For 16,523 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,698 out of 16523
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Mixed: 5,808 out of 16523
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Negative: 2,017 out of 16523
16523
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Katie Walsh
Nathaniel, a native of Pakistan, has delivered a stunning, emotive work that takes to task oppressive patriarchy. It's a gorgeous, suspenseful cinematic achievement.- Los Angeles Times
- Posted Oct 16, 2015
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Reviewed by
Sheri Linden
Finlay unearths a fascinating biography filled with reversals, comebacks and false starts.- Los Angeles Times
- Posted Dec 10, 2015
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Reviewed by
Kenneth Turan
The film surprises with the amount of genuine emotion it generates with its focus on love, loyalty and what matters most in life, to humans as well as toys.- Los Angeles Times
- Posted Jun 13, 2019
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Reviewed by
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Reviewed by
Kenneth Turan
Though it would be unrealistic to expect "Incredibles 2" to have quite the genre-busting surprise of the original, it is as good as it can be without that shock of the new — delivering comedy, adventure and all too human moments with a generous hand.- Los Angeles Times
- Posted Jun 11, 2018
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Reviewed by
Justin Chang
Even as it moves from tender ethnographic portraiture into a realm of hushed, intimate tragedy, Ixcanul quivers with a fierce if understated feminine energy.- Los Angeles Times
- Posted Aug 25, 2016
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Reviewed by
Kenneth Turan
Don't mistake the brief running time of India's Daughter for a lack of importance or ability to involve. Though it lasts only 63 minutes, this documentary's impact is devastating.- Los Angeles Times
- Posted Oct 29, 2015
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Reviewed by
Katie Walsh
It's a very, very funny film but also sweetly sad and poignant, echoing the mix of humor and pathos that marks a New Yorker cartoon exactly what it is.- Los Angeles Times
- Posted Nov 19, 2015
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Reviewed by
Noel Murray
Collectively, the mixed approaches illuminate a complicated man, at once spiritual and temperamental.- Los Angeles Times
- Posted Dec 17, 2015
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Reviewed by
Kenneth Turan
Only Yesterday is a realistic, personal story made universal in a delicate way.- Los Angeles Times
- Posted Feb 25, 2016
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Reviewed by
Justin Chang
It recognizes that our most cherished legends are an endless source of consolation in times of suffering and loss, as well as a vital repository of cultural and generational memory. If that message sounds trite or familiar, it has rarely been driven home with this much conviction and intensity of feeling.- Los Angeles Times
- Posted Aug 18, 2016
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Reviewed by
Justin Chang
Written and directed by the gifted first-timer Kelly Fremon Craig, and graced by a superb star turn from Hailee Steinfeld, The Edge of Seventeen is the rare coming-of-age picture that feels less like a retread than a renewal. It’s a disarmingly smart, funny and thoughtful piece of work, from end to beginning to end.- Los Angeles Times
- Posted Nov 17, 2016
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Reviewed by
Michael Rechtshaffen
Employing a restless, constantly moving camera and deliberately isolating soundscapes, the meditative and often mesmerizing film confronts the global issue of swelling immigration in the face of steely bureaucratic indifference with a disarming grace and palpable humanity.- Los Angeles Times
- Posted Dec 17, 2015
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Reviewed by
Kenneth Turan
Colliding Dreams is a film of ideas and a film of history, a thorough and engrossing look at the root causes of the tortured relationship between Israel and the Palestinians.- Los Angeles Times
- Posted Mar 3, 2016
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Reviewed by
Sheri Linden
Ira Sachs’ beautifully observed Little Men zeros in on teen-spirit qualities that might, by conventional standards, be considered less cinematic: creativity and innocence, a tender spark brought to life by terrific newcomers Theo Taplitz and Michael Barbieri.- Los Angeles Times
- Posted Aug 10, 2016
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Reviewed by
Justin Chang
It’s terrific — a quick-witted entertainment, daring and familiar by turns, that also proves to be sweet, serious and irreverent in all the right doses.- Los Angeles Times
