New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
    • 74 Metascore
    • 80 Critic Score
    Of course, the music is the thing and the sounds here earn Demme's reverence.
    • 79 Metascore
    • 80 Critic Score
    Among the actors, potential Oscar nominee Nighy is deeply affecting, but everyone in this rousing movie impresses.
  1. Segel and Nicholas Stoller, who made "Forgetting Sarah Marshall" together, wrote the screenplay for The Muppets with obvious intent: to return these icons to their former glory.
  2. Along the way, the movie documents a movement while deftly skewering a cynical media and ever-gullible public. So whether we're being had or just enlightened, Banksy's definitely found a new medium in which to create his own works of art.
  3. Payne's observational humor and attention to detail yield something emotionally epic. Everything from beachfront jogs to hospital confessions reveals layers of humanity and absurdity.
  4. Even with all the CGI effects, this darkly emotional movie feels like the anti-"Speed Racer." Sure, it's a big-budget spectacle. But it's also the kind of grandly old-fashioned entertainment we don't get enough of anymore.
  5. This is very much Brand's movie, with Hill playing a surprisingly subdued straight man. Still, the strong supporting cast - including Rose Byrne and Elisabeth Moss as the guys' girlfriends - easily holds its own.
  6. The charming, soulful Me and Earl and the Dying Girl is a movie that loves movies — which is great, because you’ll love this one.
  7. A fast-moving, rock 'em-sock 'em movie that continues the man-vs.-machines series begun 25 years ago.
  8. Leoni and Kinnear are charming, and Koepp keeps the mood appropriately light. But really, this would be just another disposable comedy if it weren't for our unassuming star.
  9. A psychosexual thriller that lures its viewers into a woozy nightmare.
  10. All in all, Spielberg has come up with another rousing piece of entertainment.
  11. The good news is it comes very close, and does it without sacrificing its soul. Despite its sense of been-here-slayed-that, director Francis Lawrence expertly delivers thrills, ideas and spectacle.
  12. You'd be hard-pressed to find a misfit loner as confident as Olive, who bears her considerable tortures with remarkable grace. But Stone is so funny, smart and sweet that we relate to her anyway.
  13. Affleck keeps the film as fluid as the "Mystic River," and never forgets that Renner is his ace in the hole. The "Hurt Locker" star charges up every scene he's in with feral power, and is rewarded with one of the most exciting sequences seen in any action movie this decade.
  14. In this film, a single word is worth more than all the expensive effects imaginable.
  15. It's that happiest of surprises: a multiplex movie that genuinely respects its young audience.
  16. This is a role that the Julia Roberts of 1999 couldn't have played, and that's fine. The one we have here is much better.
  17. Whew! It’s shocking - a horror film but extremely well done by producer Jerome Hellman and John Schlesinger, the British director who uncannily captures the feeling for tragedy in this locale, the forced gaiety of some who have sunk to the lower depths of despair and sympathy for the two disillusioned protagonists.
  18. Stone relies on his leads to guide us into this hyper-charged inferno, and they fit his juiced-up approach like James Woods and Woody Harrelson did in Stone's equally hopped-up "Salvador" and "Natural Born Killers." He gets us high on what they're selling before it goes south.
    • 75 Metascore
    • 80 Critic Score
    Many great docs have been made about The Who (including the ecstatic “The Kids Are All Right”), but Lambert & Stamp gets closest to the band’s fragility and unlikely story. It captures the real-life mania that surrounded a group whose music came to embody it.
  19. The movie is crammed with excitement and good humor.
  20. Film enthusiasts especially will appreciate this wonky but fascinating documentary about the process of making movies.
  21. A little miracle, Azazel Jacobs' lovely story of a life lost and found tackles big issues -love, maturity, fulfillment - in deceptively modest fashion.
  22. It sounds a little too clever, but it's not. It's just clever enough.
  23. Ultimately it's Sheen, finding new facets of his character in every scene, who shoots and scores.
  24. As vital as the best war chronicles to come out in recent years, this is one every American ought to see.
  25. Though consistently engaging, Redford’s latest directorial endeavor does feel like a plea. You can almost hear him coaxing us to learn from the past, even as we rush into the future.
    • 48 Metascore
    • 80 Critic Score
    As the couple’s life becomes more and more insular, Costanzio subtly builds the drama into suspense that’s utterly natural and smart.
  26. Here, the actor (Di Niro) dials it down and wins us over.

Top Trailers