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For 1,030 reviews, this publication has graded:
  • 19% higher than the average critic
  • 7% same as the average critic
  • 74% lower than the average critic
On average, this publication grades 5.7 points lower than other critics. (0-100 point scale)
Average Game review score: 69
Highest review score: 90 Super Mario Odyssey
Lowest review score: 28 Derelict Fleet
Score distribution:
  1. Positive: 347 out of 1030
  2. Mixed: 631 out of 1030
  3. Negative: 52 out of 1030
1031 game reviews
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    • 91 Metascore
    • Critic Score
    Shadow of the Colossus
    Shadow of the Colossus lives up to the legacy of the original and provides a brand new presentation for fans to experience. Newcomers will get the best playing version of the title while veterans will get the version they always dreamed of. The game is smoother to play, the presentation is top notch and the minimalist storytelling from the original isn’t embellished or altered. This is exactly what you’d want from a remake and I couldn’t be happier with the final result.
    • 88 Metascore
    • 45 Critic Score
    Kentucky Route Zero: TV Edition
    Kentucky Route Zero is an incredibly dull and over-embellished text adventure that fails to engage, entertain, or provide much value to anyone but perhaps the uppermost art connoisseurs.
    • 70 Metascore
    • 49 Critic Score
    Scorn
    Despite showcasing an interesting visual design, Scorn is an agonizing trip through a bizarre alien world with clunky combat, glacial mechanics, boring exploration, and a misplaced narrative.
    • 69 Metascore
    • 43 Critic Score
    I Am Fish
    As one of the most frustrating games ever made, I Am Fish is a special kind of awful. With horrible traversal, unforgiving physics, inconsistent challenge, and terrible stealth sections, it is about as fun as getting your head stuck in a fishbowl.
    • 69 Metascore
    • 44 Critic Score
    Eternal Hope
    Eternal Hope had potential, and it has great presentation qualities. However, the lack of meaningful plot direction and unresponsive controls make the adventure more of a slog than it should be.
    • 68 Metascore
    • 45 Critic Score
    Song of Horror
    Song of Horror manages to provide atmospheric horror, but its lack of quality characters, unapologetically slow gameplay and heartbreaking save corruption bug make it a game that just isn't worth the time.
    • 67 Metascore
    • 40 Critic Score
    Travis Strikes Again: No More Heroes
    Travis Strikes Again: No More Heroes can be engaging and stylish when it wants to be. However, it rarely wants to be either of those things, and is instead content to be a bland, boring slog that never gets out of first gear.
    • 67 Metascore
    • 40 Critic Score
    Blair Witch
    Blair Witch, much like the rest of the franchise, is a disappointment. It's not scary, it's rarely interesting and it's not particularly fun to play. It has a solid look, but is lacking in just about every other department. I say this begrudgingly, but you're better off watching the films.
    • 64 Metascore
    • 46 Critic Score
    Serial Cleaner
    A polished, well-presented skin wrapped around thoroughly unremarkable stealth fundamentals. Serial Cleaner is not an actively antagonistic experience, just draining and unrewarding.
    • 63 Metascore
    • 49 Critic Score
    King's Bounty II
    A poor story, writing and performances coupled with outdated quest design make King's Bounty II a tough game to play through. Turn-based battles are enjoyable but can't make up for the game's numerous issues.
    • 62 Metascore
    • 47 Critic Score
    In My Shadow
    Across three hours, In My Shadow has a few puzzles that might make you stand up in your chair. But the rest of the dull, fiddly shadow-moving experience will make you wish you turned out the lights and had a nap instead.
    • 62 Metascore
    • 46 Critic Score
    The Station
    The Station lacks the storytelling it needed in order to justify playing it. The lack of gameplay could have been overlooked if the story was up to snuff, but it just simply isn't. What results is a short, boring experience that will only satisfy the most desperate of sci-fi fans.
    • 61 Metascore
    • 48 Critic Score
    Anamorphine
    Anamorphine is a narrative adventure that fails to deliver its story with enough competence to offer the player any emotionally engaging content. So what you're left with is a low-budget, brief experience with no replay value and a high asking price.
    • 61 Metascore
    • 40 Critic Score
    Godfall
    Godfall is such an unpleasant experience it's difficult for me to find anything to like. Occasionally, it flirts with just being a mediocre snooze, but then you hit an aggravating boss fight that reminds you of how poorly it was designed. It would take an entire shift in tone and genre to salvage anything offered.
