For 16,524 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,698 out of 16524
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Mixed: 5,809 out of 16524
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Negative: 2,017 out of 16524
16524
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Kenneth Turan
Articulate, thoughtful and funny - hearing Vitali talk about getting used to 100 kinds of cheese in the West is a real pleasure - the Klitschkos are a treat to spend conversational time with. Just don't think of joining them in the ring.- Los Angeles Times
- Posted Oct 21, 2011
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Mark Olsen
The spirited young cast includes the luminous Oksana Akinshina, best known for her title role in Lukas Moodysson's devastating "Lilya 4-Ever," who still lights up the screen like few actresses in the world.- Los Angeles Times
- Posted Feb 21, 2012
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- Critic Score
Languid and contemplative, the film is typical of the intimate, paired-down aspect of Fox's style, a documentary in which lives accumulate in small moments.- Los Angeles Times
- Posted Oct 29, 2011
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Reviewed by
Betsy Sharkey
In doing a little genre bending of romantic schmaltz and horror cheese - some fundamental zombie mythology is turned on its head - the film breathes amusing new life into both.- Los Angeles Times
- Posted Jan 31, 2013
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Reviewed by
Kenneth Turan
A smart, involving and strikingly adult drama about Sarkozy's rise to power.- Los Angeles Times
- Posted Nov 10, 2011
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Robert Abele
Tomboy stands out as an especially affecting delicacy about the thrills and pitfalls of exploring who one is.- Los Angeles Times
- Posted Dec 1, 2011
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Reviewed by
Kenneth Turan
It may not sound like it, but In Heaven, Underground: The Weissensee Jewish Cemetery is a playful, poetic and all-around charming documentary, an off-center look at an unusual institution.- Los Angeles Times
- Posted Jan 12, 2012
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Reviewed by
Kenneth Turan
In a world where everyone was looking for an angle, hoping to survive the nightmare and maybe even turn other people's misery into a tidy profit, the fact that a fragile humanity survived at all is little short of a miracle.- Los Angeles Times
- Posted Dec 8, 2011
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Betsy Sharkey
Remarkably, much of that sizzling sensibility was caught on film and has been stylishly stitched together with her personal history in the scrumptious new documentary, Diana Vreeland: The Eye Has to Travel.- Los Angeles Times
- Posted Sep 20, 2012
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Kevin Thomas
Dzi Croquettes is both a tribute and a terrific entertainment.- Los Angeles Times
- Posted Nov 16, 2011
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Reviewed by
Kenneth Turan
What is finally most compelling about this film is the sense it gives of how passionately the citizens of Ghana believe in democracy, how much it means to them.- Los Angeles Times
- Posted Nov 29, 2011
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Reviewed by
Gary Goldstein
Blethyn brings tremendous empathy to the introspective, determined Elisabeth, while the tall, gaunt and dreadlocked Ousmane fleshes out his less-dimensional role with a haunting sadness that speaks volumes.- Los Angeles Times
- Posted Dec 5, 2011
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Gary Goldstein
A terrifically entertaining, smartly constructed trip down memory lane with one of the American stage's most legendary troupers.- Los Angeles Times
- Posted Jan 20, 2012
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Reviewed by
Kenneth Turan
Artfully put together by writer-director Falardeau, Monsieur Lazhar shows us life in the round, illustrating the way humor, compassion and tragedy can all be elements of experience. Its emotional honesty is heartening, a lesson we are never too old to learn.- Los Angeles Times
- Posted Apr 13, 2012
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Gary Goldstein
It's the offbeat love story at the heart of Liebling's resurrection that provides the film's most powerful - and touching - surprise.- Los Angeles Times
- Posted Mar 22, 2012
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Reviewed by
Betsy Sharkey
The ambiguity is refreshing. And despite the complicated emotional story at the center of this film, the Dardennes, who wrote and directed, have opted to handle it all with a minimalist narrative style.- Los Angeles Times
- Posted Mar 16, 2012
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Reviewed by
Gary Goldstein
The film is an architecture lover's dream.- Los Angeles Times
- Posted Feb 16, 2012
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Reviewed by
Betsy Sharkey
This is a far more brutal film than Wheatley's first, 2009's "Down Terrace." Though it had crime at its center as well, it was balanced by a dry irony and far less blood. There is no offset in Kill List, with one scene so relentless in its gore that it makes the notorious elevator scene in "Drive" pale in comparison.- Los Angeles Times
- Posted Feb 2, 2012
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Betsy Sharkey
This mind-and-fork-bending sci-fi saga comes from the freaky imaginations of director Josh Trank and screenwriter Max Landis, who've packed their feature debut with smartness.- Los Angeles Times
- Posted Feb 10, 2012
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Betsy Sharkey
Starkly beautiful and exceedingly demanding, The Turin Horse, which Hungarian master Béla Tarr has said will be his last film, is both easy and impossible to define.- Los Angeles Times
- Posted Mar 1, 2012
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Reviewed by
Kenneth Turan
Even if you don't fancy raw fish, "Jiro" is a captivating film.- Los Angeles Times
- Posted Mar 15, 2012
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Reviewed by
Kenneth Turan
These performers are so young, so serious, so full of dreams and so hard on themselves that it is difficult not to be moved by their striving.- Los Angeles Times
- Posted May 3, 2012
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Reviewed by
Betsy Sharkey
The Swell Season emerges as an incisive cut at fame's effect on the real-life music and romance of Hansard and Irglova. It's an accomplished piece of filmmaking from the trio, who are making their feature-length documentary debut.- Los Angeles Times
- Posted Feb 13, 2012
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Mark Olsen
An infectious, warm comedy of family and communication and a promising debut as writer-director for Chism. These Peeples are people one should be happy to meet.- Los Angeles Times
- Posted May 9, 2013
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Reviewed by
Mark Olsen
Rather than another drearily workaday horror picture, Sinister uses the supernatural to underline its examination of the all-too-human foibles of insecurity and myopic self-centeredness. As the best horror stories so often do, Sinister makes clear that we are our own boogeymen, the worst monsters of all.- Los Angeles Times
- Posted Oct 11, 2012
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Reviewed by
Betsy Sharkey
Maybe there really are supernatural forces at work in this world. How else to explain Beautiful Creatures? The movie is an intriguing, intelligent enigma — three words not typically associated with teen romances.- Los Angeles Times
- Posted Feb 13, 2013
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Reviewed by
Kenneth Turan
Rueful, funny and wise, The Salt of Life is a comedy not of errors but of the tiniest of missteps. A warm yet melancholy film of quiet yet inescapable charm, it has a feeling for character and personality that couldn't be more delicious.- Los Angeles Times
- Posted Mar 8, 2012
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Reviewed by
Kenneth Turan
A look at the annual San Diego convention that is sweetly empathetic where previous Spurlock works have been brash and confrontational. Plus, it's a lot of fun.- Los Angeles Times
- Posted Apr 5, 2012
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Sheri Linden
Without pounding home its avant-garde cred, this fresh ode to found sound and the music of silence casts an amused gaze at careerism, classical-music reverence and notions of artistic purity and ends with a pitch-perfect change of tune.- Los Angeles Times
- Posted Mar 8, 2012
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Reviewed by
Kenneth Turan
Fascinating for what it signifies as much as what it shows, This Is Not a Film illustrates how Panahi is struggling to stay alive creatively and, paradoxically, can't help but demonstrate how much of a natural filmmaker he is.- Los Angeles Times
- Posted Mar 1, 2012
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