For 16,522 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,697 out of 16522
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Mixed: 5,808 out of 16522
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Negative: 2,017 out of 16522
16522
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Manohla Dargis
If the cast is distractingly pretty, the performances are also quite fine and, in the case of Gordon-Levitt, exceptional.- Los Angeles Times
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Reviewed by
Kevin Thomas
In scope, ambition and accomplishment, Children of the Century therefore takes Kurys' career to a whole new level.- Los Angeles Times
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Reviewed by
Kevin Thomas
It emphasizes its stars' capacity to endure as individuals and entertainers and does not dwell on the harder times and personal travails they survived. However, it acknowledges the well-known exploitation black artists have traditionally experienced in the pop music industry.- Los Angeles Times
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Reviewed by
Sheila Benson
The production is as clean and effective as Red October herself; there's not one dial or glowing radar screen too many; the underwater hits and near-misses are clearly choreographed and the undersea intensity is captured perfectly by Jan De Bont's camera work. [2 Mar 1990, Calendar, p.F-1]- Los Angeles Times
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Reviewed by
Kevin Thomas
Far from seeming dated, The Discreet Charm of the Bourgeoisie seems timelier than ever, downright prophetic, for that matter.- Los Angeles Times
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Reviewed by
Kenneth Turan
A sly and captivating comedy of imaginative leaps and gently orchestrated pandemonium.- Los Angeles Times
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Reviewed by
Manohla Dargis
Reveals its secrets slowly and with coy deliberation. The storytelling has the quality of a striptease, so that by the end of the film, Le Roux looks radically different from how he appears at the start.- Los Angeles Times
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Reviewed by
Kevin Thomas
One of those wonderful, deeply personal pictures that pop up every now and then to lift your spirits.- Los Angeles Times
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Reviewed by
Manohla Dargis
There's undeniable pathos to many of these encounters, and because the director has a wonderful feel for color and knows how to throw a frame around the world, there's also unmistakable beauty.- Los Angeles Times
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Reviewed by
Kenneth Turan
A tight courtroom melodrama that serves up twist after twist like so many baffling knuckle balls, this film handles its suspenseful material with skill and style.- Los Angeles Times
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Reviewed by
Kevin Thomas
Occasionally heavy-handed and overdone -- and scarcely free from a self-congratulatory tone -- this latest spoof is nonetheless lots of fun, clever and fearless, and loaded with wicked lines and touches.- Los Angeles Times
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Reviewed by
Kenneth Turan
The power of film to irrationally transform and exalt is almost a religion to Woo, and another reason why he was the natural go-to guy for this lucrative movie franchise.- Los Angeles Times
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Reviewed by
Kevin Thomas
Would that all love stories were as sophisticated and amusing as the satisfying Charlotte Sometimes.- Los Angeles Times
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Reviewed by
Kevin Thomas
Flows smoothly, looks great and probably cost lots less than it looks. One can't help resist saying it delivers the goods.- Los Angeles Times
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Reviewed by
Kevin Thomas
Amusingly subversive, thanks to sharp writing and direction, by Mandy Nelson and Francine McDougall, respectively.- Los Angeles Times
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Reviewed by
Kenneth Turan
It's clever, amusing, clever, visually inventive, clever, well-cast .- Los Angeles Times
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Reviewed by
Kevin Thomas
Director Jake Torem swiftly moves beyond familiar first-feature artiness to create an illuminating portrait of a young woman (Jade Henham) brought to a crossroads in her life.- Los Angeles Times
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Reviewed by
Kevin Thomas
[The movie has] considerable charm and humor....Adam Holender's fresh, airy camera work and a vibrant electric score also add vitality to an all-talk film. [13 Oct 1999, p.F8]- Los Angeles Times
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Reviewed by
Manohla Dargis
Ozon misses some chances with Sarah, but Rampling doesn't skip a beat. Freed from the burden of likability, the actress pushes the character from near-farce to near-tragedy, without once appealing to sentimentalism.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Michael Wilmington
There isn't a single performance in Midnight Run that doesn't have a pulse, that doesn't show the actors at their best or near-best, especially De Niro. [20 July 1988]- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kenneth Turan
Both completely fascinating and intermittently frustrating; however, as with Fellini's own films, the downside is far outweighed by the pluses.- Los Angeles Times
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Reviewed by
Kevin Thomas
