Los Angeles Times' Scores

For 16,523 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16523 movie reviews
  1. This is one grand adventure, and, animated or not, those are always welcome.
  2. For all its gifted collaborators, "Film" was not a match made in heaven. But for moviegoers who care about film not just as a title, Notfilm can be unreservedly recommended.
  3. A sensitively wrought profile in courage, hope and self-respect that's truly transfixing.
  4. Made with gusto, daring and visual brilliance, this stripped-down, jazzed-up “Richard” pulsates with bloody life, a triumph of both modernization and popularization.
  5. The movie’s physicality is never pushed to suggest suffering. It’s like a constant meditation, something to absorb and exhale.
  6. Rather than being a film about an artist, it’s an attempt to show us what it's like to actually be an artist.
  7. Easily the most thrilling thriller in recent memory, Crush the Skull seems destined for cult status.
  8. Showing an unobtrusive mastery of camera movement, Bi lends concrete form and rich dramatic life to the Buddhist notion that past, present and future are all equally untenable.
  9. Bleak, naturalistic and flawlessly acted, Graduation distills the mood and moral decay of a place whose gray skies and nondescript housing blocks feel like permanent reminders of its dark history.
  10. The world of The Salesman isn’t quite as intricately imagined as some of its predecessors, and the story’s sleuthing element, while absorbing, often feels more narratively expedient than germane. But if the setup is creaky, the payoff, when it arrives, is a thing to behold.
  11. Loving is an unpretentious film about unassuming real people, but don't let that mislead you. Just as Richard and Mildred Loving ended up overturning the status quo and making American legal history, so this feature on their lives by writer-director Jeff Nichols turns out to be a film of quiet but quite significant strengths.
  12. Personal Shopper is a gripping portrait of solitude, which is to say it’s a hell of a one-woman show for Stewart, the rare actress who can blur into the background and magnetize the camera in the same scene.
  13. Its title a sly reference to what distinguishes men from beasts, Staying Vertical hinges on the tension between primal instincts and socially proscribed behavior. Guiraudie isn’t just trying to decimate sexual taboos; he is also taking gently comic aim at the overly rigid roles into which people tend to lock themselves.
  14. That Hell or High Water makes you empathize with and understand (though not excuse) each member of this disparate quartet is a tribute to the way Taylor Sheridan’s screenplay works equally well as a thriller, character study and pointed social commentary.
  15. Although informed by the busy workings of history, politics and personal affairs, Neruda proceeds like a light-footed chase thriller filtered through an episode of “The Twilight Zone,” by the end of which the audience is lost in a crazily spiraling meta-narrative. Who exactly is the star and author of that narrative is one of the film’s more enticing mysteries.
  16. Raw
    Julia Ducournau, making a stellar feature writing-directing debut, fosters the kind of disquieting intimacy with her characters that leaves us continually uncertain of whether we should fear them or fear for them.
  17. The Happiest Day in the Life of Olli Maki is a lovely piece of work, a sweet, warmly observed tale overlaid with just the right amount of Scandinavian melancholy, a combination that perfectly suits its quietly engaging protagonist.
  18. Gibney’s film cuts across subjects and genres with its own fluid, quicksilver intelligence.
  19. If this film portrait stirs deep emotions, they spring from a breathtakingly unsentimental embrace of life at its most challenging.
  20. Just when you thought you had seen every permutation of the “making of a band” documentary, along comes Breaking a Monster, a thoroughly engaging portrait of Unlocking the Truth, a heavy metal outfit composed of African American middle schoolers.
  21. In following this couple, Jin’s film celebrates the wonder and magic of every single life; finding the extraordinary in the ordinary.
  22. [Williams] spent two years on this project, and the trust everyone involved placed in him allowed for an emotional honesty that is Life, Animated's greatest strength.
  23. Artfully calculated and authentically felt, the unexpectedly effective Summertime combines the conventional structure of classic movie romance with a sensual same-sex frankness that couldn't be more up-to-date.
  24. One of the most fascinating things about Under the Sun is the contradictory thoughts it inspires.
  25. Perhaps it’s best to appreciate Demon not for what it implies but for what it simply and unmistakably is: A bravura testament to a talent silenced far too soon.
  26. The film’s quiet impact comes as it leads us along John’s journey to understanding this disability as an unexpected, but ultimately accepted, gift.
  27. Long Way North is a complete pleasure, a gorgeous piece of wide-screen animation that is as delightful as it is unexpected.
  28. What “black lives matter” means in essence, one of this film’s voices says, “is that all lives matter,” a point “13th” makes with undeniable eloquence as well as persuasive force.
  29. What emerges is a rich portrait of one of 20th century pop culture’s great facilitators, whose keen observations, quirky personality and natural affinity for the outré helped greatness happen.
  30. Ahn’s erotically charged, quietly devastating drama suggests David might yet find a way to be true to himself, but it finds no easy answers for this good son.

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