For 16,522 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,697 out of 16522
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Mixed: 5,808 out of 16522
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Negative: 2,017 out of 16522
16522
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Kenneth Turan
A superior filmed biography that brings intelligence, restraint and style to what could have been a more standard treatment.- Los Angeles Times
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Reviewed by
Robert Abele
Unlike a lot of institutional raunch in today's comedy, Humpday finds laughs out of what is rarely made explicit between buddies.- Los Angeles Times
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Reviewed by
Kenneth Turan
It's a display of phenomenal dexterity and nimble grace that's a joy to watch. That, friends, is entertainment.- Los Angeles Times
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Reviewed by
Kevin Thomas
A runaway hit in France last year and the country's official Oscar entry, is a well-nigh irresistible film celebrating the redemptive power of music.- Los Angeles Times
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Reviewed by
Kevin Thomas
A warm, embracing film of transcendent beauty and spirituality.- Los Angeles Times
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Reviewed by
Kevin Thomas
Smart, satisfying action entertainment that is also a perceptive work of considerable artistry.- Los Angeles Times
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Reviewed by
Kenneth Turan
One of those special films that broadens and deepens as it goes on.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kenneth Turan
It's a film of unexpected, almost indescribable off-center charm that deepens as it goes on.- Los Angeles Times
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Kevin Crust
Horn, who knew Nomi, does an excellent job of evoking the exhilaratingly hedonistic period the film covers as well as the long shadow that the coming of AIDS casts over it.- Los Angeles Times
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Reviewed by
Kenneth Turan
The mellow, serendipitous The Parrots of Telegraph Hill is here to show you just how magical happenstance can be.- Los Angeles Times
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Reviewed by
Kenneth Turan
The reality it confronts is so gripping, we cannot turn away. This may not be the most sophisticated retelling of what happened while Berlin burned, but what a story it is.- Los Angeles Times
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Reviewed by
Kevin Crust
If there's a theme to this group of films it's the richness of imagery gathered from a variety of forms including hand-drawn, computer-generated and hybrid work. Ink, pixels and clay are brought to life with equal parts darkness and light to evoke stories and moods that are anything but conventional.- Los Angeles Times
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Reviewed by
Carina Chocano
Buoyed by an unreserved humanism and a cheerful sense of the absurd.- Los Angeles Times
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Reviewed by
Kenneth Turan
A striking new documentary that shows the war in a way it's not been seen before: from the ground up.- Los Angeles Times
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Reviewed by
Kevin Thomas
Made with energetic flair and no small dose of violence, mercifully handled with discretion, Hostage exemplifies taut, confident filmmaking.- Los Angeles Times
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Reviewed by
Carina Chocano
A squarely suburban movie with a distinctly bourgeois-shaped window on the world, but it's genuine and exceptionally well observed.- Los Angeles Times
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Reviewed by
Kenneth Turan
Despite being a pure fantasy that relishes not making literal sense, Millions retains a conviction about what it's doing that makes us believe and enjoy.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kevin Thomas
has a rich, lyrical sweep and floats between past and present, reality and imagination, with ease. It is a richly satisfying experience.- Los Angeles Times
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Reviewed by
Kevin Crust
A stunning-to-look-at film marred by a less than searing pace and some narrative incoherence.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kevin Thomas
Has too much depth, too much freshness and imagination ever to be adequately described in any of its aspects as merely "quirky" or "off the wall."- Los Angeles Times
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Reviewed by
Kevin Crust
Like his father, Brown inserts himself into the action via folksy narration. His husky, laid-back voice sounds something like Kevin Costner, lending a regular-guy aura to the reverential treatment he affords his subject.- Los Angeles Times
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Reviewed by
Carina Chocano
As depressing as it is hard to watch, Palindromes is also consistently, horrifyingly funny and sharp-witted, and the darker and more well-observed its humor, the more it belies the director's unsentimental, even grudging empathy for his fellow DNA monkeys.- Los Angeles Times
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Reviewed by
Kenneth Turan
