New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Amazing... There are only a finite number of filmmakers with the devotion, patience and ability to tease out these stories.
  2. Sven Wollter and Viveka Seldahl give superb performances as the couple, a once-vigorous conductor and his orchestra's concertmistress. But soon ... well, you know the drill.
  3. There are times, to be sure, when Herzlinger's antics threaten to swing from cute to cloying. But the few missteps are gently redeemed by an unexpectedly charming finish.
  4. Has that same air of silly innocence, a rarity in today's movies.
  5. Here's hoping its old-fashioned sensibility appeals to contemporary kids, because we could certainly use more movies as smart and sweet as this one.
  6. Bergman and his gifted cast do an excellent job portraying the wounded, but still vital, connections that help these people heal even as they fervently believe it's time to give up.
  7. Accomplishes two great things on what was undoubtedly a minuscule budget. It breathes life into a small story that has larger ramifications. It also shows that America, as represented by Jackson Heights, is still the promised land for people about whom movies are rarely made.
  8. A flawed but highly entertaining B Western blown up to John Ford scale.
  9. It has a nifty premise and outstanding performances from Ferrell, as the protagonist-in-progress, and Emma Thompson, as his blocked creator.
  10. This is a crazy, gorgeous, disturbing, darkly comic horror story about an early-18th-century Frenchman born in a Paris fish market without any odor of his own but with a sense of smell that would make a pack of bloodhounds wail with envy.
  11. Strikes a nice balance between smart and sweet.
  12. If Chalk had been made by Christopher Guest - an obvious influence - it would get the attention it deserves. Packed with sly jokes, hilarious performances and sad truths, the movie will probably become a cult classic among educators.
  13. The result is a highly amusing folly, rendered with a surprisingly gentle affection.
  14. A slog to get through, but Jeanie Drynan's nuanced performance as the enduring matriarch makes it all worthwhile.
  15. This is a sophisticated and unsettling documentary marred only by a voice-over taken from the writings of Jamaica Kincaid.
  16. The Painted Veil may begin too slowly, but it also ends too soon.
  17. Fujimori comes off as amiable and in full denial, recalling the positive headlines of his presidency - and there were many - while laying the scandals off on Montesinos.
  18. Does something no other Jesse James movie has done: It tells the truth.
  19. Pacino is masterful as the sharp-witted, seen-it-all detective.
    • New York Daily News
  20. Bernstein blunts the inherent tension by zipping everything along at the pace of a snail with a sore foot. Still, Montenegro does wonders in her long silences, and makes her love scene with the eager 72-year-old Cortez look like a hookup at Club Med.
  21. That it all seems improvised on the spot (it was not) is testament to the power of a film that trusts its characters, its actors and its ultimate goal.
    • New York Daily News
  22. Delicious, intelligent thriller.
  23. The Groomsmen captures a single, specific moment, when responsibilities await but adulthood is still unwelcome. If their predicament strikes a chord, you may want to join Burns' boys for their final hurrah.
  24. Reilly can play nuts, too, and in a lower gear that reins Ferrell in. They're a great team.
  25. Conventional, but intensely passionate, war movie.
  26. Billy Bob Thornton wrote, directed and stars in this compassionate, occasionally funny, character-driven movie about a mentally unstable man who takes the best interests of children very seriously.
  27. Despite a brief, unnecessary foray into melodrama -- stands alone as compelling entertainment.
  28. It feels as though we're on a journey with Benjamin, who proves to be a wryly funny, passionate and complex traveling companion.
    • New York Daily News
  29. One of the reasons the move is so funny is that it is only a few degrees away from real life.
  30. The heavy subject is tempered with gentle humor.

Top Trailers