Los Angeles Times' Scores

For 16,523 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16523 movie reviews
  1. This is a director's film, and Ostlund knows precisely the effects he is after. This filmmaker is in control at each and every moment, and does he ever know what he is doing.
  2. McGarry has created something that feels personal, vital and revelatory, allowing the rest of us behind the curtain.
  3. Bagdad Cafe, which Adlon wrote with his wife, Eleonore, and Christopher Doherty, is a miracle of timing and control for all its aura of zany, off-the-cuff spontaneity. It is the work of a director who has such a clear idea of what he wants and where he's going that he can take his time to build up every joke for the maximum payoff.
  4. Grainily shot but radiating life, The Amazing Catfish is an enormously affecting portrait of a family in crisis that dares to hope.
  5. It's a terrific little film worthy of discovery.
  6. It may seem like nothing much is happening on-screen, but by the time A Summer's Tale is all over, it feels like everything important has been said and done. Welcome to the magic of Rohmer, one final time.
  7. Bridge of Spies is a consummate professional's tribute to a gifted amateur, a smooth entertainment with a strong but subtle political subtext that's both potent and unexpected.
  8. Like everything else about this lovely film, life, love and emotional growth are marked out in lush, languid, luminous terms.
  9. Slaboshpytskiy has made one of the most unusual and disturbing films about criminality of the new century.
  10. The Martian is a film that respects the geekiest among us, and that pays off all around.
  11. American Sniper is at its best when it deals with the assembly-line-of-death relentlessness of combat for Kyle, how it simultaneously consumes him and wears him down, and how, to his wife's distress, it turns the civilian life he returns to between tours of duty into the aberration, not the norm.
  12. Composed of breathtaking images and cheeky bits of humor, Dencik's travelogue reveals a journey with curious traces of the past, eye-popping encounters with a wild present and — in discovering an oil company's ship in the group's midst — a weighted reminder of our future as stewards of the Earth.
  13. Pride is an unapologetic crowd-pleaser of a movie, but it has some potent points to make, and the reality of what happened has a power of its own.
  14. Thoughtful as well as sensual, particular yet universal, it is the kind of expertly made examination of the human condition we can never have too many of.
  15. It's a B movie made with A-student love for the relentless thrill of bodies in brutal motion.
  16. For all its S&M specificity — down to earth and sometimes comical — the movie holds its beveled mirrors up to the role-play, ritual and compromise in all love relationships.
  17. In the penetrating character study that is Far From Men, existentialism has never felt so intimate.
  18. Beginning with a gentle lullaby and ending with a tightly packed wallop, Goodnight Mommy is one viscerally chilling, seriously unsettling horror film.
  19. As lengthy and passionate as a drawn-out kiss, Beloved Sisters is a beautifully made romantic drama set in 18th century Germany that's smart, sensual and emotionally resonant.
  20. Though the breathless tale and full-throttle tunes give "Filmage" plenty of rollicking energy, it's the through-line of genuine soulfulness and tireless artistic commitment that sets it apart.
  21. The reason it never ceases to compel is not only the skill of the actors but also the kind of provocative and thoughtful dialogue that characterizes intellectual combat of a high order.
    • 88 Metascore
    • 90 Critic Score
    One of the scariest films ever made. Deborah Kerr gives one of her greatest performances as a rather high-strung governess. [15 Aug 2003, p.18]
    • Los Angeles Times
  22. Wonder Woman emerges as not only the strongest movie in the present DC cycle, but also the first one that feels like an enveloping, honest-to-God entertainment rather than a raging cinematic migraine.
  23. It's just as thrilling as it is edifying.
  24. The great thing about Hail, Caesar! is that it is fun whether you get all its references or not.
  25. Energized to a thrilling extent by a myriad of Afrocentric influences, Black Panther showcases a vivid inventiveness that underscores the obvious point that we want all cultures and colors represented on screen because that makes for a richness of cinematic experience that everyone enjoys being exposed to.
  26. Watching Danvers’ story play out, complete with boggling plot twists and a scene-stealing friendly feline, is hugely entertaining, and it can’t be over-emphasized how central Larson, about to become the most recognized woman on the planet, is to the enterprise.
  27. Bursting with a rich blend of timely themes, superb voice work, wonderful visuals and laugh-out-loud wit, Walt Disney Animation Studios' Zootopia is quite simply a great time at the movies.
  28. The film's exploration of the tenuous bonds within a community will surely prompt serious soul-searching.
  29. The Spierig brothers have deftly fashioned an unpredictable thrill ride, and the joy is to fit together all its puzzle pieces.

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