It's a bawdy farce done with real delicacy, a charming adult comedy that ends up with unlooked-for emotional heft. If that doesn't cover all the bases, it certainly comes close.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kevin Thomas
A subtle artist and a sharp observer, Martel manages a large cast with an ease that matches her skill at storytelling, within which psychological insight and social comment flow easily and implicitly.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kenneth Turan
Scott and company have gotten so accomplished at re-creating history that the results have a welcome offhanded quality, making them spectacular without seeming to be showing off.- Los Angeles Times
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Reviewed by
Kevin Thomas
This small, lovingly crafted film continually surprises with its depth and resonance.- Los Angeles Times
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Reviewed by
Kevin Thomas
It's hard to imagine a more serious or persuasive indictment of the horrors inflicted on children by sexual abuse than Mysterious Skin.- Los Angeles Times
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Reviewed by
Kenneth Turan
The end result was that the performances reached a remarkable level of intimacy and intensity.- Los Angeles Times
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Reviewed by
Carina Chocano
A complex, boldly experimental movie plotted like a thriller and paced like a farce, Kings and Queen is category-defying film that's as smart and emotionally resonant as it is entertaining.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kenneth Turan
Dallaire is not only the protagonist of Shake Hands, he is a compelling reason to see it.- Los Angeles Times
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Reviewed by
Kevin Thomas
Fixing Frank is "good theater," and in the writing and in Butler's quietly chilling, ever-so-civilized portrayal, Apsey emerges as a veritable Svengali.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kevin Thomas
As beautifully structured as one of the Z-Boys' graceful and intricate maneuvers. It is economic yet possesses depth and is visually striking, capturing an idea of what life is like in a very fast lane.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kevin Thomas
This delightfully spirited film is perfectly cast, and it's hard to imagine how Daniel Auteuil, José Garcia and Sandrine Kiberlain could possibly improve upon their irresistible, multifaceted portrayals.- Los Angeles Times
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Reviewed by
Kevin Crust
Numerous films have explored undersea life, but few as comprehensively and as consistently compelling as Deep Blue, by the creators of the "Blue Planet" TV series.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kevin Thomas
This process unfolds in terse, compelling fashion with ravishing camerawork by Agnès Godard.- Los Angeles Times
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Reviewed by
Kevin Thomas
José Cancella's original score complement the tremendous wit, vitality and sensuality of the dancers.- Los Angeles Times
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Reviewed by
Kevin Thomas
Bold, vibrant and impassioned, Yes is the work of a high-risk film artist in command of her medium and gifted in propelling her actors to soaring performances.- Los Angeles Times
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Reviewed by
Kevin Crust
A smart, well-paced documentary that balances the man's triumphs with his rare failures and discerningly explores the darker side of his power.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kevin Thomas
It is a straightforward, conventional narrative, charting seemingly endless cruelty and hardship, but rewards the patient with an eloquent climactic sequence that is impossible to predict.- Los Angeles Times
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Reviewed by
Carina Chocano
Witty, unhinged and fearless, it's exactly the kind of movie we need now.- Los Angeles Times
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Reviewed by
Carina Chocano
Why aren't there more American movies like this? I mean smart, unpretentious, sophisticated, un-condescending and cheap.- Los Angeles Times
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Reviewed by
Jan Stuart
It is chockablock with brutality, but the violence is of the high-minded, self-congratulatory sort that indicates without actually showing.- Los Angeles Times
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Reviewed by
Kevin Thomas
Unfolds in the satisfying fashion of classic Hollywood movies that strike a balance between grit and heart.- Los Angeles Times
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Reviewed by
Carina Chocano
A straightforward, surprisingly faithful and definitely loving adaptation of the original.- Los Angeles Times
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Reviewed by
Carina Chocano
A sweet, funny and gripping romantic adventure, it's about the limitations of political activism in this day and age, and what happens when your girlfriend and your best friend fall in love.- Los Angeles Times
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Reviewed by
Carina Chocano
What Last Days offers is a blank and narrative-free, but pitch-perfect, dreamscape on which to project your own personal ruminations on Kurt, fame, whatever, nevermind. If you have none, you're on your own.- Los Angeles Times