    • 60 Metascore
    • 48 Critic Score
    SNK Heroines: Tag Team Frenzy
    SNK Heroines: Tag Team Frenzy was created with a specific audience in mind, and if you’re not in that audience, you can do much better. The fighter just isn’t particularly enjoyable to play, with a tepid combat engine and poor Switch performance.
    • 60 Metascore
    • 37 Critic Score
    Distortions
    Distortions adopts the negative connotations of its own name by offering an overpriced mix of poor storytelling, bad gameplay, lack of polish, and an outdated presentation.
    • 59 Metascore
    • 37 Critic Score
    Empathy: Path of Whispers
    Empathy: Path of Whispers attempts to tell a series of intriguing personal stories in a mysterious, abandoned world. The end result however is a visually dated, largely boring, and technically broken game that doesn't deserve your time and money.
    • 57 Metascore
    • 45 Critic Score
    Bloodshore
    Bloodshore finds itself stuck in a cruel circle, as a bland game adaptation of a roughly cut movie, which in turn is a bad adaptation of a game genre.
    • 56 Metascore
    • 48 Critic Score
    Choo-Choo Charles
    Crude, repetitive, rarely scary, and quite often boring, Choo-Choo Charles butchers an unusual concept and only offers a few moments of mediocre tension.
    • 55 Metascore
    • 45 Critic Score
    Bit Dungeon+
    Bit Dungeon Plus isn't the worst game around, but it doesn't do anything particularly noteworthy with its mechanics. If you're just dying for a co-op roguelike, I suppose this will do, but you can find a lot of better examples elsewhere.
    • 55 Metascore
    • 45 Critic Score
    Into A Dream
    Into A Dream has some interesting ideas, but the muddled storytelling and enjoyment-sapping gameplay stifle its ability to have a positive impact.
    • 55 Metascore
    • 41 Critic Score
    Fade to Silence
    Fade to Silence is an unremarkable and slow slog for survival through a wintry post-apocalypse. Technical problems, underdeveloped gameplay systems, and a confused tone erode away most of the enjoyment in a setting that showed potential.
    • 55 Metascore
    • 47 Critic Score
    Beat The Game
    Beat The Game does not feel like a complete game. You scour a tiny area and collect a bunch of unusual sounds for limited mixing purposes. A few well animated cutscenes are not enough reason to experience this extremely brief adventure. Aspiring DJs may be able to create something pleasing to the ear, but others will prefer the sounds of silence.
    • 53 Metascore
    • 46 Critic Score
    SolSeraph
    Painfully plain mechanics and an inadequate narrative render SolSeraph insufficient entertainment for nearly anyone. ActRaiser fans will find its flaws indefensible, and anyone else who manages to stumble upon it will fail to be captivated by the excruciatingly repetitive tower defense and tiresome action platforming.
    • 53 Metascore
    • 40 Critic Score
    Dungeons & Dragons: Dark Alliance
    Dark Alliance is a dull and unpolished multiplayer action RPG with repetitive and glitchy combat, broken online connectivity, unbalanced solo play, and more than enough technical issues to put off anyone even slightly interested in checking it out.
    • 52 Metascore
    • 40 Critic Score
    The Grand Tour Game
    The actual interactive component of The Grand Tour Game is really quite poor, with awful handling and dated presentation making the races and challenges vastly inferior to the segments they attempt to replace, in between clips from the show you've already seen.
    • 52 Metascore
    • 40 Critic Score
    Last Encounter
    Almost every good piece of design in Last Encounter is knocked down multiple pegs thanks to an oppressive grind. It successfully manages to invest you in the world and its systems, before quickly erecting barriers that direct away from the interesting features. Had the game been a bit more generous with its upgrades, or toned down the monotony, this could have been a solid roguelike.
    • 51 Metascore
    • 45 Critic Score
    The Waylanders
    The Waylanders tries to imitate a variety of mechanics from leaders of the RPG genre, but fails to implement any of them effectively, while offering nothing original apart from the astonishingly poor dialogue.
    • 51 Metascore
    • 40 Critic Score
    OVERKILL's The Walking Dead
    Overkill's The Walking Dead squanders whatever little potential it had with poor presentation, unenjoyable gameplay, technical issues, and simply poor design.
    • 50 Metascore
    • 45 Critic Score
    Generation Zero
    Generation Zero is an amalgamation of ideas, some of them pretty decent, but none executed with any great level of confidence. Despite the surprisingly strong atmosphere, gameplay annoyances and serious technical issues prevent it from having a chance to survive.
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