Los Angeles Times' Scores

For 16,522 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16522 movie reviews
  1. Consistently imaginative and persuasive in its plotting and writing. Tabak makes substantial demands on his wonderful cast but rewards them with roles of exceptional depth and dimension.
  2. Its bygone-ness still abuzz with creativity and movement, Downtown 81 is a celluloid scrapbook that we can all be thankful for in helping capture the rumble before takeoff.
  3. Plays out the notion of the forces of light being inexorably drawn to those of darkness, of the older generation betraying the younger and maybe even an indictment of European indifference to the Balkans' agony.
  4. As tasty and nourishing as one of Martin's finest meals.
  5. Because Into the Arms of Strangers is as much a story about childhood as it is about the Holocaust, it's an especially moving and effective piece of work.
  6. Anchored by a charismatic and accessible performance by Javier Bardem as star-crossed Cuban writer Reinaldo Arenas, this florid examination of an artist's coming of age, of cultures in collusion and conflict, is difficult to resist.
  7. British actress Jane Horrocks plays Little Voice, and it is a transfixing, tour de force performance.
  8. Confident of its emotional effects, Swingers knows how to breathe life into its people, and hooking audiences is its reward.
  9. This beguiling Belgian fable, very much its own droll and delicate little film, has some touching things to say about what is important in life and why.
  10. Illuminating, poignant and heartening.
  11. Sergio Ballo's costumes have the look of authentic clothing, realistically reflecting the characters' wide range in social status. Rachel Portman's score, at once romantic, majestic and vital, completes this beguiling film.
  12. Assured, vital and well wrought, the film is, arguably, the most accomplished work to date from Hong Kong's versatile Stanley Kwan.
  13. Splendid entertainment, young in spirit but accomplished in all aspects with the fullness of spirit and sense of ease that comes only with experience.
  14. Though it's longer and more elaborate than it needs to be, it shares its predecessor's smart but relaxed sense of humor, a sophisticated imagination and the ability to be sharp and playful without being malicious.
  15. A witty, colorful and poignant account of the life and times of producer Robert Evans.
  16. In regard to Franc. Reyes' engrossing and utterly uncompromising Empire let it be said right at the top that the protean John Leguizamo, last seen as Toulouse-Lautrec in "Moulin Rouge," gives one of the best performances of the year in a lead role in an American movie.
  17. Belly dancing isn't always the most thrilling of dances, but it's a blast to see these women shaking and rolling because they're so thoroughly in charge of the male clientele and their own sexuality.
  18. This comprehensive and charming film not only recalls those days exactly, it also manages the wonderful trick of taking us back there along with it.
  19. A film of piercing beauty and pain.
  20. A little gem, a sparkling comedy with serious undertones about friendship, self-discovery and artistic integrity.
  21. Duchovny and Driver have distinctive good looks and they both combine attractiveness with talent and intelligence. Best of all, they possess that essential quality all screen lovers must have: terrific chemistry.
  22. It's remarkable for where it takes us, how it takes us there.
  23. A plucky comic valentine for those who love the movies more than their own mothers.
  24. The kind of full-length career portrait that every great actor deserves but rarely receives.
  25. An assured, graceful instance of effective screen storytelling, and Meadows draws splendid performances from his cast, especially from the young Shim and Marshall.
  26. The filmmakers' special triumph lies in the inspired way that in the nick of time it draws its story to a close, with Nora and Joyce struggling toward a new level of understanding.
  27. Offers a violent but compelling vision of what an animated feature can be.
  28. Brutal yet lyrical film.
  29. It's to be expected that the music is going to be wonderful, and it is. But there is more to this film, a surprising amount more.
  30. Aviva Kempner's warm and intelligent mash note to a man who clearly deserved it.
    • Los Angeles Times
  31. Vera has created a provocative, absorbing drama that reveals the curse of a self-hatred instilled by rigid social mores.
