Continent of the Ninth isn't a horrible game, whatever the score here may indicate. The action is fun and intense early on. It just gets a little repetitive rather quickly. Once you slog through the first 20-25 levels and reach your advanced class selection and get more into the PvP side of things, the game opens up quite a bit. Unfortunately to get to that point you'll spend a lot of time running the same dungeons over and over.

The First Descendant is a game that could be great, if it wasn’t for its localization, monetization model that wants you to spend money to speed up timers or skip the long grind to unlock characters, and various performance issues. It’s a game that I have a lot of fun with, but it certainly won’t be for everyone due to its variations in quality. However, I hope the development team rectifies what issues they can, because The First Descendant could become a staple in the looter shooter genre if given enough time.

The Technomancer isn’t anything to write home about, but if you’re willing to overlook its flaws, this is Spiders’ most compelling world to date. Their vision of Mars is one that would be worth exploring even with its rough edges, if not for the sheer imbalance of a combat system that persistently drags the experience into the dregs of frustration. Spiders isn’t short on interesting ideas, it’s just the execution.

Daemon X Machina: Titanic Scion is a valiant attempt to build upon its predecessor’s successes and address the shortfalls. Its story is much more comprehensible this time around due to opting for an open-world instead of a mission-based structure. However, it still felt undercooked with potentially interesting concepts and the supporting cast’s character development wasn’t executed well enough. Even so, the customization, gameplay, and movement are just as great as ever. Just maybe choose to play on a different platform than Switch 2 to avoid the performance issues.

Throne & Liberty was a game I wanted to love. It was something I had anticipated for roughly a decade with the hope in my heart that it would be good. I see the skeleton of something I adored — the massive PvP battles, the caution that came with entering places like the Ants Nest to get rare jewelry and a social component that I honestly sorely miss. But the poor localization, an uninteresting story, and the reliance on PvP for progression makes the game a hard recommendation. It’s a shame, because there is a glimmer of something great there, but Throne & Liberty just isn’t that.

Overall, Predator: Hunting Grounds hits only on a few cylinderswhile leaving you wanting more than is currently available in the title. A universe such as this one should be shown the proper respect, instead it relys too heavily on our nostalgia with the movie franchise to entice players into taking control of an iconic film character to sell itself. And while it’s sound design is fantastic, and the combat itself can be fun for a while, it just doesn’t do enough to keep my attention for too long, making me long for a single-player campaign to bolster my fun.

The bottom line is that Echo of Soul lacks the one thing your character has to purify over and over again: soul. While doing an admirable job copying games that have come before, EoS just doesn’t provide anything new. That said, there is something a little therapeutic in just logging in and completing quests. It’s not great but it hits the spot from time to time. Just like a heaping bowl of Honey Nut Spins.

Long story short, TCG beginners or those who are drawn to the attractive artwork may be willing to overlook [Sword Girls'] shortcomings (and even learn to thrive within them) but experienced TCG players looking for an anime-enhanced gaming experience may not be so tolerant.

Legends of Aria is a tribute to some of the earliest MMORPG’s that helped define the genre that it resides in. It’s not afraid to lean into things like the grind or less than linear progression systems. This design choice leaves Aria attempting to maintain a pretty delicate balance. On the one hand, it gives players an opportunity to (re)discover what made some of the earliest MMORPG’s great. On the other hand, it can be a deterrent for players wanting to try this style of MMO out for the first time.

Achilles: Legends Untold feels like an unfinished product still working through Early Access. Combat balance and the limited amount of loot would be at the top of my list that needs improvement. You could follow that up with a wider variety of boss fights, a deeper crafting experience, and the writing and voice acting are marginal at best; maybe double down on the writing staff and cut out the voiceover altogether if there isn’t enough budget to do both well.

Although WILD HEARTS puts up a valiant effort to capitalize on the success that Monster Hunter has found in the West these past few years, it still leaves a lot to be desired. The most disappointing aspect is how bogged down it is with technical issues that prevent a seamless online co-op experience. A lot of the joy in hunting monsters is being able to do it with friends. Despite featuring cross-platform play, I preferred to play WILD HEARTS alone rather than be bothered with the slow-downs that I encountered. It shows great promise with their weapon types and the upgrading mechanics, but ultimately WILD HEARTS feels like an unfinished product. I hope that the upcoming content updates can turn that around. In the meantime, I’d look elsewhere for getting that next hunt in.

Zoria: Age of Shattering has the makings of a good CRPG. The game has hooked me, and I want to see where the story goes next, even if it is so far standard fare for a fantasy game. I like making the tactical decision of what Character to bring while exploring and how best each class can help me during combat and while encamped. But I still need to find that feeling of being fully engaged in the world, and that is because Zoria: Age of Shattering is missing some quality-of-life additions and polish. But even without that, it snagged me into exploring one more area and upgrading my keep one more time before I quit for the night. For $24.99, it's a decent pickup if you are looking to try a new CRPG.

Those of you (like myself) who are passionate about game lore may be disappointed that Eligium lacks a tangible story, despite the intermittent in-game cut-scenes. The PvP, daily quests and instance dungeons are plentiful though, so I'm sure many others out there will enjoy it a lot more than I did. The PvP community in the game was rather active during the time I spent there and some of the guilds even had three-digit figures for memberships. These people obviously managed to find the sweet spot that had eluded my grasp. Maybe you will too, but in my case, I'd rather spend my time elsewhere.

