For 16,522 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,697 out of 16522
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Mixed: 5,808 out of 16522
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Negative: 2,017 out of 16522
16522
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Kevin Thomas
Consistently imaginative and persuasive in its plotting and writing. Tabak makes substantial demands on his wonderful cast but rewards them with roles of exceptional depth and dimension.- Los Angeles Times
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Reviewed by
Robert Abele
Its bygone-ness still abuzz with creativity and movement, Downtown 81 is a celluloid scrapbook that we can all be thankful for in helping capture the rumble before takeoff.- Los Angeles Times
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Reviewed by
Kevin Thomas
Plays out the notion of the forces of light being inexorably drawn to those of darkness, of the older generation betraying the younger and maybe even an indictment of European indifference to the Balkans' agony.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kenneth Turan
Because Into the Arms of Strangers is as much a story about childhood as it is about the Holocaust, it's an especially moving and effective piece of work.- Los Angeles Times
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Reviewed by
Kenneth Turan
Anchored by a charismatic and accessible performance by Javier Bardem as star-crossed Cuban writer Reinaldo Arenas, this florid examination of an artist's coming of age, of cultures in collusion and conflict, is difficult to resist.- Los Angeles Times
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Reviewed by
Kenneth Turan
British actress Jane Horrocks plays Little Voice, and it is a transfixing, tour de force performance.- Los Angeles Times
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Reviewed by
Kenneth Turan
Confident of its emotional effects, Swingers knows how to breathe life into its people, and hooking audiences is its reward.- Los Angeles Times
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Reviewed by
Kenneth Turan
This beguiling Belgian fable, very much its own droll and delicate little film, has some touching things to say about what is important in life and why.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kevin Thomas
Sergio Ballo's costumes have the look of authentic clothing, realistically reflecting the characters' wide range in social status. Rachel Portman's score, at once romantic, majestic and vital, completes this beguiling film.- Los Angeles Times
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Reviewed by
Kevin Thomas
Assured, vital and well wrought, the film is, arguably, the most accomplished work to date from Hong Kong's versatile Stanley Kwan.- Los Angeles Times
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Reviewed by
Kevin Thomas
Splendid entertainment, young in spirit but accomplished in all aspects with the fullness of spirit and sense of ease that comes only with experience.- Los Angeles Times
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Reviewed by
Kenneth Turan
Though it's longer and more elaborate than it needs to be, it shares its predecessor's smart but relaxed sense of humor, a sophisticated imagination and the ability to be sharp and playful without being malicious.- Los Angeles Times
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Reviewed by
Kevin Thomas
A witty, colorful and poignant account of the life and times of producer Robert Evans.- Los Angeles Times
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Reviewed by
Kevin Thomas
In regard to Franc. Reyes' engrossing and utterly uncompromising Empire let it be said right at the top that the protean John Leguizamo, last seen as Toulouse-Lautrec in "Moulin Rouge," gives one of the best performances of the year in a lead role in an American movie.- Los Angeles Times
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Reviewed by
Manohla Dargis
Belly dancing isn't always the most thrilling of dances, but it's a blast to see these women shaking and rolling because they're so thoroughly in charge of the male clientele and their own sexuality.- Los Angeles Times
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Reviewed by
Kenneth Turan
This comprehensive and charming film not only recalls those days exactly, it also manages the wonderful trick of taking us back there along with it.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kevin Thomas
A little gem, a sparkling comedy with serious undertones about friendship, self-discovery and artistic integrity.- Los Angeles Times
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Reviewed by
Kevin Thomas
Duchovny and Driver have distinctive good looks and they both combine attractiveness with talent and intelligence. Best of all, they possess that essential quality all screen lovers must have: terrific chemistry.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Jan Stuart
A plucky comic valentine for those who love the movies more than their own mothers.- Los Angeles Times
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Reviewed by
Kevin Thomas
The kind of full-length career portrait that every great actor deserves but rarely receives.- Los Angeles Times