A shimmering fable of innocence and experience set in contemporary Los Angeles and Pasadena (its title is a nod to Virgil's "Aeneid"). Phillip Jayson Lasker's tartly knowing script, with the kind of witty dialogue that's all but vanished from American movies, recalls Hickenlooper's "The Low Life."- Los Angeles Times
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Reviewed by
Kevin Thomas
Succeeds because it turns out not to be the movie it might so easily have been.- Los Angeles Times
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Reviewed by
Kenneth Turan
An expertly paced and efficient sci-fi thrill machine, "T3" effectively marries impressive action sequences with persuasive storytelling and its star's uniquely appealing style of "No" drama -- as in no reaction, no expression, no emotion of any kind.- Los Angeles Times
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Reviewed by
Kevin Thomas
Honest and wise enough to strike the right bittersweet note.- Los Angeles Times
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Reviewed by
Kevin Thomas
It's fast, light and funny and not top-heavy with special effects and epic-scale destruction.- Los Angeles Times
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Reviewed by
Kevin Thomas
Casts a lovely spell, as warm and seductive as its summertime setting.- Los Angeles Times
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Reviewed by
Kevin Thomas
A beautiful, harrowing film of understated power and perception that affords Fernando Fernán Gómez, the Spanish cinema's great, weathered veteran, yet another of his unforgettable performances.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kenneth Turan
The pleasure of a film like this is not in wondering where it's going to go, but in knowing its exact trajectory. Getting us to pull for a foregone conclusion as if the outcome was in serious doubt is no small sleight of hand.- Los Angeles Times
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Reviewed by
Kevin Thomas
A gracious, eloquent film that by its end offers a ray of hope to the refugees able to look ahead and resist living in a past forever lost.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kenneth Turan
A moderately diverting entertainment as sleek and aerodynamically sound as the glider its characters tool around in, it takes no extraordinary chances and delivers no major surprises.- Los Angeles Times
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Reviewed by
Kevin Thomas
A surefire heart-tugger made with skill and judgment, affords Keanu Reeves a career high point.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kevin Thomas
Exhilarating comedy...Its warm, embracing spirit is refreshing in these divisive times.- Los Angeles Times
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Reviewed by
Kevin Thomas
Although the film's narrative line sometimes proves hard to follow, and some of the songs heard on the soundtrack seem to have little to offer beyond sheer noise, Kill Me Later is a gem, even if a little rough around the edges.- Los Angeles Times
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Reviewed by
Kevin Thomas
Starts out self-consciously but gets better as it goes along, winding up as affecting as it is illuminating.- Los Angeles Times
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Reviewed by
Kevin Thomas
Sure-fire heart-warmer: lively, funny yet emotion-charged and uplifting.- Los Angeles Times
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Reviewed by
Kevin Thomas
A smart, stylish horror picture that offers a fresh twist on the ever-reliable revenge theme and affords a raft of talented young actors solid roles that show them to advantage.- Los Angeles Times
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Reviewed by
Kevin Thomas
The most comprehensive and devastating documentary yet on that tragic country.- Los Angeles Times
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Reviewed by
Kevin Thomas
This joyous film, which confronts pain, loss and transgression with love, wisdom and forgiveness amid inspired humor, has it all.- Los Angeles Times
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Reviewed by
Jan Stuart
It makes you giggle. That's the dark, dirty secret. You giggle. You giggle again.- Los Angeles Times
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Reviewed by
Kevin Thomas
The atmospheric, richly detailed La Mentale has terrific vitality with its volatile mixture of alternating camaraderie and savagery.- Los Angeles Times
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Reviewed by
Kevin Thomas
Glowing, amusing movie that's a good bet to lift your spirits.- Los Angeles Times
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Reviewed by
Kenneth Turan
A comic actor of genius who raises silliness to an art form, the wonderfully expressive Atkinson makes excellent use of those devastating looks in the spy spoof Johnny English, where he turns up as a James Bond type more likely to kill adversaries by accident than on purpose.- Los Angeles Times
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Reviewed by
Kevin Thomas
From start to finish Garrone charges The Embalmer, a richly visual film, with an effective ambiguity and sense of foreboding.- Los Angeles Times
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Reviewed by
Kenneth Turan
Very much of a guilty pleasure. A nifty piece of teenage romantic piffle, it combines two strong and attractive performances.- Los Angeles Times
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Reviewed by
Kevin Thomas
A clever way of providing crucial layering and heightening a hip, satirical take on bad old Hollywood ways.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kenneth Turan
A compelling piece of work that turns out to have unexpected relevance to the current world situation.- Los Angeles Times
