Los Angeles Times' Scores

For 16,550 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16550 movie reviews
  1. A completely charming reality-based romantic fantasy, both sweet-natured and sympathetic, Show Me Love is a leader of the pack.
  2. Dances on the edge of flat-lining just like the DOAs that are Frank's stock-in-trade.
  3. A tale that's sweet-natured, funny and surprisingly touching.
  4. A film of piercing beauty and pain.
  5. Wants to be an honest look at the problems that can beset a modern marriage, and be funny at the same time, but it doesn't have the skills or the temperament to pull all that off.
  6. Such a rigorous exploration of sexual obsession that it proves to be a most demanding film.
  7. An ambitious and largely successful documentary testimony-tribute to the founders of the so-called Beat movement.
    • 14 Metascore
    • 20 Critic Score
    A hokey doomsday/millennialist thriller.
    • 64 Metascore
    • 60 Critic Score
    Antisentimental to a fault.
  8. Too mannered and weird around the edges to be convincing.
  9. A straightforward drama done with a maturity and conviction impressive for a first film.
  10. What's most troubling about this witless mishmash of whiny, infantile philosophizing and bone-crunching violence is the increasing realization that it actually thinks it's saying something of significance.
  11. No place for literalists, but Ferrera fans should be pleased with this tale.
  12. Documents accurately the capacity of pop culture to make mongrels of its consumers. But it doesn't quite know (or want to know) what to make of it.
  13. The film's underlying concept is so irredeemably screwy and far-fetched that no amount of fine work can hope to make it convincing.
    • 26 Metascore
    • 50 Critic Score
    The film's greatest strength is the deadpan narration of Hyde Pierce.
  14. A wise and beautiful film.
  15. A shimmeringly beautiful and wise reverie on love and desire.
  16. A solid genre film that offers the satisfactions of the familiar while deriving its resonance through its specific and telling references to the '60s.
  17. If Superstar were meatloaf--and that would be an improvement--the recipe would be 4 pounds bread crumbs to 3 ounces sirloin. Make that chuck.
  18. An exceptional--and exceptionally disturbing--film from a first-time director and writer (with Andy Bienen) named Kimberly Pierce. Unflinching, uncompromising, made with complete conviction and rare skill.
  19. It is moving and has been well-crafted with much care.
    • 44 Metascore
    • 20 Critic Score
    Everything is stunningly photographed by John Mathieson, but to paraphrase Gertrude Stein, a cockroach is a cockroach is a cockroach.
  20. It is Australian Crowe, a previous non-skater, who gives the film's standout performance.
  21. It looks as if no one bothered to deliver more than the minimum requirement of magic or artistry.
  22. A hoot, a hilarious comedy that's smart and caring, yet sexy and ingenious enough that it just might stir up some of that elusive "Full Monty"-style box-office appeal.
  23. An emotion-charged tale that's also an edgy commentary on women's destinies and how they're still so largely affected by men.
  24. Off-and-on cynical and sentimental, Russell's darkly comic tale shows how much can be done with familiar material when you're burning to do things differently and have the gifts to pull that off.
    • 42 Metascore
    • 40 Critic Score
    Like the song, the movie is bouncy and catchy but disposable pop material.
  25. For all its familiar conventions and hoary improbabilities, Double Jeopardy is a relatively efficient model of its kind.

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