Los Angeles Times' Scores

For 16,526 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16526 movie reviews
  1. That Soul Surfer rates as a giant leap for this team speaks well about the conviction the movie's actors bring to the material as well as the respect afforded the Hamiltons and their faith.
  2. Although it runs just a fleet 40 minutes, the film proves a rich and memorable journey.
  3. Meanwhile, Mirren, that grande dame of cinema, just seems tired. And who could blame her? She's in the midst of this disaster, literally and figuratively dying right in front of us. Made me want to cry, just not for Arthur.
  4. To fully appreciate the extreme lowness of Your Highness, it's best to accept that this sometimes witless and sometimes winning comedy has absolutely no socially redeeming value.
  5. If the scenario is unconvincing, debuting writer-director Max Winkler has a feel for the dynamics of this kind of ritualized yet informal social gathering, and his affection for his characters is clear.
  6. This impeccably made film is chock-full of enlightening and sometimes bizarre moments.
  7. Where Gunn's last feature "Slither" was an enjoyably icky, funny riff on schlocky horror tropes, the split-personality Super merely repels with half-baked ideas, Wilson's and Page's scorched-earth overacting and atonal bursts of jokey gore.
  8. If you meet the fiendishly deadpan Rubber halfway, its assured mix of cinephile artiness and grindhouse spoof will offer some oddball surprises.
  9. Canner's deft exposé also makes clear that some of the highest-profile "experts" are shills for Big Pharma, and that genital mutilation is thriving in the West, in the form of cosmetic surgery.
  10. An underwhelming jumble.
  11. Falls squarely into the a-family-needs-to-eat category, because there is a careless lack of attention about the whole thing, something that could be perceived as smugness if the film didn't feel so haphazard and lazy.
  12. It's the best kind of unforced filmmaking, able to make its points with delicacy and tact. And the best thing about it is that it is Bottaro's feature directing debut. We have a lot to look forward to.
  13. One of the places where In a Better World is especially successful is comparing and contrasting the moral worlds of children and adults, showing how difficult but essential it is for each group to learn from the other.
  14. Unfortunately, this well-acted cautionary tale is hampered by a lack of visual finesse and a script in need of a narrative rethink and a dialogue polish.
  15. Hop
    Its CGI renderings are no better or worse than last month's or next month's animation family outing. Its vocal talent - led by Russell Brand and Hugh Laurie - is suitably star-powered. The only thing missing is any real wonder, imagination or comic verve.
  16. With a twisty, mind-bending plot that frequently changes direction and occasionally overreaches, Source Code wouldn't work at all without a cast with the determination and ability to really sell its story.
  17. The clichés are what make White Irish Drinkers a drearily predictable bout, so much so that the decent last-round plot twist that momentarily dazes is immediately undercut by the sappy, life-changing-fuh-EV-uh jab telegraphed from the beginning.
  18. By turns flat and strained, Peep World is a collection of personality disorders in search of a story.
  19. Helping to keep this ship from keeling over is the great professionalism and light touch of Deneuve and Depardieu. Costars numerous times, they go together as comfortably as an old pair of gloves. Potiche very much counts on this, and it has not miscalculated.
  20. Front and center in all of this, though he clearly would rather not be, is Cunningham himself, a man of enormous good cheer who gets riled only when he fears his creative prerogatives are being infringed on.
  21. Director David Bowers keeps things peppy and brightly lighted, but the movie's swiftest pleasures come from moment-seizing cast members.
  22. The lack of a compelling lead figure, combined with Schnabel's tentative approach to the material, casts the film's later stretches in the balmy glow of soap opera.
  23. A wonderfully wild provocation - an imperfect, overlong, intemperate and utterly absorbing romp through the id that I wouldn't have missed for the world.
  24. A lovely performance by Ethiopian supermodel-actress Liya Kebede as supermodel-activist Waris Dirie works wonders to elevate this uneven, occasionally awkward but often absorbing film.
  25. The intricate plotting that distinguished the book overwhelms the movie.
  26. Straightforward and solid but only mildly involving.
  27. In key spots, thanks to Simmons' brilliantly wounded gruffness and Pucci's nimble toggling act between vacancy and awakened spirit, The Music Never Stopped achieves an admirable poignancy about our emotional, healing relationship to the songs we love.
  28. Tells a tale that is stranger than fiction several times over. Viewers of this remarkable documentary will be astonished at not only what this art looks like and why it's forbidden, but also where it is and how it got there.
  29. Ultimately suffers from a late-inning collapse into thematic obviousness and multiple endings.
    • 54 Metascore
    • 40 Critic Score
    Atmosphere is about all Cracks has going for it. Although it's nominally set between the wars, the movie feels rootless and adrift, less a fable than a story only half told.

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