Los Angeles Times' Scores

For 16,524 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16524 movie reviews
  1. Articulate, thoughtful and funny - hearing Vitali talk about getting used to 100 kinds of cheese in the West is a real pleasure - the Klitschkos are a treat to spend conversational time with. Just don't think of joining them in the ring.
  2. The spirited young cast includes the luminous Oksana Akinshina, best known for her title role in Lukas Moodysson's devastating "Lilya 4-Ever," who still lights up the screen like few actresses in the world.
    • 63 Metascore
    • 80 Critic Score
    Languid and contemplative, the film is typical of the intimate, paired-down aspect of Fox's style, a documentary in which lives accumulate in small moments.
  3. In doing a little genre bending of romantic schmaltz and horror cheese - some fundamental zombie mythology is turned on its head - the film breathes amusing new life into both.
  4. A smart, involving and strikingly adult drama about Sarkozy's rise to power.
  5. Tomboy stands out as an especially affecting delicacy about the thrills and pitfalls of exploring who one is.
  6. It may not sound like it, but In Heaven, Underground: The Weissensee Jewish Cemetery is a playful, poetic and all-around charming documentary, an off-center look at an unusual institution.
  7. In a world where everyone was looking for an angle, hoping to survive the nightmare and maybe even turn other people's misery into a tidy profit, the fact that a fragile humanity survived at all is little short of a miracle.
  8. Remarkably, much of that sizzling sensibility was caught on film and has been stylishly stitched together with her personal history in the scrumptious new documentary, Diana Vreeland: The Eye Has to Travel.
  9. Dzi Croquettes is both a tribute and a terrific entertainment.
  10. What is finally most compelling about this film is the sense it gives of how passionately the citizens of Ghana believe in democracy, how much it means to them.
  11. Blethyn brings tremendous empathy to the introspective, determined Elisabeth, while the tall, gaunt and dreadlocked Ousmane fleshes out his less-dimensional role with a haunting sadness that speaks volumes.
  12. A terrifically entertaining, smartly constructed trip down memory lane with one of the American stage's most legendary troupers.
  13. Artfully put together by writer-director Falardeau, Monsieur Lazhar shows us life in the round, illustrating the way humor, compassion and tragedy can all be elements of experience. Its emotional honesty is heartening, a lesson we are never too old to learn.
  14. It's the offbeat love story at the heart of Liebling's resurrection that provides the film's most powerful - and touching - surprise.
  15. The ambiguity is refreshing. And despite the complicated emotional story at the center of this film, the Dardennes, who wrote and directed, have opted to handle it all with a minimalist narrative style.
  16. The film is an architecture lover's dream.
  17. This is a far more brutal film than Wheatley's first, 2009's "Down Terrace." Though it had crime at its center as well, it was balanced by a dry irony and far less blood. There is no offset in Kill List, with one scene so relentless in its gore that it makes the notorious elevator scene in "Drive" pale in comparison.
  18. This mind-and-fork-bending sci-fi saga comes from the freaky imaginations of director Josh Trank and screenwriter Max Landis, who've packed their feature debut with smartness.
  19. Starkly beautiful and exceedingly demanding, The Turin Horse, which Hungarian master Béla Tarr has said will be his last film, is both easy and impossible to define.
  20. Even if you don't fancy raw fish, "Jiro" is a captivating film.
  21. These performers are so young, so serious, so full of dreams and so hard on themselves that it is difficult not to be moved by their striving.
  22. The Swell Season emerges as an incisive cut at fame's effect on the real-life music and romance of Hansard and Irglova. It's an accomplished piece of filmmaking from the trio, who are making their feature-length documentary debut.
  23. An infectious, warm comedy of family and communication and a promising debut as writer-director for Chism. These Peeples are people one should be happy to meet.
  24. Rather than another drearily workaday horror picture, Sinister uses the supernatural to underline its examination of the all-too-human foibles of insecurity and myopic self-centeredness. As the best horror stories so often do, Sinister makes clear that we are our own boogeymen, the worst monsters of all.
  25. Maybe there really are supernatural forces at work in this world. How else to explain Beautiful Creatures? The movie is an intriguing, intelligent enigma — three words not typically associated with teen romances.
  26. Rueful, funny and wise, The Salt of Life is a comedy not of errors but of the tiniest of missteps. A warm yet melancholy film of quiet yet inescapable charm, it has a feeling for character and personality that couldn't be more delicious.
  27. A look at the annual San Diego convention that is sweetly empathetic where previous Spurlock works have been brash and confrontational. Plus, it's a lot of fun.
  28. Without pounding home its avant-garde cred, this fresh ode to found sound and the music of silence casts an amused gaze at careerism, classical-music reverence and notions of artistic purity and ends with a pitch-perfect change of tune.
  29. Fascinating for what it signifies as much as what it shows, This Is Not a Film illustrates how Panahi is struggling to stay alive creatively and, paradoxically, can't help but demonstrate how much of a natural filmmaker he is.

Top Trailers