Los Angeles Times' Scores

For 16,524 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16524 movie reviews
  1. Meier and cinematographer Agnès Godard make potent use of the setting's alternating highs and lows, delivering a jolt of heartbreaking hope in the film's final image.
  2. In Holy Motors Carax insists on our other selves. His daylong ride is a wary celebration, a joyful dirge that's served up in concentrated form by a roving band of accordion players. It's all in a day's work.
  3. Bernal and Furstenberg exist within this meditative space with all the ease and unease of a couple still trying each other on for size. The forces that push and pull them feel so rooted in reality that if not for the layers of meaning it might seem a complete improvisation.
  4. The before and after imagery of Balog's project speaks for itself, with the power and strange beauty of the evolving landscape strong evidence that something is indeed happening, now and fast.
  5. This highly polished costume drama is exceptionally well-made and a model of intelligent restraint, but it is also unapologetically earnest and a bit on the bloodless side.
  6. Minions' all-silliness all-the-time philosophy will put a smile on faces and keep it there, like a fizzy beverage on a hot afternoon.
  7. It's a complex, determined look at one of the most pernicious problems facing organized sports on all levels.
  8. It is a striking and moving study of "what was" versus "what it has become" as the filmmakers try to get at the whys.
  9. Thanks to the residual love and attraction between the pair, this cocktail-fueled reunion never descends into a "Virginia Woolf"-like grudge match but, rather, remains an equitable, tender, sometimes surprising game of hard truth-telling.
  10. A beautifully rendered, lovingly constructed action-comedy that's sure to please kids and adults alike.
  11. The surprisingly adept mixture of tones — naturalism, dysfunctional family satire, winking slasher nostalgia, twisty vengeance thriller — is offbeat enough to keep even hardened connoisseurs of body-count entertainment on their toes.
  12. One of those documentaries that is sad and hopeful in equal measure and exceptional in its storytelling.
  13. Cogent, convincing, determinedly non-ideological, Escape Fire: The Fight to Rescue American Healthcare tells us that everything we think we know about that incendiary topic might be wrong. And it offers us a way out of the morass.
  14. It projects equal parts fury and despair as it reveals how a particular group of individuals was caught in the unforgiving gears of the criminal justice system.
  15. A two-hour theatrical feature that has the kind of emotional and storytelling reach regularly found these days only in cable TV miniseries. It's a warmly done family and personal drama that seems to cover familiar territory, but only up to a point and very much in its own way.
  16. No definitive answers are possible to the questions The Flat raises, which makes them all the more provocative.
  17. The film has a meditative calm about it — there are only a few murmured words of French but nothing that could be called dialogue — with also some underlying tension, because as you look at the animals, they so often look back, their inscrutable consciousness both placid and unyielding.
  18. It's a wonderful documentary look at an astonishingly successful public-school chess program that manages to be more moving and heartening than you expect. Which is saying a lot.
  19. Playful in unexpected ways and graced with a genuinely off-center sense of humor, Ant-Man (engagingly directed by Peyton Reed) is light on its feet the way the standard-issue Marvel behemoths never are.
    • 69 Metascore
    • 80 Critic Score
    On-screen, Bad 25 moves in the style of a great pop song.
  20. Director Scott Thurman presents a largely even-handed recounting, wisely letting folks - and events - speak for themselves. It's riveting stuff.
  21. This is when the movie earns its hushed exclusivity and kitschy title, when we see an art form bridge generations with a strange mixture of grace, joy and melancholy.
  22. Vividly captures a year in the life of eastside Detroit's Engine Company 50.
  23. Visual sumptuousness trumps the coldly erotic dastardliness of previous incarnations, but where this version feasts is on close-ups, with exchanges between pairs of eyes - the predatory versus the hesitant, the manipulatively comforting opposite the blindly vulnerable - that recall the silent era.
  24. Writer-director Michael Walker keeps a firm grip on his smart material, offering up big laughs, lots of recognizable behavior and, in the end, a wistful glimpse at life's inevitable priorities.
  25. A revealing, disturbing look at how political and corporate forces have seemingly undermined the freedom and safety of our nation's equine population.
  26. Writer-director Jay Bulger combines warts-heavy interview footage of Baker with vivid archival bits, concert clips, jaunty animation and chats with various musical greats to paint a lively portrait of yet another brilliant but wildly self-destructive artist.
  27. They all share their amazing war stories and life memories with great humility and warmth.
  28. It's a wild and vivid ride and a spirited reminder of the kinship between Jewish and Arab cultural traditions.
  29. Kudos to writer-director Antonino D'Ambrosio for taking such an eclectic and disparate number of aims, thoughts, subjects and mediums and creating the smart and inspiring - and uniquely whole -documentary that is Let Fury Have the Hour.

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