- Posted Nov 28, 2018
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Reviewed by
Katie Walsh
While the situation seems at times dire, Trapped contains a distinct hopeful streak that is at once defiant and singularly human.- Los Angeles Times
- Posted Mar 3, 2016
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Reviewed by
Justin Chang
It’s been a while since a film so powerfully evoked the thrilling possibilities and wasted pleasures of the open road.- Los Angeles Times
- Posted Sep 29, 2016
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Reviewed by
Justin Chang
The strength of The Witness lies in its recognition that the truth is often not just elusive but unattainable.- Los Angeles Times
- Posted Jun 16, 2016
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Reviewed by
Kevin Thomas
At every turn, Reichardt confounds predictability, confronting us with the awful banality of many people's everyday lives rather than providing her characters with an escape from it. Yet Reichardt is so agile, ingenious and funny that she can make a lively, entertaining movie about how life isn't like the movies.- Los Angeles Times
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Reviewed by
Kenneth Turan
Every once in a while, a small, unheralded film comes along, so smart and funny, such a pleasure to experience, you can't believe your luck. Hunt for the Wilderpeople is such a film.- Los Angeles Times
- Posted Jun 23, 2016
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Reviewed by
Kenneth Turan
If this labor-of-love portrait is any indication, forgetting Frank Zappa is not going to happen any time soon.- Los Angeles Times
- Posted Jun 23, 2016
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Reviewed by
Robert Abele
Lo and Behold: Reveries of the Connected World is just the kind of percolating, wry probe we need into this fast-moving, digitally monopolizing age.- Los Angeles Times
- Posted Aug 18, 2016
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Reviewed by
Kenneth Turan
It's heartbreaking stuff, and Newtown handles it all with a gentle grace.- Los Angeles Times
- Posted Oct 13, 2016
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Reviewed by
Justin Chang
The story floats along like an intoxicating cloud of vice — an effect that Wood achieves with a throbbing, surging soundtrack and an alternately propulsive and hypnotic sense of camera movement. By the time the sensory rush dissipates and the hangover sets in, only Wood’s sharply observant social critique remains.- Los Angeles Times
- Posted Sep 8, 2016
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Reviewed by
Robert Abele
The real skill in Lane’s colorful tale about self-made millionaire, “inventor” and maverick John R. Brinkley is that it revels in how fun it is to believe in the unbelievable, and how sinisterly effective the mixture of fact and fiction can be. That includes, Lane eventually reveals, documentaries themselves.- Los Angeles Times
- Posted Jul 7, 2016
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Reviewed by
Justin Chang
The movie may look like disposable goods — it’s a sequel, a shoot-’em-up, starring an actor too often treated as a punchline — but it is also a connoisseur’s delight, a down-and-dirty B-picture with a lustrous A-picture soul.- Los Angeles Times
- Posted Feb 9, 2017
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Reviewed by
Martin Tsai
Crass and macabre, yet big-hearted, it makes a wonderfully adult bedtime story.- Los Angeles Times
- Posted Feb 24, 2016
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Reviewed by
Justin Chang
Without sacrificing his taste for psychosexual perversity or his flair for violent grace notes, Park has given us a teasingly witty and elegant puzzle-box of a thriller whose pleasures are rooted not in visceral shock but in narrative surprise, and which wisely opts to seduce rather than pulverize its audience.- Los Angeles Times
- Posted Oct 20, 2016
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Reviewed by
Kenneth Turan
Faucon, whose own grandparents came to France without speaking the language, has a gift for artfully removing the melodrama from potentially overheated situations, leaving behind a scenario that is honest, direct and dramatic without any sense of special pleading or situations pushed too hard.- Los Angeles Times
- Posted Sep 15, 2016
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Reviewed by
Kenneth Turan
What pulls us into Fireworks Wednesday is the universality of the emotions its characters display and the familiarity of the situations they find themselves in. Farhadi is a master navigator of these waters, and even his earlier films reward our close attention.- Los Angeles Times
- Posted Apr 9, 2016
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