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Reviewed by
Kevin Thomas
An assured, graceful instance of effective screen storytelling, and Meadows draws splendid performances from his cast, especially from the young Shim and Marshall.- Los Angeles Times
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Reviewed by
Kevin Thomas
The filmmakers' special triumph lies in the inspired way that in the nick of time it draws its story to a close, with Nora and Joyce struggling toward a new level of understanding.- Los Angeles Times
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Reviewed by
Charles Solomon
Offers a violent but compelling vision of what an animated feature can be.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kenneth Turan
It's to be expected that the music is going to be wonderful, and it is. But there is more to this film, a surprising amount more.- Los Angeles Times
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Reviewed by
Kenneth Turan
Aviva Kempner's warm and intelligent mash note to a man who clearly deserved it.- Los Angeles Times
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Reviewed by
Kevin Thomas
Vera has created a provocative, absorbing drama that reveals the curse of a self-hatred instilled by rigid social mores.- Los Angeles Times
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Reviewed by
Kevin Thomas
All the more rewarding because of the challenge the material presented.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kevin Thomas
An elegant work, Food of Love is as consistently engaging as it is revealing.- Los Angeles Times
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Reviewed by
Kenneth Turan
An exciting and involving rock music doc, a smart and satisfying look inside that tumultuous world.- Los Angeles Times
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Reviewed by
Kevin Thomas
Has a great look and an edgy feel, along with some broad swaths of humor.- Los Angeles Times
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Reviewed by
Kevin Thomas
There's such a rawness, purity and even mystical force to everything Benjamin says or sings, that anything else would seem extraneous and detracting from the impact of a man who has lived his life with absolutely no holds barred.- Los Angeles Times
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Reviewed by
Kenneth Turan
Lola is played by veteran Spanish actress Victoria Abril, one of Pedro Almodovar's favorites, and though the character sounds familiar, Abril brings so much zest and enthusiasm to its creation that it feels original and makes the passion she inspires believable.- Los Angeles Times
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Reviewed by
Kevin Thomas
Little Otik is too outre not to turn off some, but for those who can go the increasingly macabre distance, its sheer power to confound can be enthralling.- Los Angeles Times
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Reviewed by
Kevin Thomas
Takes a darkly daring tack that pays off handsomely, providing wholly unexpected dimension that reveals the full measure of Bose's imagination and skill. Smartly designed and richly photographed, this film is an idiosyncratic charmer -- and a lot more.- Los Angeles Times
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Reviewed by
Kevin Thomas
Daring and complex. At 112 minutes, it might be 15 minutes too long, but this is not enough to detract from its impact as a probing and universal contemporary drama.- Los Angeles Times
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Reviewed by
Kevin Thomas
A serious romantic comedy of such strength and substance and so entertaining that it doesn't matter that its minuscule budget shows around the edges.- Los Angeles Times
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Reviewed by
Kevin Thomas
From frame one Showtime displays an ingenuity, cleverness and briskness that never flags.- Los Angeles Times
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- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Manohla Dargis
Miller's strength in her stories and in the film is in her ability to push past ideology and get right down to the nitty-gritty of desire.- Los Angeles Times
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Reviewed by
Kevin Thomas
The film is an engrossing and original police procedural of bleak, steel-gray images and high style. But be warned: as part of its complex, ever-unfolding plot, it is punctuated with some grisly images.- Los Angeles Times
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Reviewed by
Kevin Thomas
Director Chen Kuo-fu adds a refreshingly wry humor to this view and then deftly throws in some wrenching moments and an ultimately astounding final twist.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kevin Thomas
Grand fantasy, in which Brendan Fraser and stylish design and energetic special effects play off one another for maximum fun.- Los Angeles Times
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Reviewed by
Kevin Thomas
Not merely affecting and illuminating; it concludes on a note of hope.- Los Angeles Times
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Reviewed by
Kenneth Turan
Meanders, dawdles, doubles back on itself but finally gets us somewhere fascinating and worthwhile.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kevin Thomas