I liked After Us in the end, I appreciated the story it told and the imagery it used to tell it (even if most of it was as blunt as blunt gets). However, what could have felt like a two-hour conversation is bloated into a ten-hour lecture series due to overly large worlds with very little to do in them. It seems like there was an internal struggle between "brevity in storytelling" or "filling the world with collectibles," though unfortunately, the solution they reached was far from the most efficient. If you can stomach the slog, there's a beautiful, important message to be heard in After Us. Unfortunately, and ironically, it's buried in excess.

What I’ll take away from my time with Where Winds Meet is how much I enjoyed just roaming the open world and seeing the beautiful vistas, and how great those first hours of combat were. If developer Everstone Studio and publisher NetEase can figure out a way to make it so that future updates and additions to the game match that feeling, then there is real potential here.

One year and twelve updates in, Warframe appears to be a solid action game leveraging really excellent technology to create a fun and engaging experience. There are still some rough edges and many opportunities to amp up the variety of content, but with a compelling world and addictive, twitchy action, Warframe has a lot to offer.

Despite its shortcomings, Skull and Bones does boast stunning visuals and a few moments of thrilling naval warfare—the first time you encounter them. However, its lack of depth in gameplay mechanics and story left much to be desired. Even though it continues to evolve with a trove of promised content updates, I’m not entirely sure if I want to return to its turbulent waters. Personally, not being able to roam about my own ship or disembark on islands felt incredibly frustrating and limiting. Skull and Bones isn’t necessarily a bad game; it’s just not great. It feels like lots of pieces of rope strung together with loose knots, hastily fashioned and thrown together to show that they had a working net. Unfortunately, I don’t think that net is strong enough to be worth the $70 fish they’re trying to catch.

Honestly, I do love the gameplay. But literally everything else tangential to and surrounding the core gameplay experience is a genuine pain. What’s worse, these pain points have been solved so easily by the games Valorant is so clearly inspired. It’s a damn shame that these existing easy solutions were simply ignored. A veteran team with the experience and containing the caliber of talent like Riot should simply know better. I cannot overstate just how much this frustrates me.

New World is off to a rocky start, but if Amazon can right the ship and address real player concerns, it has the chance to be something really special. But right now, it’s an okay experience overall that leaves me wanting more in order to stick around.

Sands of Salzaar, for all intents and purposes, feels more like a work in progress as opposed to a final release. If this were an early access preview, I would say that each of the core components has potential and just needs to be fleshed out. As a final product review, I must say that even though Sands of Salzaar promises an intriguing blend of RPG and strategy elements, it fails to provide the depth and complexity needed for long-term replayability.

Return to Moria has a TON of potential, but overall I would say the worldbuilding and fantastic job they did on bringing Moria to life is what carries the title; not necessarily the survival mechanics or gameplay. Aside from singing mining songs with friends, I can’t think of much that it brings to the table that I haven’t seen done better in other survival games like Valheim or Conan Exiles. Return to Moria has definitely created an interesting and immersive world, probably one of the most lore-accurate ones I’ve seen in a while. I just wish that they had dedicated a little more time to making their combat and survival system as interesting too.

Stardock has created a game with good bones. Some of the new systems, such as the core world management and ideology system, add to/improve the game. Unfortunately, other systems feel tedious at times. They are not broken per se but are not quite there yet. They either bog down the gameplay or lack impact on the experience. The core gameplay loop is decent, but it just didn’t hook me into feeling the need to play one more turn before bed. If you enjoy the series, Galactic Civilizations IV is worth picking up. Otherwise, I would wait for a few patches or DLC to help flesh out some of the systems.

Babylon’s Fall should have fared better than it has. Hidden somewhere behind a myriad of poor choices is some enjoyable hack and slash combat. Going with an online-only, GaaS model and still sticking gamers with a $60 price tag. The strange choice of the watercolor painting art style. Taking nearly 20 before introducing any of the interesting pieces of character customization. Waiting until the player completes more than three-quarters of the story before opening up any of the side quests or resulting rewards. All of these could have easily been avoided.

Zenith: The Last City, by RamenVR, has been a hard game to rate. It is an excellent VR experience that shows what the future of a fully realized VR MMORPG could look like, and Zenith could be that MMORPG with time. The game can be a grind, especially when soloing. But the combat, group activities, and box price all are on target. Features like climbing and gliding make for a uniquely VR experience. But lack of content and the existing bugs are currently holding it back from being a must-own VR title.

There’s nothing new to see here, just a port of an old classic. For some, I’m sure that this is all that they want or need, but for others I feel that it’s a shame Dark Alliance II hasn’t been modernized - at least a little bit - to bring the gameplay more in line with the times so that it would feel more accessible to newer players. Even still, Baldur’s Gate: Dark Alliance II’s price tag at $29.99 feels too steep for what it is. Unless you’re a diehard fan of the Dark Alliance series, I’d wait for a hefty sale before picking this up.

After all is said and done, City of Steam is a decent, if unexciting, foray into a steampunk universe. It's a game to spend an hour or so on every now and again and will likely be worth visiting from time to time. But in the end, City of Steam is buried under its own lack of inspiration to be something more.

With an absolutely dead community, Brawl Busters isn't the MMO experience most people here will be looking for. It's lacking in a lot of places, but overall I'd classify Brawl Busters as average: It's great for a certain player base, but not for everyone.

Despite some of the great features Astellia brings to the table, the Astel collection system, the detailed world, and a fairly balanced combat system, it isn’t enough to break from the sheer monotony, bugs, and lack of character attachment[...] There is certainly a lot to like here, for the right MMO gamer, but I wouldn’t expect Astellia to take your heart away from your main MMO squeeze for long.