New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. It was a true media circus, and despite Polanski's work before and since, the film shows how it will forever be his first association in the public consciousness. In the U.S., at least.
  2. This great-looking, often spellbinding film also shows Lee’s sometimes pervasive theatricality threatening to chomp into the story. But the swirling strangeness of “Sweet Blood” makes it his most mesmerizing work since the underrated “Bamboozled” (2000) and “25th Hour” (2002).
  3. Moving, intelligent documentary.
  4. Falarde, in adapting a play, has a sweet, humanistic approach reminiscent of Bill Forsyth's '80s dramedies that lets "Lazhar's" protagonist and his class shine.
  5. Comparisons to Spike Lee’s movies are unavoidable, particularly with a setting that recalls Lee’s “School Daze” and a conclusion that echoes “Do the Right Thing.” But Dear White People is a film of the moment, and an essential one at that.
    • 56 Metascore
    • 80 Critic Score
    Charged by dynamite performances and Bruni Coulais’s ominous score, this romantic tragedy is more gripping than most thrillers.
  6. It sharply fuses the humor and heart of the earlier films with a satisfyingly heavy-metal strength — and a darkness that’s more than earned.
  7. That grim realism sometimes makes The Revenant about as appetizing as a three-course meal of turkey jerky — but also serious enough to remind you of classics like "Jeremiah Johnson" and "Little Big Man." It's a gruesome adventure story that rarely lets up.
  8. As Claire Denis' stunning new movie reminds us, she expects a lot of her audience but gives considerably more in return.
  9. It’s undeniably thrilling to watch Gonzalez Iñárritu and Keaton aiming so high. Whenever they’re brave enough to leap into the unknown, Birdman soars.
  10. If Woodroof is the movie’s guts, Rayon is its heart, and Leto (TV’s “My So-Called Life,” “Alexander”) is stunningly perfect, even when the story veers ever so slightly into expected territory.
  11. The deliberate pace Mungiu employs in this incredible work is so engrossing and quietly heartbreaking that its philosophical ending may come as a shock.
  12. Murphy also reveals one more gem when she interviews the New York couple who gave their friend Nell Harper Lee a financial gift in the '50s that allowed her to quit her job and finish the book, an act of generosity that is also one more kindness surrounding this most humane of artworks.
  13. Yes, this important film will deepen a debate about the game's safety. And, yes, it makes the National Football League look like a tobacco company run by the Nixon administration. But immigration is the ultimate political football right now — and when I left the theater, it was with a renewed sense of what one dignified man can achieve when given a chance in a great nation.
  14. Director Kelly Reichardt, who made the great "Wendy and Lucy," likes stories that unfold slowly and simply. Sometimes she'll just let the camera run, making us watch the awkwardness of people who can't connect.
  15. The most memorable turn, however, comes from young Holland. There is not a moment in which Lucas' fear, or unexpected courage, feels less than real.
  16. It's wonderful. Epic and heartbreaking and just as grand as it needs to be.
  17. Some of the characters' fate might be left in a frustratingly open-ended fashion, but Cuéron has created an impressive edge-of-your-seat thriller set within a fantastic outdoors environment.
  18. Further proving his mastery of creating tension and thrills, Scott has effectively created a satisfying hybrid of "Alien," "Prometheus" and even James Cameron's "Aliens."
  19. A smart, ardent, profound movie.
    • 58 Metascore
    • 80 Critic Score
    No one over age 10 will flip for this sequel to the 2011 hit “Dolphin Tale.” But that doesn’t mean only kids will enjoy this gentle, moving family drama.
  20. I Give It a Year has all the outrageous, embarrassment-based moments you’d expect from one of the creators of “Borat.” Indeed this film has one of the best charades gags ever. But there’s plenty of sweetness and charm, too. You root for both bride and groom, and cheer when they finally say, “I don’t.”
  21. What he does do finally in this funny, refreshing movie is assert how unrestrained religiosity could guarantee the "end days" many of his subjects admit to looking forward to.
  22. Kold single-handedly carries the film, with his quietly powerful portrayal of a gentle soul in a giant's body.
  23. To sing the praises of the movie but not give away the revelations is difficult. Let’s just say this: The less you know about what happens in this funny, tasty twisteroo, the better.
  24. Have we come a long way since Wright's world was upended because he spoke undeniable truths? Watch this essential American story, and decide for yourself.
  25. Just when it seems he's left himself with no way out, he comes up with a finish guaranteed to leave you breathless.
  26. A small but important film about small but important lives, the latest drama from Shane Meadows further confirms that more people should know about this gifted director.
  27. The final “beams” are the most exciting depictions of science on film since “Apollo 13.”

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