So strong and secure in its remorseless movement that you buy into what's happening, its people so firmly gripped in the vise of fate and their own character flaws.- Los Angeles Times
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Reviewed by
Kevin Thomas
Hearty mainstream comedy with a sharp satirical edge balanced with just enough sentimentality to send audiences home happy.- Los Angeles Times
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Reviewed by
Kenneth Turan
More concerned, and with good reason, with the opera's extravagant visual look. The gorgeous pageantry of sets and costumes is frankly dazzling.- Los Angeles Times
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Reviewed by
Kevin Thomas
A film of simplicity and power, beautifully shot and effortlessly acted by nonprofessionals.- Los Angeles Times
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Reviewed by
Kevin Thomas
What counts here is the acute psychological validity with which Gordon evokes a coming of age that's seen with a darkly outrageous sense of humor--and no small amount of compassionate detachment.- Los Angeles Times
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Reviewed by
Kevin Thomas
This is a film that stays with you long after the lights have gone up.- Los Angeles Times
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Reviewed by
Kevin Thomas
It brims with the charm, wisdom and light touch that have endeared French films to international audiences for more than a century. It doesn't hurt that its star is "Amelie's" Audrey Tautou.- Los Angeles Times
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Reviewed by
Kevin Thomas
Brave and admirable for the trust that it puts in a viewer's intuition and willingness in going along with it right through to its rewarding finish.- Los Angeles Times
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Reviewed by
Kevin Thomas
Berlanti brings a smart, witty, mainstream style to his well-crafted picture, which surely enhances its crossover appeal.- Los Angeles Times
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Reviewed by
Kevin Thomas
Foote pulls off a daring and unexpected finish for The Tavern that takes it to a rigorous, uncompromising level.- Los Angeles Times
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Reviewed by
Kevin Thomas
A swift and amusing martial-action, adventure-horror picture with a bold, larger-than-life comic-book sensibility and richly atmospheric production design.- Los Angeles Times
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Reviewed by
Kevin Thomas
With its lovely images of wintertime Paris and its lyrical Michel Legrand music, La Bu^che does take the cake.- Los Angeles Times
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Reviewed by
Kevin Thomas
A wonderfully entertaining, raunchy, hilarious and savage foray into the lives of a couple of beat-up middle-weight boxers who get a second chance.- Los Angeles Times
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Reviewed by
Kevin Thomas
For his robust and handsome The Musketeer, Hyams enlisted veteran Hong Kong stunt coordinator Xin-Xin Xiong to stage a clutch of spectacular action sequences that are amusing in the imaginative intricacy of their bravura.- Los Angeles Times
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Reviewed by
Kenneth Turan
You might expect its beauty but not its intelligence, its ability to reflect the texture of some extraordinary lives.- Los Angeles Times
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Reviewed by
Kevin Thomas
The music is sensational, the energy level high, and Down and Out With the Dolls is a wise and funny treat.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kenneth Turan
Just as interesting, if not more so, is how Rohmer integrates his very contemporary concerns into a period drama, how he creates characters who manage to be true to our times as well as their own.- Los Angeles Times
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Reviewed by
Kevin Thomas
This well-paced film's realistic style and authentic locales are a perfect fit for the characters and their story.- Los Angeles Times
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Reviewed by
Kevin Thomas
A summer treat for sophisticated moviegoers -- graceful and serious, yet not overly so. This easy-to-take movie gets everything just right and is a pleasure to watch.- Los Angeles Times
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Reviewed by
Kevin Thomas
Takes the most somber of predicaments, and makes it involving, romantic and ultimately intensely suspenseful.- Los Angeles Times
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Reviewed by
Kenneth Turan
Like many modern children's films, Stuart Little 2 can't decide between teaching good values ("You're only as big as you feel") and tossing out fake-hip jokes. Though it doesn't happen as often as it should, this is a better film when it allows itself simply to be sweet.- Los Angeles Times
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Reviewed by
Kevin Thomas
Captivating new documentary, The Gleaners and I, is charged with the pleasure of discovery.- Los Angeles Times
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Reviewed by
Kevin Thomas