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Reviewed by
Carina Chocano
For an exquisitely melancholy story steeped in a sense of the past as a succession of great waves of political, ideological and economic change, it's fitting that the movie should end with an underwater sequence. It looks like a dream of a memory of a place about to be wiped out by the next great flood of history.- Los Angeles Times
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Reviewed by
Kevin Thomas
The plot is not absolutely airtight, but Craven's filmmaking is too fast-moving and too involving for this to matter. As a movie, Red-Eye is in every way as well crafted and sharply designed as the Boeing 767 Lisa fatefully boards.- Los Angeles Times
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Reviewed by
Carina Chocano
Clean is one of those movies that's slightly off the mark in ways that are hard to put a finger on, but it is shot so soulfully and features such beautiful performances that it's easy to forgive the occasional false note.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kenneth Turan
This is one terrific thriller with several wicked tricks up its sleeve, each more satisfying than the last.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kevin Thomas
This is a sophisticated adult treat in the French manner with an attractive and gifted cast and is essentially serious, yet often whimsical and always compassionate.- Los Angeles Times
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- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kenneth Turan
Against considerable odds and despite a shaky start, Proof proves itself in every area.- Los Angeles Times
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Reviewed by
Kevin Thomas
Loic's journey is rich in incident and detail, and Garçon Stupide retains its dynamic momentum throughout.- Los Angeles Times
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Reviewed by
Kevin Crust
An unapologetic cheerleader for exploring the final frontier, Hanks wrote and produced (along with director Mark Cowen) this enthralling look at what might be the greatest technological feat of the 20th century.- Los Angeles Times
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Reviewed by
Kevin Thomas
Sachs has pulled off a film of inferences and intimations, thanks largely to the casting of accomplished actors.- Los Angeles Times
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- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kevin Thomas
Commands attention from its very first frame and never lets up right through the fade-out. It is a splendid example of classic screen storytelling with no false steps, and Gansel's understated approach pays off with resounding emotional effect and meaning.- Los Angeles Times
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Reviewed by
Kevin Thomas
Mandoki, who with this film returns to the Spanish-speaking cinema after a string of Hollywood films, has brought a sure sense of the visual and taut construction to Innocent Voices, based on a true story. It is filled with wrenching images.- Los Angeles Times
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Reviewed by
Kevin Thomas
An outrageous, savagely comical account of the disastrous circumstances surrounding the assassination of dictatorial South Korean President Park Chung Hee in 1979.- Los Angeles Times
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Reviewed by
Carina Chocano
What emerges from these stories is a picture of the fallibility of the system and the vulnerability of innocent citizens, whom even scientific evidence cannot protect from incompetence, ego and prejudice, and of the courage of the exonerated victims to make meaning of their tragedies.- Los Angeles Times
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Reviewed by
Kenneth Turan
Though it is small in scale and lasts only 78 minutes, New York Doll, like any documentary, goes places we expect it to and places we do not. As journeys go, this is one to treasure.- Los Angeles Times
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Reviewed by
Kenneth Turan
A powerful, poignant, provocative drama, it gets its strength from its dispassion, from an uncompromising determination to explain rather than justify or condemn, to put a human face on incomprehensible acts.- Los Angeles Times
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Reviewed by
Carina Chocano
A fascinating reflection of the era when it was made; but a starker indictment still of what film culture has become. In 1975, The Passenger was a night at the movies.- Los Angeles Times
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Reviewed by
Kenneth Turan
With the help of clear direction and some excellent acting, especially from Flora Cross in a memorable debut as Eliza, Bee Season is affecting in ways that movies have all but given up trying to be.- Los Angeles Times
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Reviewed by
Kevin Thomas
Ellie Parker is at once hilarious and harrowing, and in being so, seems right on target.- Los Angeles Times
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Reviewed by
Robert Abele
Suffused with a painterly tenderness and cruelty, the French film Gilles' Wife - based on a 1937 Belgian novel by Madeleine Bourdouxhe - stars the extraordinary actress Emmanuelle Devos.- Los Angeles Times
