For 16,524 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,698 out of 16524
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Mixed: 5,809 out of 16524
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Negative: 2,017 out of 16524
16524
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Sheri Linden
Meier and cinematographer Agnès Godard make potent use of the setting's alternating highs and lows, delivering a jolt of heartbreaking hope in the film's final image.- Los Angeles Times
- Posted Oct 20, 2012
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Reviewed by
Sheri Linden
In Holy Motors Carax insists on our other selves. His daylong ride is a wary celebration, a joyful dirge that's served up in concentrated form by a roving band of accordion players. It's all in a day's work.- Los Angeles Times
- Posted Nov 15, 2012
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Reviewed by
Betsy Sharkey
Bernal and Furstenberg exist within this meditative space with all the ease and unease of a couple still trying each other on for size. The forces that push and pull them feel so rooted in reality that if not for the layers of meaning it might seem a complete improvisation.- Los Angeles Times
- Posted Oct 25, 2012
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Mark Olsen
The before and after imagery of Balog's project speaks for itself, with the power and strange beauty of the evolving landscape strong evidence that something is indeed happening, now and fast.- Los Angeles Times
- Posted Nov 23, 2012
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Kenneth Turan
This highly polished costume drama is exceptionally well-made and a model of intelligent restraint, but it is also unapologetically earnest and a bit on the bloodless side.- Los Angeles Times
- Posted Nov 8, 2012
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Reviewed by
Kenneth Turan
Minions' all-silliness all-the-time philosophy will put a smile on faces and keep it there, like a fizzy beverage on a hot afternoon.- Los Angeles Times
- Posted Jul 9, 2015
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Kenneth Turan
It's a complex, determined look at one of the most pernicious problems facing organized sports on all levels.- Los Angeles Times
- Posted Sep 20, 2012
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Betsy Sharkey
It is a striking and moving study of "what was" versus "what it has become" as the filmmakers try to get at the whys.- Los Angeles Times
- Posted Oct 5, 2012
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Gary Goldstein
Thanks to the residual love and attraction between the pair, this cocktail-fueled reunion never descends into a "Virginia Woolf"-like grudge match but, rather, remains an equitable, tender, sometimes surprising game of hard truth-telling.- Los Angeles Times
- Posted Sep 14, 2012
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Gary Goldstein
A beautifully rendered, lovingly constructed action-comedy that's sure to please kids and adults alike.- Los Angeles Times
- Posted Jan 28, 2016
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Robert Abele
The surprisingly adept mixture of tones — naturalism, dysfunctional family satire, winking slasher nostalgia, twisty vengeance thriller — is offbeat enough to keep even hardened connoisseurs of body-count entertainment on their toes.- Los Angeles Times
- Posted Aug 21, 2013
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Betsy Sharkey
One of those documentaries that is sad and hopeful in equal measure and exceptional in its storytelling.- Los Angeles Times
- Posted Sep 27, 2012
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Kenneth Turan
Cogent, convincing, determinedly non-ideological, Escape Fire: The Fight to Rescue American Healthcare tells us that everything we think we know about that incendiary topic might be wrong. And it offers us a way out of the morass.- Los Angeles Times
- Posted Oct 4, 2012
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Reviewed by
Kenneth Turan
It projects equal parts fury and despair as it reveals how a particular group of individuals was caught in the unforgiving gears of the criminal justice system.- Los Angeles Times
- Posted Nov 29, 2012
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Kenneth Turan
A two-hour theatrical feature that has the kind of emotional and storytelling reach regularly found these days only in cable TV miniseries. It's a warmly done family and personal drama that seems to cover familiar territory, but only up to a point and very much in its own way.- Los Angeles Times
- Posted Oct 18, 2012
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Kenneth Turan
No definitive answers are possible to the questions The Flat raises, which makes them all the more provocative.- Los Angeles Times
- Posted Oct 25, 2012
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Mark Olsen
The film has a meditative calm about it — there are only a few murmured words of French but nothing that could be called dialogue — with also some underlying tension, because as you look at the animals, they so often look back, their inscrutable consciousness both placid and unyielding.- Los Angeles Times
- Posted Feb 20, 2013
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Kenneth Turan
It's a wonderful documentary look at an astonishingly successful public-school chess program that manages to be more moving and heartening than you expect. Which is saying a lot.- Los Angeles Times
- Posted Oct 25, 2012
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Kenneth Turan
Playful in unexpected ways and graced with a genuinely off-center sense of humor, Ant-Man (engagingly directed by Peyton Reed) is light on its feet the way the standard-issue Marvel behemoths never are.- Los Angeles Times
- Posted Jul 16, 2015
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- Los Angeles Times
- Posted Oct 25, 2012
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Reviewed by
Gary Goldstein
Director Scott Thurman presents a largely even-handed recounting, wisely letting folks - and events - speak for themselves. It's riveting stuff.- Los Angeles Times
- Posted Oct 25, 2012
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Robert Abele
This is when the movie earns its hushed exclusivity and kitschy title, when we see an art form bridge generations with a strange mixture of grace, joy and melancholy.- Los Angeles Times
- Posted Nov 1, 2012
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Gary Goldstein
Vividly captures a year in the life of eastside Detroit's Engine Company 50.- Los Angeles Times
- Posted Nov 6, 2012
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Robert Abele
Visual sumptuousness trumps the coldly erotic dastardliness of previous incarnations, but where this version feasts is on close-ups, with exchanges between pairs of eyes - the predatory versus the hesitant, the manipulatively comforting opposite the blindly vulnerable - that recall the silent era.- Los Angeles Times
- Posted Nov 8, 2012
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Gary Goldstein
Writer-director Michael Walker keeps a firm grip on his smart material, offering up big laughs, lots of recognizable behavior and, in the end, a wistful glimpse at life's inevitable priorities.- Los Angeles Times
- Posted Nov 23, 2012
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Gary Goldstein
A revealing, disturbing look at how political and corporate forces have seemingly undermined the freedom and safety of our nation's equine population.- Los Angeles Times
- Posted Nov 23, 2012
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Gary Goldstein
Writer-director Jay Bulger combines warts-heavy interview footage of Baker with vivid archival bits, concert clips, jaunty animation and chats with various musical greats to paint a lively portrait of yet another brilliant but wildly self-destructive artist.- Los Angeles Times
- Posted Jan 24, 2013
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Gary Goldstein
They all share their amazing war stories and life memories with great humility and warmth.- Los Angeles Times
- Posted Dec 7, 2012
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Reviewed by
Sheri Linden
It's a wild and vivid ride and a spirited reminder of the kinship between Jewish and Arab cultural traditions.- Los Angeles Times
- Posted Jan 17, 2013
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Reviewed by
Gary Goldstein
Kudos to writer-director Antonino D'Ambrosio for taking such an eclectic and disparate number of aims, thoughts, subjects and mediums and creating the smart and inspiring - and uniquely whole -documentary that is Let Fury Have the Hour.- Los Angeles Times
- Posted Jan 25, 2013
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