Los Angeles Times' Scores

For 16,524 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16524 movie reviews
  1. What is most involving about Gould is the extraordinary way he played.
  2. A love story that is actually worth falling for, with Anne Hathaway and Jake Gyllenhaal excellent at steaming up the screen in Love & Other Drugs.
  3. Whatever stumbles there may be, they are offset by moments when For Colored Girls soars.
    • 71 Metascore
    • 80 Critic Score
    Making the Boys reveals just how bound up Crowley's play is with the history of the gay community, most heartbreakingly in the number of original company members who died from AIDS.
  4. Simultaneously poetic, dramatic and realistic, White Material is an altogether stunning work.
  5. The gift of The King's Speech is that it allows us to look on as a pair of masterful actors re-create a monumental test of wills.
  6. It may sound commonplace, but in the hands of master filmmaker Mike Leigh, the everyday becomes extraordinary.
  7. Clearly, the directors have to be Merritt advocates to hang in there that long, but the film that resulted has elements that keep it from being simply a fan's notes.
  8. Made with the on-camera cooperation of Spitzer (though not his wife), it is a sad, disturbing and in some ways tragic tale that in its lurid combination of sex and politics, banal hypocrisy and bare-knuckles power, seems very much an American story of our times.
  9. Whatever the film's flaws, and like its protagonist, there are times when things get a bit out of control, watching Giamatti use Barney to wrestle with success, failure, friendship, love and increasingly with time is exhilarating.
  10. You might want to tuck Damien Chazelle's name into your memory bank if his filmmaking debut, the terrific jazz improvisation that is Guy and Madeline on a Park Bench, is any indication of what his future might hold.
  11. By bringing in a diverse group of big thinkers to take part in a very animated, sometimes agitated, discussion, the filmmaker has succeeded in bringing what could have been a very dry mountain of data, theories and experimental research to vibrant life.
  12. What unfolds is a dark comic thriller and action-hero send-up, a strange alloy of daredevil helicopter maneuvers and night of the living elves. Captured in atmospheric widescreen camerawork, the end-of-the-world frozen landscape (actually Norway) is spectacular and spooky.
  13. A quietly powerful, incisive portrait of Canadian Lt. Gen. Roméo Dallarme (Roy Dupuis), who was sent to Rwanda in 1993 on a peacekeeping mission as the ruling Hutu attacked the rebel Tutsi, yet he was hobbled by the U.N. leadership and faced with the indifference of the world's superpowers.
  14. Consistently outrageous and relentlessly surreal, the Belgian film is, intentionally or not, frequently funny; it's also compelling and distinctive.
  15. This gently amusing, genuinely sweet animated film makes you smile from start to finish?
  16. A wonderfully wild provocation - an imperfect, overlong, intemperate and utterly absorbing romp through the id that I wouldn't have missed for the world.
  17. Writer-director-star Scott Ryan's darkly comic faux documentary, a gritty, shot-off-the cuff gem and a top prize winner in its native Australia. [29 Oct 2010, p.D8]
    • Los Angeles Times
  18. In a confident yet relaxed feature debut, Fuentes-León has created a wholly unified work of art.
  19. As Bhutto, the thorough and involving documentary on her life conveys, Benazir was a formidable personality all by herself.
  20. It is a singular performance and a deeply affecting if imperfect film.
  21. Hosoda, who directed the cult film "The Girl Who Leapt Through Time," has made a sophisticated yet poignant family entertainment with an appeal beyond Japanese animation buffs.
  22. Beautiful and melodic as well as pointedly political.
  23. It marks a subtle, assured and altogether distinctive feature debut for writer-director Rao and its radiant leading lady, rock star and stage performer Monica Dogra.
  24. This endearing picture is proof that it is still possible for a major studio release to be fun, smart and heart-tugging and devoid of numbskull violence and equally numbing special effects.
  25. Araki lets his absurdist imagination run wild, and Kaboom takes the time-honored gambit of gradually revealing that nothing is as it seems to delightfully cockamamie extremes.
  26. The kills themselves are both bountiful and bloody, the movie references are brilliant and bloody, the funny is very frequent and very frequently bloody, but to say any more would ruin the boo.
  27. The big action pieces, particularly the final face-off, are masterful both for their cleverness in bringing down the house and the detail jammed into every frame. Even composers Hans Zimmer, who's scored a zillion movies, and John Powell seem to be having more fun than usual.
  28. Although it contains its moments of doom and gloom about the potential effects of climate change, the excellent documentary Carbon Nation is an inspiring look at the many recent advances in clean energy and green technologies.
  29. If that all sounds like a lot of good, clean fun, a word of warning. In what seems to have become the genre's raison d'etre, the dialogue is so blue at times that you'll probably feel the heat of the blushing cheeks on either side of you, especially whenever Reilly's fast-talking savant of smut shows up.

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