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Reviewed by
Manohla Dargis
She was guilty, no doubt, but as this immensely moving film makes clear, Aileen Wuornos was also heartbreakingly human.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Michael Wilmington
In the years since he first played Drebin, Nielsen has deepened the role, made it more subtle, more universal, more paramount. He's brought out an almost preternatural mellowness in a character who began as a relatively uncomplicated dimwit. [2 Dec 1988]- Los Angeles Times
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Reviewed by
Kevin Crust
Rather than merely chronicling the events leading up to the May 17, 1954, Supreme Court decision that ordered the desegregation of public schools in the U.S., the film explores both its effect and ways in which it has fallen short in creating true equality.- Los Angeles Times
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- Critic Score
Nimbly documents the rise and fall of a Web company through its charismatic leaders.- Los Angeles Times
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Reviewed by
Kevin Thomas
A compelling, highly charged film that brings a contemporary perspective to classic prison picture elements.- Los Angeles Times
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Reviewed by
Kevin Thomas
DuBowski has cast admirably far and wide for his interviews, giving the work global scope. In some instances, DuBowski is pretty clearly a proactive documentarian, inspiring some of his interviewees to dare to take steps that are risky and revealing.- Los Angeles Times
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Reviewed by
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Reviewed by
Kevin Thomas
A work of such charm and imagination it should enchant, as the old circus phrase goes, "children of all ages."- Los Angeles Times
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Reviewed by
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- Los Angeles Times
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Reviewed by
Kenneth Turan
The jokes are quick, with clever jibes alternating with double-crosses and the occasional murder, and the streamlined plot unrolls like a colorful ball of twine.- Los Angeles Times
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Reviewed by
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Reviewed by
Kevin Thomas
A shimmeringly beautiful and wise reverie on love and desire.- Los Angeles Times
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Reviewed by
Kenneth Turan
Well-crafted, disturbing Texas gothic thriller, a completely spooky piece of business that gets under your skin and, some plot blips aside, stays there for the duration.- Los Angeles Times
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Reviewed by
Manohla Dargis
It has the virtue of Lin's tangy wit but it also suffers from the vice of a director who, torn between personal vision and wide public reach, tends to smother his ideas under a veneer of cool.- Los Angeles Times
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Reviewed by
Manohla Dargis
Elle dresses in shades of sorbet and dolls up her Chihuahua like a bantamweight drag queen, but by fighting the good fight she's also giving alpha girls and women their due, rescuing them from the magazine horror stories and the taint of Hillary.- Los Angeles Times
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Reviewed by
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Reviewed by
Kevin Thomas
A delicious pitch-dark Icelandic comedy centering on a femme fatale so enigmatic it brings into question just how fatale she may actually be.- Los Angeles Times
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Reviewed by
Kenneth Turan
A thoughtful look backward, a summing up that attempts to understand what is ephemeral and what truly lasts, what it is that matters in the final analysis.- Los Angeles Times
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- Critic Score
The role of Jacob is greatly expanded from the book, and the unsatisfying way that Smith and Raimi resolve the brothers' relationship in the movie is the only major change--major compromise--made in transporting the novel to the screen.- Los Angeles Times
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Reviewed by
Kevin Thomas
A clever and lively action-adventure with a warm sense of humor and smart dialogue that allows for an affectionate and fleet-footed satire of the classic elements of the Bond franchise.- Los Angeles Times
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Reviewed by
Kevin Thomas
Swain balances the personal and the political, allowing his film to be intimate while keeping a larger perspective. It is refreshing to see people on screen who are living in a real world.- Los Angeles Times
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Reviewed by
John Anderson
What gives the movie its teeth is the very earthy Witzky family, who behave so much like real people you might think they are.- Los Angeles Times
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Reviewed by
Kevin Thomas
With his hilarious spoof Die Mommie Die! Charles Busch takes the melodramatic woman's picture of the '40s and '50s to delirious extremes.- Los Angeles Times
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Reviewed by
Kenneth Turan
A political thriller with more plausibility -- and yes, more thrills -- than most.- Los Angeles Times
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Reviewed by
Kevin Thomas
Parker has shaped the play to make it more film-friendly and relevant, but he has done so with such subtlety you would have to be a Wilde authority even to notice.- Los Angeles Times
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Reviewed by