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Reviewed by
Kenneth Turan
Written, directed and acted with real compassion and sympathy for the humanity of its characters, no matter who they are or on what side of these multiple issues they turn out to be.- Los Angeles Times
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Reviewed by
Kevin Thomas
A droll, dark Christmas treat for adults, a delightful alternative to the usual holiday-themed fare.- Los Angeles Times
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Reviewed by
Kevin Thomas
Even though it is ultimately anything but an endorsement for street racing, the movie stunningly captures its undeniable excitement.- Los Angeles Times
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Reviewed by
Kenneth Turan
A moving, troubling documentary. Moving because of the nature of the problem it explores, troubling because the film can't help but underline that simple solutions are never going to present themselves, no matter how much we want them to.- Los Angeles Times
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Reviewed by
Kenneth Turan
Just as there will always be an England, there will always be a certain kind of English film: the highly polished entertainment, well-acted, genteelly amusing and impeccably turned out. Mrs. Henderson Presents is the latest example of the trend and an especially satisfying one.- Los Angeles Times
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Reviewed by
Kevin Thomas
In The Matador, a delightfully sly diversion, Pierce Brosnan breaks the mold and turns in what might be considered the performance of his career, the kind of witty, relaxed star portrayal that recalls those of Cary Grant and other Golden Era legends.- Los Angeles Times
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Reviewed by
Carina Chocano
It pretty much keeps its pulse steady, its blood cold and its nerves tamped down -- which, combined with cinematographer Remi Adefarasin's architectural Hitchcockian flourishes, lends a queasy, cool air to the proceedings.- Los Angeles Times
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Reviewed by
Kevin Thomas
This is a droll, laid-back film noir steeped in Crescent City atmosphere and music that culminates in the colliding worlds of genuine and virtual reality.- Los Angeles Times
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Reviewed by
Kevin Thomas
In the exhilarating Casanova, giddy shenanigans effectively set off the dangerous, darker impulses of human nature.- Los Angeles Times
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Reviewed by
Kevin Crust
Philosophy and religion become entangled with love and sex in Karin Albou's intelligent, sensual drama.- Los Angeles Times
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Carina Chocano
The trouble with describing a story this complex and digressive is that it's hard to keep it from sounding complicated and hard-to-follow. But for a movie about movies, it's surprisingly humanistic, cheerful and true to life.- Los Angeles Times
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Reviewed by
Kevin Thomas
Reygadas asks audiences to plunge headlong into his chaotic vision of the world, no questions asked but complete trust required. Not everyone is going to be willing or able to take this leap of faith, but those who do go along with Reygadas may well feel they have come away having undergone a stunning revelatory experience.- Los Angeles Times
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Reviewed by
Kenneth Turan
Julia Jentsch strong and graceful, quiet knockout of a performance is the film's most potent weapon.- Los Angeles Times
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Reviewed by
Kevin Crust
A ticking clock scenario and a terrific performance by Willis as an alcoholic NYPD detective make up for the film's occasional missteps and some strange pop culture references.- Los Angeles Times
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Reviewed by
Kevin Thomas
The very title suggests that this compelling and provocative film is going to be different from other Holocaust documentaries.- Los Angeles Times
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Reviewed by
Kenneth Turan
Sometimes a film about nothing can be a film about everything; a film without overwhelmingly dramatic events can delight you more than an outsized epic. The sly and disarming Duck Season is such a film.- Los Angeles Times
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Reviewed by
Kenneth Turan
A very smart and funny movie directed by Jason Reitman, who also shrewdly adapted the screenplay from Christopher Buckley's savagely satiric novel.- Los Angeles Times
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Reviewed by
Kenneth Turan
Smartly plotted by newcomer Russell Gewirtz and smoothly directed by, of all people, Spike Lee, Inside Man is a deft and satisfying entertainment, an elegant, expertly acted puzzler that is just off-base and out-of-the-ordinary enough to keep us consistently involved.- Los Angeles Times
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Carina Chocano
Ultimately, Mermin's film is a profound reminder of the things that make us human. Things that don't matter much, in the scheme of things, but loom large when taken away. Things we all have in common.- Los Angeles Times
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