Los Angeles Times' Scores

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For 16,550 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
  1. Positive: 8,714 out of 16550
  2. Mixed: 5,819 out of 16550
  3. Negative: 2,017 out of 16550
16550 movie reviews
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  1. xXx
    Built of action-sport stunts, has adrenaline to spare. But, c'mon. Where is its sense of fun?
  2. The City of Lost Souls
    There's enough atmosphere, mayhem and just plain energy to make the film a viable midnight movie.
  3. 24 Hour Party People
    Amazing, rich in authentic period atmosphere and detail, an ever-changing cyclorama of a movie.
  4. Blood Work
    There's a certain pleasure in seeing a thriller that's almost a relic of a bygone era. There's nothing flashy about Blood Work, no in-your-face nihilism, no hot young actors you'd know from the WB network if you ever watched it.
  5. Spy Kids 2: Island of Lost Dreams
    Though it's longer and more elaborate than it needs to be, it shares its predecessor's smart but relaxed sense of humor, a sophisticated imagination and the ability to be sharp and playful without being malicious.
  6. The Good Girl
    The extraordinary quality of White's script and Arteta's direction lifts the meticulously cast actors to the height of their abilities. "Friends" star Aniston digs deep but is never showy. Reilly reveals the tenderness, vulnerability and hidden depth that can lurk within a slob, and Nelson has some of the film's most outrageously funny and inspired moments.
  7. Martin Lawrence Live: Runteldat
    Lawrence is a no-holds-barred stand-up comedian who gets away with the strongest, most graphic language because he is so funny and because he makes himself the object of so much of his humor.
  8. Full Frontal
    When a set of pre-shooting guidelines a director came up with for his actors turns out to be cleverer, better written and of considerable more interest than the finished film, that's a bad sign. A very bad sign.
  9. One Last Kiss
    Its portrait of the many ways we can complicate our romantic lives may have a few serious moments, but it's intended to go down easy, and that's what it does.
  10. The Master of Disguise
    But even Carvey's protean talent can't dent this ponderously unfunny and uninspired comedy. It's hard to imagine anyone older than 10 being diverted by its broad buffoonery, and kids deserve better than this in the first place.
  11. Signs
    Shyamalan's great gift is the creation of atmosphere, the conjuring of spooky, unseen menace. When he gets around to doing this in Signs, all is well, but it's a tossup as to whether the film offers enough of a payoff considering how long it takes to get where it's going.
  12. Merci Pour Le Chocolat
    Once again Chabrol's son Mathieu has composed a crucially evocative score, and Renato Berta's cinematography is gleaming. Merci Pour le Chocolat crackles with wit and elegance, humor and pathos.
  13. The Kid Stays in the Picture
    A witty, colorful and poignant account of the life and times of producer Robert Evans.
  14. Swimming
    Ambrose's Frankie, who is more intelligent and capable of reflection than those around her but is even more unworldly than she realizes, is tremendously appealing.
  15. Lan Yu
    Assured, vital and well wrought, the film is, arguably, the most accomplished work to date from Hong Kong's versatile Stanley Kwan.
  16. I Am Trying to Break Your Heart
    An exciting and involving rock music doc, a smart and satisfying look inside that tumultuous world.
  17. The Country Bears
    After a while, the only way for a reasonably intelligent person to get through The Country Bears is to ponder how a whole segment of pop-music history has been allowed to get wet, fuzzy and sticky.
  18. Who Is Cletis Tout?
    A gem of a romantic crime comedy that turns out to be clever, amusing and unpredictable.
  19. Austin Powers in Goldmember
    The only thing that won't make you laugh, unless you've got a 12-year-old's sense of humor, is the film's tireless parade of gross-out gags and scatological verbal jests. Myers gets a charge out of this material--it wouldn't be here if he didn't--but so much of it is so tedious it's difficult to believe an adult actually sat down and wrote it.
  20. Happy Times
    This is a film that goes its own way to the end as it asks the audience, "What you just saw, were they happy times or not?" The question is a good one, and the answer, like this film, is sure to stay with you.
  21. K-19: The Widowmaker
    K-19's determination to push hard for self-congratulatory morals and convenient resolutions undercut the film's strengths and make it more conventional.
  22. Lansdown
    Though there's a thin noir line between lust and hate, Lansdown delivers nothing to stir the passions of filmgoers one way or the other.
  23. Stuart Little 2
    Like many modern children's films, Stuart Little 2 can't decide between teaching good values ("You're only as big as you feel") and tossing out fake-hip jokes. Though it doesn't happen as often as it should, this is a better film when it allows itself simply to be sweet.
  24. Tadpole
    The witty coming-of-age film is marred by an uneven, digitally shot look, a disservice to its first-rate cast.
  25. Eight Legged Freaks
    So why does Eight Legged Freaks make one laugh out loud even though there is nothing revolutionary about its approach to the giant bug genre? -- the movie is so unapologetic in its crassness that it disarms even the fussiest connoisseur of throwaway disaster flicks.
  26. Langrishe Go Down
    Unearthing even the roughest gems serves a programming purpose, but in this case it has also led to a theatrical release of a movie that looks like a muddy second-generation Xerox and contains all the emotional and intellectual appeal of cold tea and soggy toast.
  27. All About Lily Chou-Chou
    Continually jarring. Although the film's narrative thread may prove chronically elusive, Iwai's depiction of what life can be like for far too many teens comes across loud and clear.
  28. My Wife Is an Actress
    The French are very good at taking sit-commy setups and cloaking the machinery with charming and surprisingly resonant comic nuance.
  29. The Crocodile Hunter: Collision Course
    So refreshing and funny and, in its way, sophisticated.
    • 70 Metascore
    • 80 Critic Score
    Tosca
    Altogether, this is successful as a film, while at the same time being a most touching reconsideration of the familiar masterpiece.
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