Gene Seymour
A laid-back excursion through the "Star Trek" phenomenon that boldly goes where millions and millions of fans have gone--in and out of costume.- Los Angeles Times
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Reviewed by
Kevin Thomas
A terrific action picture, fast-moving, studded with great stunts and smart enough not to take itself too seriously. Amid a plethora of high-minded, big-deal, year-end Oscar contenders, it offers a welcome contrast (and respite).- Los Angeles Times
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Reviewed by
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Reviewed by
Kevin Thomas
An exceptionally touching and provocative love story. [15 January 1999, Calendar, p. F-4]- Los Angeles Times
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Reviewed by
Kevin Thomas
The cast is a delight, but it's Willis who is the film's true "fifth element," giving it life, depth and humanity.- Los Angeles Times
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Reviewed by
Kevin Thomas
Performances are crisp, as is everything else about this vital, economical film, proof that less really can be more.- Los Angeles Times
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Reviewed by
Manohla Dargis
There are no big surprises in Caetano's film, which plays out exactly as ordained, only a sense of life at its most precarious and real.- Los Angeles Times
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Reviewed by
Kenneth Turan
But if the film flirts with being sentimental, it never completely gives in: The inherent strength of the material as well as the integrity of the filmmakers gives this coming-of-age story restraint as well as warmth.- Los Angeles Times
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Reviewed by
Kenneth Turan
One True Thing demonstrates that the power of simple things, the transcendent nature of the ordinary, can make for riveting filmmaking.- Los Angeles Times
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Reviewed by
Kevin Thomas
A handsome period production of fluidity and subtlety, intimate and large-scale.- Los Angeles Times
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Reviewed by
Manohla Dargis
Raw and wretchedly current, it is a story that packs a cruel emotional wallop.- Los Angeles Times
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Reviewed by
Manohla Dargis
About as non-narrative a film as you're likely to see in commercial theaters. This makes it a curiosity and, less charitably, something of a gimmick, but mostly it makes it a challenge.- Los Angeles Times
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Reviewed by
Kenneth Turan
Assisted by a well-crafted script by the veteran William Goldman and a masterful performance by Anthony Hopkins, Hicks has turned two King short stories into a somber meditation on the dreams and frustrations of childhood and the ways the adult world makes its darker qualities known.- Los Angeles Times
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Reviewed by
Kevin Thomas
Makes the world of ballet, seen by so many as rarefied, accessible and exciting, a rigorous art that yields breathtaking results.- Los Angeles Times
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Reviewed by
Kenneth Turan
The Farrellys here show a gift not just for finding humor where others have feared to look but for presenting it in a way that is surprisingly close to irresistible.- Los Angeles Times
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Reviewed by
Kevin Thomas
Suspenseful and ultimately unpredictable, with a sterling ensemble cast.- Los Angeles Times
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Reviewed by
Kevin Thomas
Such a powerful experience that it is equally effective whether you have figured out from the start where it is headed or whether its denouement comes as a complete surprise.- Los Angeles Times
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Reviewed by
Kenneth Turan
At its best, Winged Migration is a marvel, and if that seems like a gee-whiz word, that's because this film has a lot to be gee-whiz about.- Los Angeles Times
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Reviewed by
Manohla Dargis
Their (filmmakers Oxide and Danny Pang) sense of pacing is nicely arrhythmic, which makes the "boo" moments all the more heart-thudding, but what's even more pleasurable are the pockets of quiet, those lacuna of low-frequency dread when nothing much happens.- Los Angeles Times
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Reviewed by
Kevin Thomas
A gem of a romantic crime comedy that turns out to be clever, amusing and unpredictable.- Los Angeles Times
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Reviewed by
Kenneth Turan
A sharp brainteaser of a film, a compelling mind game you compulsively play along with.- Los Angeles Times
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Reviewed by
Kevin Thomas
A rip-roaring romantic comedy that's as funny as it is light on its feet.- Los Angeles Times
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Reviewed by
Kevin Thomas
A most ambitious first film. Dominik pulls it off impressively, assisted by a selfless cast, a driving score by Mick Harvey, and gifted cameramen Kevin Hayward and Geoffrey Hall.- Los Angeles Times
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Reviewed by
Kevin Thomas
Sleek...This is one "return" that's surely welcome.- Los Angeles Times
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Reviewed by
Kenneth Turan
Brisk and involving with a streamlined forward propulsion, it's the kind of superhero movie we want if we have to have superhero movies at all.- Los Angeles Times
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