For 16,523 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,698 out of 16523
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Mixed: 5,808 out of 16523
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Negative: 2,017 out of 16523
16523
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Manohla Dargis
A seamless model of form and content. (My only quibble is the poor quality of the digital video, which doesn't do justice to Johnson's work.)- Los Angeles Times
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Reviewed by
Kenneth Turan
This animated retelling of the familiar Old Testament story is playful, high-spirited and unmistakably amusing. It's nice to see that a sense of humor and a sense of values don't inevitably have to cancel each other out.- Los Angeles Times
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Reviewed by
Manohla Dargis
Doesn't have the courage of its conceit, only an abundance of bad ideas and worse taste.- Los Angeles Times
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Reviewed by
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- Los Angeles Times
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Reviewed by
Manohla Dargis
There isn't much else to the film beyond slapstick antics and professional gloss, but the results are diverting enough, in great measure because it's essentially a scene-by-scene remake Mario Monicelli's 1958 satire, "Big Deal on Madonna Street."- Los Angeles Times
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Reviewed by
Kenneth Turan
Once positions hardened, tragedy was all but inevitable, and Bloody Sunday" does the spirit of that awful day full and unforgettable justice.- Los Angeles Times
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Reviewed by
Kenneth Turan
There's no freshness here, no sense of newness or discovery. In its place, there's an earnest desire not to drop the ball, a determination to risk as little as possible in keeping this golden egg from cracking wide open.- Los Angeles Times
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Reviewed by
Kenneth Turan
Though the cast ends up looking good, the film's unwillingness or inability to have things add up hurts everyone's efforts.- Los Angeles Times
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Reviewed by
Kenneth Turan
Chan is still able to project the boyishness and insecurity of the new kid on the block. But even those aren't enough to make Tuxedo a black-tie affair.- Los Angeles Times
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Reviewed by
Kevin Thomas
A wrenching, uncompromisingly bleak film, but its stars, who include talented newcomer Noah Watts as Mogie's son and Lois Red Elk as the brothers' staunch aunt, fill the screen with warmth, humor and spiritual yearning in the face of hardship and tragedy.- Los Angeles Times
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Reviewed by
Kevin Thomas
A handsome, intelligent film of rigorous austerity; unfortunately, for all its seriousness of purpose and fine performances, it's also a boring film about boring people.- Los Angeles Times
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Reviewed by
Kevin Thomas
Starts encouragingly and finishes strongly with a twist, but the middle is weighed down by too much discourse when it should be visually evoking its ideas and developing its mood of unease.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Manohla Dargis
One of the better documentaries I'd seen in years -- it plays like a suspense thriller because that's exactly what it is.- Los Angeles Times
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Reviewed by
Kevin Thomas
A shimmering fable of innocence and experience set in contemporary Los Angeles and Pasadena (its title is a nod to Virgil's "Aeneid"). Phillip Jayson Lasker's tartly knowing script, with the kind of witty dialogue that's all but vanished from American movies, recalls Hickenlooper's "The Low Life."- Los Angeles Times
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Reviewed by
Kevin Thomas
While Pantaleón does have its scorching erotic moments and skewers establishment hypocrisy toward prostitution, it lacks the originality and complexity of "Y Tu Mamá."- Los Angeles Times
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Reviewed by
Manohla Dargis
Wasabi dawdles and drags when it should pop; it doesn't even have the virtue of enough mindless violence to break up the tedium of all its generational bonding.- Los Angeles Times
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Reviewed by
Manohla Dargis
The South takes another beating in Sweet Home Alabama, but that's nothing compared with the one conferred on the sweetheart personality of its pint-sized Gen. Sherman.- Los Angeles Times
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Reviewed by
Kenneth Turan
What's on screen is too honest and from the heart to totally dismiss but too slick and contrived to completely embrace. This is a film that cares about genuine emotion but also wants to tame it, to tidy it up and keep it confined to quarters.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kevin Thomas
The period is evoked with care and imagination, and the film glows with Peter Zeitlinger's cinematography. It has some bravura images and surreal moments typical of Herzog, and composers Hans Zimmer and Klaus Badelt have contributed a lovely score.- Los Angeles Times
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Reviewed by
Kevin Thomas
It's a persuasive spiritual journey, sentimental at times but never hopelessly cloying.- Los Angeles Times
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Reviewed by
Manohla Dargis
There's no defense for movies like these, but neither do they warrant apology; they're irresistibly watchable, like car wrecks.- Los Angeles Times
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Reviewed by
Kenneth Turan
All these intriguing good intentions, however, have largely gone for naught because of a variety of missteps, starting with an increasing implausible plot as well as the fact that Ledger's Harry looks about as likely to pass for an Arab as the Mahdi is to pass for Queen Victoria.- Los Angeles Times
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Reviewed by
Kenneth Turan
A practiced piece of Hollywood hokum, way too calculated and contrived, especially for a film that nominally celebrates the chaos and creativity of the 1960s.- Los Angeles Times
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Reviewed by
Kenneth Turan
Not the kind of unwatchable mess you might assume a film withheld from reviewers' scrutiny would be. It is, however, something equally unfortunate: a mess you'd rather not be watching.- Los Angeles Times
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Reviewed by
Kevin Thomas
This graceful and wise film moves to its denouement with subtlety and, at its end, strikes a note that seems just right for all that has gone before.- Los Angeles Times
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Reviewed by
Manohla Dargis
Although it starts off vaguely amusing, 8 Women grows progressively sour, curdled by the filmmakers' bad faith and lack of compassion. It isn't just the tone that's off; it's the point.- Los Angeles Times
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Reviewed by
Manohla Dargis
For all the dolorous trim, Secretary is a genial romance that maintains a surprisingly buoyant tone throughout, notwithstanding some of the writers' sporadic dips into pop Freudianism.- Los Angeles Times
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Reviewed by
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- Los Angeles Times
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