At once hilarious and serious, cruel and tender, and bristling with vitality, Holy Smoke is the right movie for the millennium, envisioning new possibilities in the way people view and relate to one another.- Los Angeles Times
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Reviewed by
Kenneth Turan
One of the five most popular films of the year in France, "Wolf" is a cross-cultural hoot that no one should take too seriously.- Los Angeles Times
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Reviewed by
Kevin Thomas
L.I.E. has embraced tragedy, folly, perversity and outrageous dark humor. Like "Happiness" and "American Beauty," it takes an unflinching look at the darker aspects of life in American suburbia.- Los Angeles Times
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Reviewed by
Kevin Thomas
Mixes satire and suspense in unexpected ways in a film that is as darkly amusing as it is bitterly critical of bourgeois society's indifference to suffering.- Los Angeles Times
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Reviewed by
Manohla Dargis
A wonderfully eccentric piece of filmmaking -- to demand it cohere to formula would be to miss the point.- Los Angeles Times
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Reviewed by
Kevin Thomas
Manages to honor the theatricality of the source yet becomes a fully cinematic experience. A gem.- Los Angeles Times
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Reviewed by
Kevin Thomas
Rapp is clearly in sync with Altman's peerless sense of rhythm and knows how to write incisively and economically for Altman's cherished large ensemble casts.- Los Angeles Times
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Reviewed by
Kevin Thomas
Revolution #9, which is absorbing and terse, has some subtle, welcome comic relief from Spalding Gray.- Los Angeles Times
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Reviewed by
Kevin Thomas
A great-looking picture that zips along with grace, light on its feet but possessed of just enough gravity to allow us to take its people rather than its old TV series premise seriously.- Los Angeles Times
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Reviewed by
Kenneth Turan
Though Wendigo has weak spots, including an ending that is not as satisfying as it might be, the film remains memorable despite its flaws. This is a properly spooky film about the power of spirits to influence us whether we believe in them or not.- Los Angeles Times
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Reviewed by
Kevin Thomas
Chaiken manages to make the film conversational without seeming talky, the curse of many New York filmmakers, and she has as sure an instinct for the succinct image and brisk pacing as she does for dialogue.- Los Angeles Times
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Reviewed by
Kenneth Turan
Millennium Actress fascinatingly goes where films have not often gone before.- Los Angeles Times
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Reviewed by
Kenneth Turan
Butler used several elements to make this story come alive, starting with that vintage Frank Hurley footage, whose rescue from icy waters is in itself something of a miracle.- Los Angeles Times
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Reviewed by
Sheila Benson
A smart, generous, genuinely funny affair. Sometimes, like the camel who almost ambles away with the picture, it's longish in the tooth, but it is based on an extremely astute vision of life. [15 May 1987]- Los Angeles Times
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- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kevin Thomas
It is often remarked that the years between "Easy Rider" (1969) and "Star Wars" (1977) marked a second golden age in American filmmaking, and this documentary, as comprehensive as it is incisive, is a reminder of just how many terrific pictures came out during those years.- Los Angeles Times
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Reviewed by
Kenneth Turan
Benefits from delicious acting from co-stars Geoffrey Rush and Pierce Brosnan, a mordant script co-written by le Carre (along with Boorman and Andrew Davies), and the distinctive touch of its director.- Los Angeles Times
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Reviewed by
Kevin Thomas
Has the gritty, intimate feel of an Eastern European film--and packs the power of a genuine revelation.- Los Angeles Times
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Reviewed by
Kenneth Turan
Starts gently, with amusing drollness, then gets more serious, even provocative, without sacrificing its light touch. This is very much a film with something on its mind.- Los Angeles Times
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Reviewed by
John Anderson
So refreshing and funny and, in its way, sophisticated.- Los Angeles Times
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- Critic Score
Altogether, this is successful as a film, while at the same time being a most touching reconsideration of the familiar masterpiece.- Los Angeles Times
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Reviewed by
Manohla Dargis
An old-fashioned weepie tucked inside a fiercely indicting political thriller.- Los Angeles Times
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- Los Angeles Times
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