For 16,522 reviews, this publication has graded:
-
56% higher than the average critic
-
6% same as the average critic
-
38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
-
Positive: 8,697 out of 16522
-
Mixed: 5,808 out of 16522
-
Negative: 2,017 out of 16522
16522
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
Kenneth Turan
Letters From Iwo Jima, takes audiences to a place that would seem unimaginable for an American director. Daring and significant, it presents a picture from life's other side, not only showing what wartime was like for our Japanese adversaries on that island in the Pacific but also actually telling the story in their language. Which turns out to be no small thing.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
Perhaps the director's most touching, most elegiac work yet, Million Dollar Baby is a film that does both the expected and the unexpected, that has the nerve and the will to be as pitiless as it is sentimental.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
As completely real on the psychological level as its up-to-the-moment visual effects have on the physical.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Carina Chocano
As ambitious, honest and subversive as any American movie since "Election."- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Carina Chocano
A brutal encounter with mortality told with uncommon humanity, wit and humor.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
House of Flying Daggers finds the great Chinese director at his most romantic in this thrilling martial arts epic that involves a conflict between love and duty carried out to its fullest expression.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
This is one of the few adaptations that gives a splendid novel the film it deserves.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
Impeccably made, uncompromising in its implacable vision of the deranging power of love, sex and controlled substances, this savage and staggering film knows how to take our breath away.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
It's hard to imagine many films surpassing or even equaling the effect of this supple, breathtakingly direct, small French film.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Crust
As extraordinary as all of this imagery is, it is the film's sound design that takes it to another level. A quirky, electric mix of ambient sound, effects and music by composer Bruno Coulais and sound designer Laurent Quaglio gives the film its heart and its sense of humor.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
Parse it any way you like, Miyazaki's gifts as an animator place him in a category of his own. To see his latest film is to be somehow reminded of Italians who could hear Verdi's operas as soon as they were sung or English readers who could experience the novels of Dickens episode by episode.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
Working in the spirit of his predecessors but with the kind of uncanny special effects they could barely dream of, Spielberg has come up with an impressive production that is disturbing in the way only provocative science fiction can be.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
What has resulted is a blistering film you feel in the pit of your stomach, a jumpy, edgy piece of work that thrusts us into a personal maelstrom so tortured and intense, the emotions could be spread with a knife.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
A consummate entertainment rich with the romantic atmosphere of Paris in the 1950s. Coming at a turning point in French cinematic history, it drew upon several major talents - director Louis Malle, star Jeanne Moreau, cinematographer Henri Decaë, musician Miles Davis - and achieved near-legendary results with all of them.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
Bergman has never been an ordinary filmmaker, and what he's given us is no genial last hurrah but rather an intensely dramatic, at times lacerating examination of life's conundrums that is exhilarating in its fearlessness and its command.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
An exquisite film, as elegant and precise as an impeccably cut diamond. It's small in scale but wholly mesmerizing, holding us captive as it demonstrates how much enveloping richness can be conveyed with a minimalist style.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
Seems every bit the masterpiece it was when first released by Paramount. In this dazzling film, Bertolucci manages to combine the bravura style of Fellini, the acute sense of period of Visconti and the fervent political commitment of Elio Petri -- and, better still, a lack of self-indulgence.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
Incisive yet supple, wrenching yet deeply pleasurable, The Three Burials of Melquiades Estrada easily ranks among the year's best pictures.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
Never has Denis demanded so much from audiences as with this shimmering enigma, at once intimate and epic, but it's worth the effort and then some.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Carina Chocano
A work of breathtaking imagination, less a movie than a mode of transport, and in every sense a masterpiece.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Carina Chocano
15 minutes into it, you are spellbound, heartbroken and unaccountably cheered -- your faith and admiration in humanity restored.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
The Belgian directing brothers deal with themes they have made their own: the difficulty of being moral in an amoral world and the grinding, unforgiving nature of reality for those forced by poverty to live on the margins of society. These are not easy films to experience, but they are uncompromising and unforgettable.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
As someone who was part of the Resistance, Melville knew enough to neither melodramatically glorify nor cynically devalue the heroism he presents. This is people doing what needed to be done, Army of Shadows says, this is the way it was.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
A period chamber drama drawn from a Joseph Conrad short story and of such intensity and passion that it transcends a specificity of time and place to achieve timelessness and universality.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
What is different about Half Nelson is the execution, the kind of subtlety in writing, directing and acting (by costars Shareeka Epps and Anthony Mackie as well as Gosling) you seldom see.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Carina Chocano
The movie is one of the few films I can think of that examines the baffling combination of smugness, self-abnegation, ceremonial deference and status anxiety that characterizes middle-class Gen X parenting, and find sheer, white-knuckled terror at its core.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
As he did in "Unforgiven," "Mystic River" and "Million Dollar Baby," Eastwood handles this nuanced material with aplomb, giving every element of this complex story just the weight it deserves. The director's lean dispassion, his increased willingness to be strongly emotional while retaining an instinctive restraint, continues to astonish.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
Langley's impeccably nonjudgmental camera knows exactly what details to record. Drawn from more than 300 hours of footage, the film's all too brief 94 minutes mesmerizes with its insight and, rarer still, its beauty.- Los Angeles Times
- Read full review
-
Reviewed by
-
- Critic Score
Those who can surrender to the Quays' poetic logic will find The Piano Tuner to be nothing short of a masterpiece.- Los Angeles Times
- Read full review
-
-
Reviewed by
Kenneth Turan
Told with wit, genuine poignancy and all kinds of humor, Venus charts the unlikely relationship between a man in his 70s and a young woman more than half a century his junior.- Los Angeles Times
- Read full review
-
Reviewed by