Los Angeles Times' Scores

For 16,550 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16550 movie reviews
  1. A moderately diverting thriller that builds suspense and entertains effectively... strongest selling point is Charlize Theron.
    • Los Angeles Times
  2. Glowing, amusing movie that's a good bet to lift your spirits.
  3. This is a movie for younger children -- they won't notice that the children deliver their lines with all the conviction of an airline flight boarding announcement.
  4. Thinking too much about the contents will ruin what little pleasure there is in the experience.
  5. Tiresome, inept farce that's not even a fraction as clever or entertaining as it likes to imagine it is -- a complete waste of time.
  6. Script resounds throughout with astringent dialogue and stark authenticity.
  7. With preposterously convoluted plot twists, not even Grant is enough to make us smile all the way through the end.
    • Los Angeles Times
  8. In his knockout directorial debut writer Kevin Williamson taps into such universal memories with his shrewd and energetic dark comedy.
  9. Sleek...This is one "return" that's surely welcome.
    • Los Angeles Times
  10. Adapted by Sadayuki Murai from Yoshikazu Takeuchi's novel, "Perfect Blue" creates an increasingly terrifying world and pulls you into it with the effectiveness of a Hitchcock suspense classic. [07 Oct 1999, p.F16]
    • Los Angeles Times
  11. Just another lurid, contrived, xenophobic tale about Americans trapped in hideous foreign prisons.
  12. Has it's share of downtime.
    • Los Angeles Times
  13. This aggressively stupid film is merely business as usual, a compendium of all the current obsessions and fixations that make so many of these films such unhappy experiences.
  14. Even though you could wish that Better Than Chocolate was a little more substantially developed, it nonetheless brims over with good humor and high spirits and has some moments of stunning yet tasteful eroticism. [13 Aug 1999, p.F10]
    • Los Angeles Times
  15. Droll and delicious.
  16. It's clever, amusing, clever, visually inventive, clever, well-cast .
  17. A moderately diverting entertainment as sleek and aerodynamically sound as the glider its characters tool around in, it takes no extraordinary chances and delivers no major surprises.
  18. A virulent but thoroughly entertaining trilogy of tales about the besieged lower classes of Edinburgh, ripe with vulgarity, self-loathing, violence and economic disorder.
  19. Everything falls into place and seems exactly right: the brisk tempo, the crisp, witty performances, the slightly sooty touch.
  20. Both a step back and a step forward from the trends of modern animation, it feels like a classic even though it's just out of the box.
  21. So disarmingly eerie it's virtually guaranteed to rattle the most jaded of cages.
  22. So sharp and funny it should appeal to all ages.
  23. A graceful mood piece that is infinitely moving.
  24. Runaway Bride's Josann McGibbon & Sara Parriott script is so muddled and contrived, raising issues only to ignore them or throw them away, you wonder why so many people embraced it.
  25. An example of how expert action filmmaking and up-to-the-minute visual effects can transcend a workmanlike script and bring excitement to conventional genre material.
  26. Occasionally heavy-handed and overdone -- and scarcely free from a self-congratulatory tone -- this latest spoof is nonetheless lots of fun, clever and fearless, and loaded with wicked lines and touches.
  27. Gadget instead ends up as another mindless, noisy thrill ride that gorges its audience on bright effects and leaves it queasy from overconsumption.
  28. Haunting almost serves as a reverse image of a successful film, demonstrating by what it lacks exactly what is needed to do things right. [23 July 1999, p.F15]
    • Los Angeles Times
  29. An across-the-board delight featuring a spot-on ensemble cast that treats the most awkward and embarrassing moments in the rites of passage with affectionate hilarity.
  30. This is finally a film that is better at mood than substance, that has its strongest hold on you when it’s making the least amount of sense.

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