IGN's Scores

For 1,756 reviews, this publication has graded:
  • 68% higher than the average critic
  • 4% same as the average critic
  • 28% lower than the average critic
On average, this publication grades 2.9 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 The Dark Knight
Lowest review score: 19 Leatherface
Score distribution:
1756 movie reviews
  1. Gunpowder Milkshake does its formidable cast dirty with a bland script, recycled story, and an empty comic book style that does little but shine up a stale outing.
  2. Zemeckis turns this beloved, dark story into a campy, weird, yet still fairly entertaining kid-friendly story of accepting oneself. The problem is that it pales in comparison to what came before.
  3. Kate is a bland and unoriginal action movie that fails to make us care about its title character.
  4. Shazam! Fury of the Gods may not pull the heartstrings like its predecessor, but there’s no shortage of the chaotic good humor and energetic performances that put Billy Batson and the Shazamily on the map.
  5. Until Dawn is more disappointing than deadly, leaving all the promise of the horror game behind for a jumble of horror-movie re-creations.
    • 47 Metascore
    • 50 Critic Score
    It's a by-the-numbers variation on "The Monkey's Paw" coupled with a revenge flick. What makes the film worth seeing is not the story, the production values, or even the work of a truly underappreciated character actors like Henrickson. It's an eight foot tall demon ripping people to spare parts.
    • 47 Metascore
    • 70 Critic Score
    The words "overblown" and "pompous" often came to mind. At other times, though, everything comes together-- music, images, and theme-- to really make a stoner go "whooooah."
    • 47 Metascore
    • 90 Critic Score
    History of the World: Part I might not be the best effort from Brooks, but it still remains one of his crowning jewels – a testament to bravado irreverent humor and biting wit.
    • 46 Metascore
    • 30 Critic Score
    There are a couple of entertaining action sequences, including the climactic battle between the cop and the Predator. The special effects, all shot on film, and the makeup effects, are top-notch for the time they appeared, so as a historical record the movie is interesting. But it just doesn't have enough meat to sate a hungry hunter.
  6. Wrong Turn delivers a handful of timely twists and coats the franchise with a new, and vastly more interesting, sheen. It stumbles at times to balance all the themes it's trying to handle with regards to societal ills, individual value, and self-determinism but the end result is still a warped ride that could set up more thrills to come.
  7. It’s neither funny nor exciting enough to obscure what a miasma of unfocused randomness it is, even though the cast is clearly trying to make something out of all this half-baked material.
    • 46 Metascore
    • 50 Critic Score
    The movie plays up sexual innuendo more than a group of junior high school kids, and it comes across almost as juvenile. Some of the jokes are indeed funny, but there aren't enough laughs to propel things through the dry spells.
  8. The Super Mario Bros. Movie is a fireball of animated fantasy. Mario, Luigi, and Peach’s adventure delights with its infectious energy and smart implementations of video game callbacks, and the top-shelf animation renders the Mushroom Kingdom as an Oz-like wonderland that begs to be explored in the inevitable sequels that will follow.
  9. Sweet Girl is front-loaded with fun action, and it has a great performance by Jason Momoa as a widower seeking vengeance against a pharma CEO. But its story slowly loses steam, before being replaced by an entirely different movie with much sillier political messaging.
  10. Frighteningly funny and fresh, this hilarious animated treat will introduce a whole new generation to the loving and strange family whilst also pleasing those who grew up with the iconic '90s movies. With a sweet story, tight runtime, and impressive animation, this is the perfect Halloween treat for film fans young and old!
  11. While Lord of Misrule has its moments, blending folk horror, possession, and murder mystery isn’t enough to make this saggy film pop.
  12. This journey from sun-soaked beaches to chilly English country, from heart-racing flirtation to soul-shattering stress, from new love to old regrets, feels dry and flaccid. Much like Mrs. de Winter, the long shadow of Hitchcock's Rebecca proves just too powerful to ignore.
  13. There's a throbbing theme at You Should Have Left's core about what it means to be a man. But if subtext isn't your jam, you can kick back, switch off, and enjoy the eerie thrills and jolting scares of this satisfying horror-thriller.
  14. Tommy Boy is one of those films that you can watch over and over again. It seems to be on every "Buddy Movie" list and it's always out at Blockbuster.
  15. Ghostbusters: Frozen Kingdom’s tiresome, bloated plot and expansive roster of characters will leave you out in the cold.
  16. Like memories themselves, some portions of the movie feel like they’re on a loop. Luckily, excellent performances from Hugh Jackman, Thandiwe Newton, and Rebecca Ferguson, in addition to some gorgeous production design choices, make this an intriguing watch.
  17. As a piece of the larger Conjuring universe puzzle, The Nun is a fun, if ineffectual history lesson that will provide fans with plenty of dots to connect. On its own merits, The Nun stumbles by not delivering any real terror or investment in its characters, instead resting on its strong visuals and atmosphere and, strangely, humor.
  18. The movie's full of clunky dialogue, underdeveloped characters, and unbelievable scenarios. When all is said and done, Lang's performance just can't save the follow-up from the trappings of horror sequel mediocrity.
  19. A weak script and boring performances make the Netflix fantasy film Damsel a real slog, torpedoing its attempt to be a subversive spin on classic adventure tales. Any sense of wonder or magic is diluted by cheap-looking CGI and its overly repetitive action sequences.
  20. Jennifer Lopez and Josh Duhamel try their best with an interesting premise that’s squandered by script with barely any laughs, gratuitous violence and unconvincing action.
  21. Josh Trank’s somber, small-scale drama is not the guns-blazing Al Capone biopic some gangster movie fans might be expecting, but it’s a curiosity that nevertheless demands a look-see for a fresh take on a crime legend whose most notorious exploits have been retold many times already.
    • 46 Metascore
    • 80 Critic Score
    It might not be Oscar-caliber cinema, and hardcore fans of the game with encyclopedic knowledge of the game may have a bone to pick, but it’s big and loud and gruesome and not afraid to have fun. The bar for video game movie sequels isn’t very high, but this one not only clears the bar, it twirls it around like a bo staff.
  22. The Meg is a big, dumb shark movie that takes itself a little too seriously, and that’s the point. Jason Statham is perfect for the material, the shark attacks are entertainingly broad, and the supporting cast brings personality to the otherwise straightforward script.
  23. The made-for-TV feel of the production, bland characters and familiar story leads to a pretty forgettable outing.
  24. The worst thing about Joker: Folie à Deux is its unfulfilled potential. It begins with the promise of a novel approach to the Joker and Harley Quinn, placing them in a world where the opposite of cruelty is musical romance. Unfortunately, the DC sequel gets bogged down by a lengthy courtroom saga, which not only keeps the dazzling Lady Gaga away from the spotlight, but centers the movie entirely around its own predecessor, without doing or saying anything new.

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