  32. All the more rewarding because of the challenge the material presented.
  33. Totally captivating, as seductive as a samba.
  34. An elegant work, Food of Love is as consistently engaging as it is revealing.
  35. An exciting and involving rock music doc, a smart and satisfying look inside that tumultuous world.
  36. Has a great look and an edgy feel, along with some broad swaths of humor.
    • Los Angeles Times
  37. There's such a rawness, purity and even mystical force to everything Benjamin says or sings, that anything else would seem extraneous and detracting from the impact of a man who has lived his life with absolutely no holds barred.
  38. Lola is played by veteran Spanish actress Victoria Abril, one of Pedro Almodovar's favorites, and though the character sounds familiar, Abril brings so much zest and enthusiasm to its creation that it feels original and makes the passion she inspires believable.
  39. Little Otik is too outre not to turn off some, but for those who can go the increasingly macabre distance, its sheer power to confound can be enthralling.
  40. Takes a darkly daring tack that pays off handsomely, providing wholly unexpected dimension that reveals the full measure of Bose's imagination and skill. Smartly designed and richly photographed, this film is an idiosyncratic charmer -- and a lot more.
  41. Daring and complex. At 112 minutes, it might be 15 minutes too long, but this is not enough to detract from its impact as a probing and universal contemporary drama.
  42. A serious romantic comedy of such strength and substance and so entertaining that it doesn't matter that its minuscule budget shows around the edges.
  43. From frame one Showtime displays an ingenuity, cleverness and briskness that never flags.
  44. Smart, sweet and playful romantic comedy.
  45. Bluntly effective.
  46. Miller's strength in her stories and in the film is in her ability to push past ideology and get right down to the nitty-gritty of desire.
  47. The film is an engrossing and original police procedural of bleak, steel-gray images and high style. But be warned: as part of its complex, ever-unfolding plot, it is punctuated with some grisly images.
  48. Director Chen Kuo-fu adds a refreshingly wry humor to this view and then deftly throws in some wrenching moments and an ultimately astounding final twist.
  49. The sharpest inside Hollywood comedy in quite a while.
  50. Grand fantasy, in which Brendan Fraser and stylish design and energetic special effects play off one another for maximum fun.
  51. Not merely affecting and illuminating; it concludes on a note of hope.
  52. Meanders, dawdles, doubles back on itself but finally gets us somewhere fascinating and worthwhile.
  53. Cleverly structured, with a slam-bam score and style to burn.
  54. So strong and secure in its remorseless movement that you buy into what's happening, its people so firmly gripped in the vise of fate and their own character flaws.
  55. Hearty mainstream comedy with a sharp satirical edge balanced with just enough sentimentality to send audiences home happy.
  56. More concerned, and with good reason, with the opera's extravagant visual look. The gorgeous pageantry of sets and costumes is frankly dazzling.
  57. A film of simplicity and power, beautifully shot and effortlessly acted by nonprofessionals.
  58. What counts here is the acute psychological validity with which Gordon evokes a coming of age that's seen with a darkly outrageous sense of humor--and no small amount of compassionate detachment.
  59. This is a film that stays with you long after the lights have gone up.
  60. It brims with the charm, wisdom and light touch that have endeared French films to international audiences for more than a century. It doesn't hurt that its star is "Amelie's" Audrey Tautou.
  61. Brave and admirable for the trust that it puts in a viewer's intuition and willingness in going along with it right through to its rewarding finish.
    • Los Angeles Times
  62. Berlanti brings a smart, witty, mainstream style to his well-crafted picture, which surely enhances its crossover appeal.
  63. Foote pulls off a daring and unexpected finish for The Tavern that takes it to a rigorous, uncompromising level.
  64. A swift and amusing martial-action, adventure-horror picture with a bold, larger-than-life comic-book sensibility and richly atmospheric production design.
  65. With its lovely images of wintertime Paris and its lyrical Michel Legrand music, La Bu^che does take the cake.
  66. A wonderfully entertaining, raunchy, hilarious and savage foray into the lives of a couple of beat-up middle-weight boxers who get a second chance.
  67. For his robust and handsome The Musketeer, Hyams enlisted veteran Hong Kong stunt coordinator Xin-Xin Xiong to stage a clutch of spectacular action sequences that are amusing in the imaginative intricacy of their bravura.
  68. You might expect its beauty but not its intelligence, its ability to reflect the texture of some extraordinary lives.
