique.
  16. A welcome departure from typical movies about teens, wherein their problems are external (the prom, status). Mean Creek is an adult movie that just happens to star young actors.
  17. Good, clean fun, and the view is fabulous.
  18. A surprisingly genial and affecting comedy about the trials and tribulations of teenage rebellion during the Reagan '80s.
    • New York Daily News
  19. A delicately upbeat, even humorous celebration of love and sacrifice.
    • New York Daily News
  20. Refreshingly offbeat documentary.
  21. Viard plays one of the most intriguing female characters in recent film from either side of the Atlantic.
  22. Works on several playful levels. Most obviously, it is a horror movie in which life imitates art on a movie set.
  23. The playfulness evident in the hundreds of bondage photos that made a pious young Tennessee model semi-famous in the 1950s and an 82-year-old legend today is also the driving force of Mary Harron's superb The Notorious Bettie Page.
  24. Toward the finish, the movie takes a regrettable curve into melodrama, but the excellent performances never waver.
  25. A slice of life in the most profound sense.
  26. Perfectly modulated in its tone and performances, Lawless Heart is content to be a small, quiet film. We could use a few more like it.
  27. What it offers are dozens of intimate moments that feel so true, they achieve a rare kind of grace. This sensitive indie drama was written and directed by brothers - and first-time feature filmmakers.
  28. Some of this is elemental psychology; blood is thicker than water, etc. But the movie also reveals how the privileged class ignored, condoned or denied the reality of the Holocaust.
  29. The Exorcist is still shocking, but mostly because of its graphic, anti-religious language. [2000 re-release]
  30. A charming trifle, beautifully filmed in a Currier & Ives setting, with buttery-smooth performances from Binoche and Depp, and enough good tidings in its nougat center to get you through the holidays.

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