Los Angeles Times' Scores

For 16,526 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16526 movie reviews
  1. It's a privilege and a pleasure to be present in a sacred space where the human and the mystical effortlessly intertwine, and we are in Werner Herzog's debt for that great gift.
  2. Hansel and Gretel are this movie's breakout stars, but it's not enough to make Hoodwinked Too feel like anything but a storybook hurled straight at your head.
  3. The sheer audacity of Fast Five is kind of breathtaking in a metal-twisting, death-defying, mission-implausible, B-movie-on-steroids kind of way. Not complaining, just saying.
  4. Director Satyajit Bhatkai has brought plenty of energy to an imaginative and thoughtful script by many hands.
  5. That there is little difference in tone between the end credits gag reel and the previous 100 minutes represents a triumph of consistency that Burt Reynolds, even in his heyday, never achieved.
  6. Despite its family-friendly trappings, "Cats" is largely serious stuff; deliberately paced, thematically dark and often wistfully told, with enough moments of survival-oriented tension and dread to question its G rating.
  7. Spurlock creates a good time along with some surprisingly salient observations as he tries to keep his balance on this very slippery slope.
  8. The past is where all the intrigue of the movie lies, and that is where the film is at its most compelling, with the present sometimes wilting in the desert heat.
  9. Writer-director Steven Silver (with an able assist from cinematographer Miroslaw Baszak) captures this brutal time - which led to the country's first free, multiracial elections in 1994 and the end of apartheid - in vivid, often bold, but never overpowering strokes.
  10. Unexpectedly flatfooted when it should be light on its toes, Legend of The Fist fails to pack much of a punch.
  11. A lame, tedious comedy.
  12. A lyrical poem for some, like watching paint dry for others. I'd argue for embracing the poetic, a rare commodity in American films these days.
  13. A film of rare visual poetry that's simultaneously personal, political and philosophical, it's a genuine art film that's also unpretentious and easygoing.
  14. If the circus is a hierarchical pyramid, August is at the very top. It's a part tailor-made for the accomplished Waltz, an Oscar winner for "Inglourious Basterds," and he eats it alive.
  15. Epic and intimate, historical and contemporary, moving and thought-provoking, the impressive The Princess of Montpensier has something for all and sundry but especially for those who like to believe that films can be as boldly intelligent as they are entertaining.
  16. The lovely, heartbreaking Fly Away benefits from superb performances and a gripping story managed with simplicity and grace by writer-producer-director Janet Grillo.
  17. This often risible head-scratcher never cracks the surface of its muddled ambitions, largely wasting its iconic settings on a series of motley interactions, Tinseltown trivia and self-conscious philosophizing.
  18. Posthumous albums and now this film are securing his legacy and enduring influence.
  19. The road trip provides some spectacular images, but it's the two protagonists that hold the most interest. Their reactions are unpredictable; their insights, illuminating and often quite funny.
  20. In only his second feature, Frammartino has found a fresh and ravishingly poetic and beautiful way to explore the relationship between the spirit, man and nature.
  21. Beyond his (Reeves) performance, the film's ungainly mix of heist, romance and backstage comedy never jells. It's never painful, though, especially when James Caan and Vera Farmiga are onscreen. But there's only so much life anyone could breathe into this inert caper.
  22. The resolution and strength of Wright's unimpeachable performance makes the whole story seem flesh-and-blood real in a way that it would not otherwise be.
  23. Rio
    What we have here is truly a rare bird, and I'm not talking about the world's last two blue macaws...No, the nearly extinct species of which I speak is the G-rated family movie - nice for a change to sit through a film with literally no cringe or fear factor.
  24. The kills themselves are both bountiful and bloody, the movie references are brilliant and bloody, the funny is very frequent and very frequently bloody, but to say any more would ruin the boo.
  25. Winston Churchill: Walking With Destiny nonetheless serves as an informative look back at one of the 20th century's most celebrated figures. (Nov 4, 2010)
    • Los Angeles Times
  26. Blessed with considerable virtues, including a clever concept, crackling filmmaking and a charismatic star, it ultimately squanders all of them, undone by an unfortunate lack of subtlety and restraint.
  27. A marvel of a documentary, a clear-eyed and affectionate film that tells a remarkable story with both visual and personal sensitivity. More impressive still, it's largely the work of one man.
  28. The film is at its best when it's just Brody stuck in the car.
  29. In some ways this film's biggest failing is that it can't decide who's story it is telling.
  30. The film captures the particular listlessness of youth in summer, the passed pipes and lazy swims in the gorge or the backyard pool. The adolescent posturing is equal parts toughness and vulnerability.

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