Los Angeles Times' Scores

For 16,524 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16524 movie reviews
  1. The Boys is so heartfelt that it elicits a sense that complex creative relationships may ultimately elude explication, leaving Jeffrey Sherman to speculate that the friction between his father and his uncle was what brought their songs alive.
  2. A deeply involving look at people living permanently on the knife-edge of danger, Flame & Citron does more than radically rethink the World War II resistance drama. Its biggest accomplishment may be to make these historical conflicts and dilemmas seem surprisingly contemporary.
  3. One of the main treats of Art & Copy is that it allows us to revisit those classic ads, all of which are just as exciting now as they were when they first ran.
  4. A comedy with just the right blend of satire, social comment, myriad complications, romance and heart-tugging to give it some deft shading and variety.
  5. The gripping story of how hawk-turned-dove Ellsberg's explosive actions circuitously led to the impeachment of Richard Nixon and, in turn, an end to the Vietnam War is comprehensively detailed in Judith Ehrlich and Rick Goldsmith's evocative documentary.
  6. Harmony and Me, written and directed by Austin-based Bob Byington, represents much of what is wonderful and fresh about the recent wave of ultra-low-budget American independent filmmaking.
  7. If anything is missing from this inspiring film, it is a deeper examination of why, given how common-sensical these approaches are, so few other schools have been able to accomplish what Providence St. Mel's has.
  8. A splendid work that will be a revelation to the uninitiated and a joy to music lovers.
  9. The 1959 film's style is dated, but it is visually glorious and tells a fascinating story.
  10. The last thing you see in Ajami should be the first thing on your mind about this compelling new film from Israel. That would be the closing credits, written in both Hebrew and Arabic, separate but equal, side by side, mirroring the creative process behind this potent work and the story it has to tell.
  11. Twelve years in the making, Phyllis and Harold has extraordinary breadth and depth and has been made with wit, compassion and imagination, and it reflects the complexity of life itself.
  12. Energetically entertaining if a bit one-sided.
  13. Reed insists on pursuing difficult questions, and this is a film not easily forgotten.
    • 83 Metascore
    • 80 Critic Score
    It's not always pretty, but Neil Young Trunk Show is very much rock 'n' roll.
  14. Like the best war movies do, director Peter Ho-Sun Chan has woven together an intimate story of men against a backdrop of history writ large.
  15. Though the narrative could use more depth and detail, the film generally absorbs with its strong performances, stirring emotions and vivid imagery.
  16. A brisk, incisive and mind-boggling -- no other phrase will work -- exposé of his native New Jersey's public education system.
  17. Gordon's way with actors and with screen storytelling is as impeccable as ever.
  18. The narrative arc swings between light and darkness, from the sheer joy of the Persian rappers who practice on top of an unfinished skyscraper, to Nadar's arrest and interrogation for his black-market DVDs. In Ghobadi's hands, though, it always feels real.
  19. Once Oceans' exhilarating visuals get going, it's easy to ignore the words. This really is a film that manages to show us things we've never seen and make what we have already seen look different and new.
  20. A film that's always on the move, a smart, lively, thoroughly involving doc about a complex, critical subject.
  21. Jandal emerges as someone who was truly in Bin Laden's inner circle, Hamdan seems the menial driver he claimed to be. What remains unanswered is where their allegiances now lie. Frightening or not, terrorists or not, both seem human, which at the end of the day is what Poitras set out to do.
  22. Drawn from Rabe's diaries, the film is rich in telling and ironic details.
  23. In its telling, the love story draws from westerns, musicals, film noir, chase thrillers with stunts so preposterous they verge on parody -- and it gets away with everything because of Basu's visual bravura and unstinting passion and energy.
  24. The film doesn't always follow up on its more interesting issues: safety, technique, financial hardship, even the sport's history. But the emotional dynamics of its trio of formative hopefuls, and their touching relationships with the parents or guardians who work hard at enabling their passion, set a solid pace.
  25. The archival game footage -- Cantona on the field, the roaring crowds -- infuses the film with that high-spirited sense of hope and heart that only a brilliant play when a game is on the line can deliver. Loach, a brilliant player at his own game, delivers the rest.
  26. What French writer-director Mia Hansen-Love has created is an extraordinarily empathetic humanistic drama, a film of love, joy, sadness and hope that understands how complex our emotions are and does beautiful justice to them.
  27. Dynamic, informal and observant yet, while never grueling, it offers a constant provocative contrast between backgrounds of spectacular and beautiful natural scenery and primitive living conditions.
  28. It's the candid moments of joy and accomplishment -- Welcker finding out she's an Intel contest finalist, Khan learning he's been accepted to Yale, high school valedictorian Cisneros thanking her devoted parents in her graduation speech -- that really make this one soar.
  29. The flesh-and-blood protagonists are powerful, driven people caught in a riptide.

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