New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. It's guilt that gives life, shape and depth to this uncommonly perceptive film.
  2. It’s hard to imagine the lives behind the voices that are part of the movies. But In a World ..., the debut feature from actress-turned-writer-director Lake Bell, not only gives the people who do movie voice-overs a closeup, it savvily and wittily uses what we hear as a metaphor for what we are.
  3. Galifianakis, though, is the key here. Able to smash a scene to smithereens with the simplest of lines, the hirsute comic is as unpredictable as ever, yet takes director Todd Phillips’ bait to up the stakes.
  4. Fans will want to replay the extensive archival footage over and over. Newcomers are more likely to pause halfway through, search out the superlative soundtrack, and immerse themselves in the music that inspired this rare, fall-and-rise story in the first place.
  5. Just when we thought Quentin Tarantino had shown us all the cojones he has, in rides Django Unchained.
  6. The film treats kids' inner lives as more than a fantasy, which is a rare and beautiful thing.
  7. Meticulous staging and Piccoli's world-weary presence balance any silliness, making the issues here feel relevant and real. The method is not pointed political satire but gentle enlightenment.
  8. The perfect answer to cries of "I'm bored," Marshall Curry's outstanding documentary won't just entertain your family for a little while. It'll also inspire everyone to get back outside, and find a new passion.
    • 85 Metascore
    • 80 Critic Score
    Amy
    The result may be depressing, but the performance footage balances it with rousing evidence of Winehouse’s eternal talent.
  9. More than just a morality tale, The Green Prince is a thrill-a-minute spy caper too strange to be real, though it is.
  10. Perfect for families and exquisitely shot, this entry from the Disneynature division is even better and fresher than last year's "Earth."
    • 63 Metascore
    • 80 Critic Score
    This companion piece to Loach’s 2006 drama “The Wind That Shakes the Barley” tenderly conveys the generosity of working people. It’s the last biographical fiction movie the 79-year-old Loach has said he’ll direct.
  11. The film is a mystery uncovered like a detective story, wrapped in a love letter.
  12. History has made his midair stroll meaningful, but the film shows how even then, everyone - from Petit to his accomplices to the cops who were waiting for him atop the North Tower - recognized the stunt's crazy poetry.
  13. Short Term 12 wraps up with one of the most touchingly memorable last moments of any film this year. Despite a title that’s hard to recall, this brief but resonant movie sticks with you.
  14. This full, footage-rich documentary shows respect for the social, legal, political, religious and pugilistic battles of the former Cassius Clay.
  15. The movie loses its way toward the end, shifting from wry black comedy to slightly overdone pathos. But there's plenty here to appreciate, making the title perfectly apt.
  16. We’re not in Disney’s world. Berger knows his Grimm, and he suffuses his entrancing fairy tale with a moving sense of melancholy.
    • 73 Metascore
    • 80 Critic Score
    China’s government can’t handle dissident artist Ai Weiwei. He turns every move to suppress him into brilliant conceptual art.
  17. For starters, it's a pleasure to see Matthew McConaughey - a gifted actor who can't hide his boredom in trivial work - finally settle into the role for which he was born.
  18. Audrey Tautou trades in Amelie’s wide-eyed sprite look for le sourpuss in this sober yet fascinating take on aristocratic social mores between the wars.
  19. The energy, thrum and heartache of modern Havana keep this teen drama afloat when it just as easily could have drifted into cliché waters.
  20. Rosewater is not about what isolates us, and part of the film’s terrific achievement is its recognition that staying connected is a daily show of strength.
  21. This seemingly ordinary biographical documentary about the retiring animation master unfolds, at a deceptively gentle pace, into a work of immense beauty.
  22. For a kiddie flick, The Book of Life pushes boundaries, as the topic of death is undeniably front and center. But like Mexico’s Day of the Dead, the movie enjoyably, and successfully, mixes the macabre with the celebratory.
  23. Rare is the drama that plumbs the quirky, unsettling depths of human nature like Foxcatcher. Simultaneously understated and grippingly edgy, this is an arresting examination of naivete, mismatched worlds and old-fashioned American oddness.
  24. There are suggestions to help us sleep more easily, but the point is to wake us up.
  25. Whenever the movie begins to falter — it cuts, sometimes confusingly, among at least three different timelines — Portman pulls it back together, and sets it back on course.
    • 55 Metascore
    • 80 Critic Score
    The kids almost universally express the need for peace, equality, tolerance, homes for all and a safe planet.
  26. Like Gandolfini, the deep Brooklyn of The Drop is formidable, bona fide and memorable.

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