The game doesn’t do anything wrong per se and I must criticize it primarily for its absolute mediocrity, lack of interesting ideas, and wasted potential. There were good moments I really enjoyed here and there, despite the game having the worst open-world city of gaming history and the creators’ promises not being fulfilled in the slightest. [Issue#317]

The sequel to Elex can immerse you, not let go and you can have a lot of fun with it. On the other hand, you may also be put off by a very awkward beginning, weird dialogue, creepy facial animations and a boring main storyline full of clichés. [Issue#318]

Although the game is certainly better compared to the older version, the impression is spoiled by the sometimes clumsy controls. The strike aiming could use some tweaking. Pressing the right buttons is often more a matter of chance or luck than a planned strategy. The graphics have grown noticeably in beauty compared to the last game. [Issue#318]

Graphically, the game doesn't do too poorly, although a comparison with last year's Forza Horizon 5 wouldn't make it a winner. Grid is more thrilling, can be pleasantly fresh thanks to the different types of races like elimination, and even if it doesn't use DualSense as well as Gran Turismo, it's still a solid racing game that is sure to entertain with its variety of cars, tracks, and well-handled multiplayer. [Issue#318]

A lack of trust in the narrator leads to a slightly unsatisfying finale. But the journey, which is exceptionally graphically hilarious, is the destination in this case. Apart from the interactive passages, I felt more like I was in a slow-building film. Furthermore, built on "go and fetch" types of tasks. Apart from playing with the camera and certain passages, the player is mostly a passive observer of the story. [Issue#318]

A fun game for fans of simulator games and for farmers who haven't had enough after a whole day in the field. Unfortunately, it brings too few real innovations and the shortcomings that fans of the series have been complaining about for years have not been addressed by the developers. [Issue#318]

One's feelings about the game start with "oh my God, what did I buy", move on to "hey, it's not all bad - let's destroy one more tree", only to realize in the end that you're actually doing the same thing over and over again and that you could spend your time in a more entertaining way. [Issue#318]

Mandatory reading for fans of the series, which aspires to captivate even casual gamers thanks to its great voice acting, entertaining story and original visuals. The only barriers to entry may be hitches full of frustrating random clicking or the humour which may not be to everyone's taste. [Issue#319]

The puzzles aren't too complicated, the story, though sweet, is quite infantile and often reminiscent of ideas from Alice in Wonderland, just dusted off a bit and mixed with a lot of cats here and there. [Issue#319]

The mix between Among Us and Cooking Dash makes for funny frenetic action that will get your nerves flowing. Every mistake usually means death and a return to the starting planet. Godlike Burger can therefore be frustrating and repetitive after a while. [Issue#319]

It contains everything that makes gamers love the Lego Star Wars games, while at the same time showing the authors' desire to push the franchise further. Some of it worked, some of it didn't, but if this sympathetic will holds out, the next game will no doubt turn out great. [Issue#319]

A nice reference to classic first-person shooters. What adds to the similarity, besides the brisk bloody gameplay, is the game's visuals, which are a nice combination of 3D models and pixel graphics. The gameplay experience is complemented by the metallic music, which underlines the brutality of the game perfectly. [Issue#319]

It's a fact that the black and white treatment helps the game a lot. In the end, it's a nice little one-shot that works more as an atmospheric experience than a game. Especially if you're into samurai and old movies. [Issue#320]

A little bit of cyborg, a critique of market-determined health insurance, student activism, a big helping of love, a dash of revenge, one doctor, a steam hammer, murder. But if you like synthwave and want a ten hour or so read, go ahead. [Issue#320]

If you're a keen crisis manager, you won't have a problem with this, but otherwise you can get lost in managing everything. Just when you feel like the crisis isn't so hot, that you can balance the demands of all classes, and even food is plentiful, something goes wrong. [Issue#320]

The game may be based on a rather clichéd story, which doesn't impress anyone nowadays, but it doesn't throw completely bad ideas into the mix. However, these are only developed halfway through, and thus arouse bitterness and boredom in the player rather than provide a nourishing gaming experience. [Issue#320]

However, porting to the console was not without its own problems. The biggest one definitely being the control, which uses the joystick-controlled cursor even in completely illogical moments. Despite this, however, this is an adventure game from the road story genre that is worth experiencing. [Issue#320]

Reprobed is a game built primarily on its humor. However, it often misses the mark because of its simplicity and directness, even plainness. [Issue#321]

It wouldn't be a cartel game if you didn't have to launder dirty money while dealing with a laggy interface or stupid AI, aspects which spoil the impression of a tropical paradise. [Issue#321]

It is not a bad product, the plus point is the low price. The game introduces beginners well to the principles of turn-based RPGs. The characters are cleverly designed and it's fun to try combining squads. Only the actual core, the combat, is mediocre in content. [Issue#321]

The overall good impression of the game is somewhat spoiled by its visuals, which, thanks to an unpleasant combination of static images and moving elements, lag behind the otherwise engaging story. [Issue#321]

It's a surprisingly fun arcade game, but one that trips up the players themselves through payment and the lack of a preset lobby. [Issue#322]

The game features whimsical graphics with some dynamic new features. But whether this overcomes the overtones of amateurism is a matter of opinion. As a form of relaxation, it certainly doesn't hurt. [Issue#322]

You can finish the game in six to eight hours, and that's just about the perfect amount of time. Even so, later enemies rely on unfair advantages to surprise you, the game gets increasingly linear and isn't shy about sprinkling obscene amounts of enemies onto the screen. [Issue#322]

From the variable storyline to the co-op options to the ability to equip your hero with the best items the player can find, the game is well poised for success. Unfortunately, so far it gives the impression that it's simply not finished. [Issue#323]

Victoria gives players a glimpse of the changing world of the nineteenth century. The player forms nations, oversees ethnic groups, colonizes a world untouched by Western civilization, and most importantly, manages trade and industry. The game itself has shortcomings that disappoint. Prussia doesn't always succeed in unifying Germany, and in 20 hours of play I have yet to see a war between the US and Mexico, or even an attempted civil war in the US. [Issue#323]

At its core, a great and fun game. But that was also in 2022, where the feeling that it made sense to not only pay full price for a new game, but to spend a lot of time in it, still prevailed. [Issue#323]

The script is unbalanced. One minute the game moralizes how bad it is to make fun of stereotypes, then a moment later it overwhelms you with an over-the-top brutal scene. Pretty graphics, hilarious animations and good voice acting can't save a weak script. [Issue#323]