You'll likely be able to finish Cloudpunk without running into any game-breaking bugs, but the question is whether you'll want to. Fans of the cyberpunk genre may enjoy running and flying about for a while, but you'd be forgiven for abandoning ship before long.

Painfully plain mechanics and an inadequate narrative render SolSeraph insufficient entertainment for nearly anyone. ActRaiser fans will find its flaws indefensible, and anyone else who manages to stumble upon it will fail to be captivated by the excruciatingly repetitive tower defense and tiresome action platforming.

Has-Been Heroes is a solid tower defense experience that borrows attributes from Plants vs Zombies, while putting its own twist on the formula. Plenty of repetition and frustration - exacerbated by too many randomized elements - but the addictive and enduring gameplay shines through on occasion.

Dark Alliance is a dull and unpolished multiplayer action RPG with repetitive and glitchy combat, broken online connectivity, unbalanced solo play, and more than enough technical issues to put off anyone even slightly interested in checking it out.

A mildly fun multiplayer experience at best, and a flawed, derivative dungeon crawler at worst. Good for some fun with friends in short bursts, but has a knack for growing old rather quickly, especially when venturing out solo.

FlatOut 4: Total Insanity is a valiant effort and a modestly satisfactory sequel. Its track design and relative speeds help make it a much better destructive racer than the last effort. However, it still requires tuning when it comes to stunts, visuals, physics, and vehicle damage.

The actual interactive component of The Grand Tour Game is really quite poor, with awful handling and dated presentation making the races and challenges vastly inferior to the segments they attempt to replace, in between clips from the show you've already seen.

Almost every good piece of design in Last Encounter is knocked down multiple pegs thanks to an oppressive grind. It successfully manages to invest you in the world and its systems, before quickly erecting barriers that direct away from the interesting features. Had the game been a bit more generous with its upgrades, or toned down the monotony, this could have been a solid roguelike.

Fallout 76 retains the same captivating immersion, atmosphere and organic exploration that made Fallout 4 so enjoyable thanks to an excellent open world, though you’ll have to contend with a poorly implemented online component and the typical Bethesda technical hiccups and rough edges.

While this is a semi-competent port for Switch, ultimately Star Horizon's core gameplay is uninteresting and tired, while its mechanics lack polish.

The Waylanders tries to imitate a variety of mechanics from leaders of the RPG genre, but fails to implement any of them effectively, while offering nothing original apart from the astonishingly poor dialogue.

Overkill's The Walking Dead squanders whatever little potential it had with poor presentation, unenjoyable gameplay, technical issues, and simply poor design.

It's apparent that Forever Forest is a port of a mobile game. With randomly generated biomes, there's plenty of gameplay for those who seek it, but much of it proves too mundane, shallow, and repetitive.

Generation Zero is an amalgamation of ideas, some of them pretty decent, but none executed with any great level of confidence. Despite the surprisingly strong atmosphere, gameplay annoyances and serious technical issues prevent it from having a chance to survive.

Simplistic, unpolished, and lacking any sense of inspiration or effort, Mighty Morphin Power Rangers: Mega Battle will neither entice any new fans nor satisfy the nostalgic hopes of those familiar with the TV franchise’s brand of goofy action.

Vane is the kind of game where you can see what the developers were going for. It has moments where the vision comes together and perhaps you've turned a corner, but all too quickly it goes back to its old, disappointing ways.

We Should Talk is an interesting first effort from the small team at Insatiable Cycle, but it feels more like a beta than a finished product. There's just not enough content here to justify taking the time to check out this narrative adventure.

Art is certainly subjective, but most people will be hard pressed to get more than an hour's enjoyment from ART SQOOL.

Ego Protocol: Remastered is competent, only in the sense that it works. Outside of that, the game is an uninteresting test of your ability to endure apathy.

WWE 2K20 is a complete debacle, and in the running for the worst entry in the series to date. Outside of the solid 2K Showcase and plethora of match options, this is a downgrade in almost every way. The visuals are repulsive, there are glitches everywhere you look, and the gameplay has been significantly compromised.

You'll want to steer clear of Dead Alliance, especially at its ridiculous $40 price tag. There is a decent game buried here, but digging through the bugs, shallow gameplay and underwhelming mechanics is just not worth it. If you simply love FPS and are quite fond of the idea of weaponized zombies, at least wait until a big price reduction, a number of major patches, or give it a rental.

Werewolf: The Apocalypse - Earthblood is a forgettable and disappointing adventure. The World of Darkness is rife with potential, but Cyanide squanders it with this dated action adventure title.

Frequently more frustrating than frightening, Hello Neighbor is a disaster from top to bottom. There’s a nugget of a good idea here, but between the irrational puzzle design and inconsistent AI, the finished product isn't up to snuff.

Protocol is a tortuous experience that combines clumsy, awful gameplay with an abysmal script. I would much rather fail the protocol, and be nuked, then have to play through this again.

The Lord of the Rings: Gollum offers a bleak and lackluster adaptation of Middle-earth, with one of its more divisive characters in the spotlight. Whatever potential the game had is buried under dull, generic gameplay, a variety of technical issues, and low quality visuals.

The metroidvania-lover in me wished Randall turned out to be more enjoyable. There are some interesting ideas here, like the use of mind control, but the good of that is buried under a litany of technical problems and just general sloppy design. Like the titular hero, I found myself frequently battling headaches during my time with the game.

Tamarin strives to be a spiritual successor to Jet Force Gemini, but its poor art style, stale and disappointing gameplay, and shoddy controls result in a game that won't be remembered as fondly as its inspirator.

Fast & Furious Crossroads just can't get anything right, becoming yet another licensed movie tie-in that fits the negative stereotype. The presentation is dated and actors reprising their roles is but a small consolation. A brief and very linear campaign with poor gameplay offers terrible value for a full priced release. The PC version suffers further, with empty multiplayer, instability, and barely any options.