For 16,550 reviews, this publication has graded:
-
56% higher than the average critic
-
6% same as the average critic
-
38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
-
Positive: 8,714 out of 16550
-
Mixed: 5,819 out of 16550
-
Negative: 2,017 out of 16550
16550
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
Kevin Thomas
A moderately diverting thriller that builds suspense and entertains effectively... strongest selling point is Charlize Theron.- Los Angeles Times
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
Glowing, amusing movie that's a good bet to lift your spirits.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
John Anderson
This is a movie for younger children -- they won't notice that the children deliver their lines with all the conviction of an airline flight boarding announcement.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Gene Seymour
Thinking too much about the contents will ruin what little pleasure there is in the experience.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
Tiresome, inept farce that's not even a fraction as clever or entertaining as it likes to imagine it is -- a complete waste of time.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Gene Seymour
Script resounds throughout with astringent dialogue and stark authenticity.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
With preposterously convoluted plot twists, not even Grant is enough to make us smile all the way through the end.- Los Angeles Times
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
In his knockout directorial debut writer Kevin Williamson taps into such universal memories with his shrewd and energetic dark comedy.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
Sleek...This is one "return" that's surely welcome.- Los Angeles Times
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
Adapted by Sadayuki Murai from Yoshikazu Takeuchi's novel, "Perfect Blue" creates an increasingly terrifying world and pulls you into it with the effectiveness of a Hitchcock suspense classic. [07 Oct 1999, p.F16]- Los Angeles Times
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
Just another lurid, contrived, xenophobic tale about Americans trapped in hideous foreign prisons.- Los Angeles Times
- Read full review
-
Reviewed by
-
- Los Angeles Times
-
-
Reviewed by
Kenneth Turan
This aggressively stupid film is merely business as usual, a compendium of all the current obsessions and fixations that make so many of these films such unhappy experiences.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
Even though you could wish that Better Than Chocolate was a little more substantially developed, it nonetheless brims over with good humor and high spirits and has some moments of stunning yet tasteful eroticism. [13 Aug 1999, p.F10]- Los Angeles Times
-
Reviewed by
-
- Los Angeles Times
- Read full review
-
-
Reviewed by
Kenneth Turan
It's clever, amusing, clever, visually inventive, clever, well-cast .- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
A moderately diverting entertainment as sleek and aerodynamically sound as the glider its characters tool around in, it takes no extraordinary chances and delivers no major surprises.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
John Anderson
A virulent but thoroughly entertaining trilogy of tales about the besieged lower classes of Edinburgh, ripe with vulgarity, self-loathing, violence and economic disorder.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
Everything falls into place and seems exactly right: the brisk tempo, the crisp, witty performances, the slightly sooty touch.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
Both a step back and a step forward from the trends of modern animation, it feels like a classic even though it's just out of the box.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
John Anderson
So disarmingly eerie it's virtually guaranteed to rattle the most jaded of cages.- Los Angeles Times
- Read full review
-
Reviewed by
-
- Los Angeles Times
- Read full review
-
- Los Angeles Times
- Read full review
-
-
Reviewed by
Kenneth Turan
Runaway Bride's Josann McGibbon & Sara Parriott script is so muddled and contrived, raising issues only to ignore them or throw them away, you wonder why so many people embraced it.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
An example of how expert action filmmaking and up-to-the-minute visual effects can transcend a workmanlike script and bring excitement to conventional genre material.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
Occasionally heavy-handed and overdone -- and scarcely free from a self-congratulatory tone -- this latest spoof is nonetheless lots of fun, clever and fearless, and loaded with wicked lines and touches.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Gene Seymour
Gadget instead ends up as another mindless, noisy thrill ride that gorges its audience on bright effects and leaves it queasy from overconsumption.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
Haunting almost serves as a reverse image of a successful film, demonstrating by what it lacks exactly what is needed to do things right. [23 July 1999, p.F15]- Los Angeles Times
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
An across-the-board delight featuring a spot-on ensemble cast that treats the most awkward and embarrassing moments in the rites of passage with affectionate hilarity.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
This is finally a film that is better at mood than substance, that has its strongest hold on you when it’s making the least amount of sense.- Los Angeles Times
- Read full review
-
Reviewed by