  69. The music is sensational, the energy level high, and Down and Out With the Dolls is a wise and funny treat.
  70. Grabs you by the throat and won't let go.
  71. Just as interesting, if not more so, is how Rohmer integrates his very contemporary concerns into a period drama, how he creates characters who manage to be true to our times as well as their own.
  72. This well-paced film's realistic style and authentic locales are a perfect fit for the characters and their story.
  73. A summer treat for sophisticated moviegoers -- graceful and serious, yet not overly so. This easy-to-take movie gets everything just right and is a pleasure to watch.
  74. Takes the most somber of predicaments, and makes it involving, romantic and ultimately intensely suspenseful.
  75. Like many modern children's films, Stuart Little 2 can't decide between teaching good values ("You're only as big as you feel") and tossing out fake-hip jokes. Though it doesn't happen as often as it should, this is a better film when it allows itself simply to be sweet.
  76. Captivating new documentary, The Gleaners and I, is charged with the pleasure of discovery.
  77. At once hilarious and serious, cruel and tender, and bristling with vitality, Holy Smoke is the right movie for the millennium, envisioning new possibilities in the way people view and relate to one another.
  78. One of the five most popular films of the year in France, "Wolf" is a cross-cultural hoot that no one should take too seriously.
  79. L.I.E. has embraced tragedy, folly, perversity and outrageous dark humor. Like "Happiness" and "American Beauty," it takes an unflinching look at the darker aspects of life in American suburbia.
  80. Mixes satire and suspense in unexpected ways in a film that is as darkly amusing as it is bitterly critical of bourgeois society's indifference to suffering.
  81. A wonderfully eccentric piece of filmmaking -- to demand it cohere to formula would be to miss the point.
  82. Manages to honor the theatricality of the source yet becomes a fully cinematic experience. A gem.
    • Los Angeles Times
  83. Rapp is clearly in sync with Altman's peerless sense of rhythm and knows how to write incisively and economically for Altman's cherished large ensemble casts.
  84. Revolution #9, which is absorbing and terse, has some subtle, welcome comic relief from Spalding Gray.
  85. A great-looking picture that zips along with grace, light on its feet but possessed of just enough gravity to allow us to take its people rather than its old TV series premise seriously.
  86. Though Wendigo has weak spots, including an ending that is not as satisfying as it might be, the film remains memorable despite its flaws. This is a properly spooky film about the power of spirits to influence us whether we believe in them or not.
  87. Chaiken manages to make the film conversational without seeming talky, the curse of many New York filmmakers, and she has as sure an instinct for the succinct image and brisk pacing as she does for dialogue.
  88. Millennium Actress fascinatingly goes where films have not often gone before.
  89. Butler used several elements to make this story come alive, starting with that vintage Frank Hurley footage, whose rescue from icy waters is in itself something of a miracle.
  90. A smart, generous, genuinely funny affair. Sometimes, like the camel who almost ambles away with the picture, it's longish in the tooth, but it is based on an extremely astute vision of life. [15 May 1987]
    • Los Angeles Times
  91. One of the year's riskiest yet most effective films.
  92. Thoroughly engrossing.
  93. It is often remarked that the years between "Easy Rider" (1969) and "Star Wars" (1977) marked a second golden age in American filmmaking, and this documentary, as comprehensive as it is incisive, is a reminder of just how many terrific pictures came out during those years.
  94. Benefits from delicious acting from co-stars Geoffrey Rush and Pierce Brosnan, a mordant script co-written by le Carre (along with Boorman and Andrew Davies), and the distinctive touch of its director.
  95. Has the gritty, intimate feel of an Eastern European film--and packs the power of a genuine revelation.
  96. Starts gently, with amusing drollness, then gets more serious, even provocative, without sacrificing its light touch. This is very much a film with something on its mind.
  97. So refreshing and funny and, in its way, sophisticated.
    • 70 Metascore
    • 80 Critic Score
    Altogether, this is successful as a film, while at the same time being a most touching reconsideration of the familiar masterpiece.
  98. An old-fashioned weepie tucked inside a fiercely indicting political thriller.
  99. An absolutely first-rate documentary.

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