For 16,550 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,714 out of 16550
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Mixed: 5,819 out of 16550
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Negative: 2,017 out of 16550
16550
movie
reviews
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- By Critic Score
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Reviewed by
Kevin Thomas
Overly preachy and maudlin but is saved by its obvious sincerity and forthright sense of purpose, and further enhanced by its rich color cinematography.- Los Angeles Times
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Reviewed by
Kevin Thomas
A fervent assertion that an individual has the right to pursue his own path lies at the vibrant heart of The Business of Fancydancing.- Los Angeles Times
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- Critic Score
Much of this is involving, although the pace is so relentless that it leaves little time to breathe or grasp precisely what Reggio is attempting to say.- Los Angeles Times
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Reviewed by
Kevin Thomas
Honest and wise enough to strike the right bittersweet note.- Los Angeles Times
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Reviewed by
Kevin Thomas
A trite psychological thriller -- all buildup and no payoff, a mystery that essentially offers only two alternative solutions, which diminishes the element of surprise and strings the viewer along way past caring which possibility proves to be true.- Los Angeles Times
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Reviewed by
Manohla Dargis
It isn't just that there's something unsettling about a film that aestheticizes a crematorium; it's that there's something trivializing about the very effort.- Los Angeles Times
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Reviewed by
Kevin Thomas
There is a wonderful natural quality to Jeong's storytelling that is enhanced by cinematographer Young-hwan Choi's graceful camerawork and by a dynamic, contemporary score from M&F.- Los Angeles Times
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Reviewed by
Manohla Dargis
In Auto Focus, the strangely wonderful and weirdly touching new film from Paul Schrader, the comedy and the tragedy keep getting mixed up.- Los Angeles Times
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Reviewed by
Kenneth Turan
Certainly acceptable. But no one seeing it is going to feel as spooked as executive producer Roy Lee. To make an audience feel that intensely, you need a different kind of director and a different kind of film.- Los Angeles Times
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Reviewed by
Manohla Dargis
An execrable mess that leaves no genre cliché unturned or human body or soul untrammeled.- Los Angeles Times
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Jan Stuart
What makes Comedian more than just another documentary about the comedy club comeback of a sitcom prince is that it contrasts his struggle with that of just another stand-up climber, Orny Adams.- Los Angeles Times
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- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Gene Seymour
Certainly, Malkovich's portrayal of mob lieutenant Teddy Deserve (!) and his lacquered swagger represent the only thing here that you haven't seen a hundred times before.- Los Angeles Times
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Reviewed by
Manohla Dargis
Has a slamming first hour. As Ian Wilson's camera darts over Charles Lee's spookily atmospheric sets, enigmas sprout like mushrooms.- Los Angeles Times
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Reviewed by
Manohla Dargis
The plot doesn't rate as high as the quality of the bodies in fast, furious motion. What counts in The Transporter isn't the wafer-thin story about smugglers -- it's the way Martin kicks open a door, fends off a couple of axes and uses a perfectly ordinary sport shirt as a weapon.- Los Angeles Times
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Reviewed by
Kevin Thomas
Suspenseful and ultimately unpredictable, with a sterling ensemble cast.- Los Angeles Times
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Reviewed by
Kenneth Turan
Charming and outlandish by turns, this misfit love story of disconnected people trying to find one another in an antagonistic world is a comedy of discomfort and rage that turns unexpectedly sweet and pure.- Los Angeles Times
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Reviewed by
Kevin Thomas
Superb -- Crammed with incident, and bristles with passion and energy. Tavernier treats his actors, every last one of them impressive, as an ensemble.- Los Angeles Times
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Reviewed by
Kevin Thomas
A sweeping romantic fable about love and mortality, targets an audience of girls in their early teens, but has been made with such skill and sensitivity that its appeal spans generations.- Los Angeles Times
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Reviewed by
Kenneth Turan
This is a film without a center, a film whose young protagonist should have more texture, more of a compelling voice than she does. Through no real fault of the acting, young Astrid does not compel our attention the way she must if White Oleander is to succeed completely on the screen.- Los Angeles Times
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Reviewed by
Kenneth Turan
Moore's concern about issues is genuine, and his showboating technique is often entertaining. But he is not the most organized person in the world, and there is a scattershot randomness about this film that is both its essence and a source of frustration.- Los Angeles Times
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Manohla Dargis
Madonna may be better in this film than she's been in some of her recent endeavors, especially when she stops screeching her lines, but she's done herself no favors with her choice of material.- Los Angeles Times
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Reviewed by
Manohla Dargis
A seamless model of form and content. (My only quibble is the poor quality of the digital video, which doesn't do justice to Johnson's work.)- Los Angeles Times
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Kenneth Turan
This animated retelling of the familiar Old Testament story is playful, high-spirited and unmistakably amusing. It's nice to see that a sense of humor and a sense of values don't inevitably have to cancel each other out.- Los Angeles Times
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Reviewed by
Manohla Dargis
Doesn't have the courage of its conceit, only an abundance of bad ideas and worse taste.- Los Angeles Times
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Reviewed by
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- Los Angeles Times
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Reviewed by
Manohla Dargis
There isn't much else to the film beyond slapstick antics and professional gloss, but the results are diverting enough, in great measure because it's essentially a scene-by-scene remake Mario Monicelli's 1958 satire, "Big Deal on Madonna Street."- Los Angeles Times
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Reviewed by
Kenneth Turan
Once positions hardened, tragedy was all but inevitable, and Bloody Sunday" does the spirit of that awful day full and unforgettable justice.- Los Angeles Times
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Reviewed by
Kenneth Turan
There's no freshness here, no sense of newness or discovery. In its place, there's an earnest desire not to drop the ball, a determination to risk as little as possible in keeping this golden egg from cracking wide open.- Los Angeles Times
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