Jolt Online Gaming UK's Scores

  • Games
For 1,125 reviews, this publication has graded:
  • 58% higher than the average critic
  • 6% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1.2 points lower than other critics. (0-100 point scale)
Average Game review score: 74
Highest review score: 100 Grand Theft Auto: San Andreas
Lowest review score: 10 Ape Escape Academy
Score distribution:
1125 game reviews
    • 76 Metascore
    • 87 Critic Score
    Legends does absolutely nothing to advance a series which admittedly doesn’t really need advancing, but carries with it the finest selection of tracks since "SingStar ‘80s."
    • 76 Metascore
    • 86 Critic Score
    It’s not trying to be particularly clever, but what it does it does very well and when the political and economic side of things starts to affect how you play you will find yourself in a very immersive world that will surprise you and keep on doing so.
    • 76 Metascore
    • 55 Critic Score
    This game will probably appeal to people who bought the first, if only to continue the story.
    • 76 Metascore
    • 90 Critic Score
    It may not be the most technically accomplished game to have graced our screens, but the plain and simple fact is that it's so much fun to play, it's almost indescribable.
    • 76 Metascore
    • 74 Critic Score
    Surely everybody knows the score by now: EA ever so slightly update FIFA. It gets new stats, new players, new kits and slightly better graphics whilst remaining pretty much the same game it always has been.
    • 76 Metascore
    • 80 Critic Score
    Scarface the game is not a classic befitting of the film, but it's an edgy, uncompromising, sometimes humorous and overall positive offering, which makes the blatant cadging from a superior game series just a bit more forgivable.
    • 76 Metascore
    • 81 Critic Score
    Gun
    At least if you do take in everything the game has to offer on the first sitting, you’ll easily feel like you’ve had a fulfilling experience, but unlike a GTA game, it’s pretty unlikely that you’ll come back for more once you’ve finished.
    • 76 Metascore
    • 79 Critic Score
    If Command & Conquer’s 45 minute matches are too meaty for you, or World In Conflict’s system specs too demanding, then Multiwinia may be the lean and achingly stylish RTS you’re looking for.
    • 76 Metascore
    • 81 Critic Score
    If you're a Penny Arcade fan then Episode One is an enjoyable if overpriced and short-lived experience.
    • 76 Metascore
    • 80 Critic Score
    The pounding soundtrack, the huge campaigns and the four different approaches with each side you control will certainly make this one to keep the midnight oil burning for strategy gamers.
    • 76 Metascore
    • 78 Critic Score
    The amount of content and the price point is just on the right side of comfortable, with the story trading ambition for authenticity. As a result, this first game can be called 'pretty good', but it’s still a little short on awesomeness.
    • 76 Metascore
    • 90 Critic Score
    What they have done is filled a gap in the current console market we didn’t even know was there. They have made a video game that is an essential purchase for anybody interested in arcade shooters. It’s outstandingly good fun for the first weekend or so that it will take to peek at what it has to offer, and it’ll be outstandingly good fun for the next couple of years when you dip into it from time to time in order to have a breather from "Gears of War 5" or some other interactive movie.
    • 76 Metascore
    • 91 Critic Score
    The humour from the original game returns in full flow, too. A lot of the dialogue is laugh out loud funny. [JPN Import]
    • 76 Metascore
    • 80 Critic Score
    That said, this collection of safe, well known chart singles from the past four decades is sure to go down well at parties, and if you’re canny you can pick it up for less than £20, making it actually pretty good value, relatively speaking.
    • 76 Metascore
    • 67 Critic Score
    If you’re looking for an extremely cutthroat head-to-head mode then you should certainly take a look.
    • 76 Metascore
    • 80 Critic Score
    The Ship is a fresh and different slant on multiplayer death-matching; one not dependant on speed of reflexes and advanced techniques. It’s fun and innovative – something that some of the big name games dominating the charts seem to forget about every so often.
    • 76 Metascore
    • 85 Critic Score
    It scores well in all areas, but the inclusion of StarForce will put a lot of people off. Note to Monte Cristo: Seriously, guys, don’t use StarForce on one of your products again. Ever.
    • 76 Metascore
    • 91 Critic Score
    Wario Ware is a fun game, but above anything else it's a simple one.
    • 76 Metascore
    • 72 Critic Score
    In the end, Destroy All Humans! just doesn't provide good value for money, and that's something the developers seem to have lost sight of.
    • 76 Metascore
    • 70 Critic Score
    Race Driver: Create & Race is an extremely well assembled racer which falls short of excellence thanks to its handling style falling squarely between two stools, and the niggles relating to the opponent AI and graphical in-game presentation.
    • 76 Metascore
    • 83 Critic Score
    Overlord won’t keep you coming back and again for more, but it’s a satisfying, amusing experience that’s fairly unusual in today’s games industry, even if it isn’t quite the bad boy it wants to be.
    • 76 Metascore
    • 80 Critic Score
    It’s accessible, addictive, and an excellent tech-demo for the Wii-mote, not to mention an obvious choice to whip out when you want to show off your new purchase.
    • 76 Metascore
    • 75 Critic Score
    While it undoubtedly falls short in certain key areas – the imperfect controls, the repetitive side missions, the slightly bland engine... – it will certainly be more than adequate for any Spidey fan feeling the need for some web-slinging.
    • 76 Metascore
    • 71 Critic Score
    A game that falls short of expectations. You can see from the early levels and even a few of the later rooms that a lot of really creative ambition and skill was employed in its making, but for whatever reason it’s as though that particular tap of talent was turned to a trickle towards the end. Combined with some control issues that weren’t in the previous two games, Tomb Raider Underworld represents a bit of a downturn for the series.
    • 76 Metascore
    • 79 Critic Score
    As a non-serious racing game that manages to combine Wipeout and Burnout in carting form, Jak X has a lot to offer – at least if you don’t already own a dozen or so such games.
    • 75 Metascore
    • 70 Critic Score
    To Avalanche Software's credit, The Great Juju Challenge represents a valid step towards a final acclimatisation.
    • 75 Metascore
    • 61 Critic Score
    It's too short, too easy, way too repetitive, and the level design is left wanting.
    • 75 Metascore
    • 60 Critic Score
    A huge, lazy and sometimes glitchy disappointment of a game. The character progression really doesn’t provide a strong enough excuse to keep playing after the initial joy of the combat has dissipated, and the number of times you find yourself going through the same old motions during missions smacks of padding of a magnitude normally associated with the corpulent Don.
    • 75 Metascore
    • 81 Critic Score
    It's a violent, cinematic and mature experience that will keep you hooked, even if the characters do use the word 'f..k' like they’re in a Tarantino film.
    • 75 Metascore
    • 80 Critic Score
    Area 51 is a good solid shooter with a decent storyline and rather nice graphics for a PS2 game.

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