New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. It's a compassionate story about what makes people tick and what really matters.
  2. If you've got the patience, this is still one of the all-time exercises in cinematic cool.
  3. Omar Sharif certainly doesn't disappoint in Monsieur Ibrahim. The casting alone promises something extraordinary.
  4. Delightful and moving - although fanciful.
  5. Earthlings beware: The dialogue and characters have less weight than bodies freed from gravity's grip.
  6. Images wash over you like wind-blown rain, fierce and beautiful at the same time, largely shaped into themes by the haunting music of Philip Glass, who is here joined by cellist Yo-Yo Ma.
  7. In a movie theater, at least, there are other people to hear you laugh, and the film of MST3K already seems a more communal, less onanistic experience.
  8. It is remarkably, unsentimentally dramatized by Fred Schepisi, courtesy of the pitch-perfect performances of its ensemble British cast.
    • New York Daily News
  9. Energetic, provocative.
  10. Cahill deserves major credit for keeping the story from becoming mawkish or twee. He was also wise enough to realize it's Douglas' show, and as soon as he steps into the frame, you'll know it, too.
  11. Plumbs the issue of sibling love and family responsibility in quietly powerful ways, and the performances of the two stars surpass convincing to reach a level of biographical realism.
    • New York Daily News
  12. She (Walters) may be working with old news, but she shores up this shaky film with a heart the size of an ocean liner.
  13. Whether he'll achieve his goal of setting the world land-speed record for motorcycles is never in doubt, of course, but getting to a film's climactic scene has rarely been more fun.
  14. It's a human drama, drawn in such careful emotional detail, its two acts of violence -- one shown, one not -- are almost incidental.
    • New York Daily News
  15. A bouquet of snappy one-liners and disarming nuttiness.
    • New York Daily News
  16. It is a sweet, wonderfully acted cameo of a movie about the lengths to which a lioness will go to protect her cub.
  17. Just like the can-do VW Beetle of the title, Herbie: Fully Loaded succeeds adorably despite the obstacles in its path.
  18. It's too bad there's so little of LL Cool J as the secret object of Georgia's fantasies. He'd make a funny, nimble, sexy romantic lead with just a bit more screen time.
  19. As cool a summer lark as you'll find.
  20. The result is a back-lot studio tour that's not exactly good-natured, but terrific fun and it gives the ensemble cast plenty of clowning opportunities.
  21. The movie belongs to Luke, who brings the heroic Chamusso to life as richly as Forest Whitaker does the evil Ugandan dictator Idi Amin in "The Last King of Scotland."
  22. Where Kim's best-known movie, "The Isle," was a stomach-churner, this beautifully composed canvas is the sort of film one falls into, resurfacing at the end with great reluctance.
  23. Peregrym's performance as fiery, troubled teen Haley Graham is a triumph of charisma over technique.
  24. Csupo needed two very gifted leads to do this beloved story justice, and found them in AnnaSophia Robb and Josh Hutcherson.
  25. Masterly coming-of-age drama.
  26. Very little actually happens in the movie. There are no cathartic breakdowns or soul-changing epiphanies. Instead, we're offered a collection of small moments that feel so familiar, they remind us how false most films really are.
  27. The first pleasant surprise of 2003, a cross-cultural romantic comedy that doesn't stint on romance or comedy, and- - when you least expect and most need it- - throws in some jaunty musical numbers of its own.
  28. The dubbing from German to Polish is off-putting, but it is Schlondorff's best film since his classic "The Tin Drum."
  29. A provocative reflection of its rule-breaking subjects, Brett Morgen's political documentary re-examines the past while drawing unmissable parallels to the present.
  30. Has the gentlest feel of any movie I can remember.

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