The enormity of PlayerUnknown's Battlegrounds' success will have surprised even its developers. This is a shooter that didn't invent the Battle Royale genre in gaming, but which certainly perfected it to the point that it found a massive, massive audience. With more than 30 million copies sold, PUBG is a bona fide phenomenon with an influence that will be felt in the industry for years to come.

Bluepoint Games has masterfully given new life to a masterpiece of the genre, making their Shadow of the Colossus feel in many ways like the definitive version. Porting and remaking the games of others isn't as trying as making something new, but doing so does come with significant pressure that Bluepoint have made their name dealing with. However, the studio's work wouldn't have been possible without the initial, groundbreaking efforts of Team Ico...Shadow of the Colossus is an adventure that's still every bit as breathtaking and astounding as it was over a decade ago.

Nintendo proves once again why it is the very best at what it does, with the Super Mario game players have waited 15 years for. Rooted in an wonderfully absurd design idea, Odyssey is a glorious and jubilant adventure for all that, like its plump hero, revels in the freedom to explore, experiment and play.

Destiny 2 is undoubtedly one of the best shooters on the market, with a unique hook that has been streamlined to keep players engaged for months and years ahead, and underpinning mechanics that make every moment a blast. This is a sequel that refines a formula rather than shaking it up, and while that does the job for now, the focus will soon shift to what Bungie can do to keep Destiny moving forward.

MercurySteam takes no time at all proving it is the perfect fit for a series overdue a resurgence. Another studio may have recreated Metroid as it was, but the Castlevania veterans modernise the Nintendo franchise with new abilities, freer movement, quality animations and lush alien design brimming with mystery and the unknown.

Nothing about Mario Rabbids should work. It's enough of a shock that Ubisoft Milan managed to bring together these two worlds so well, then it successfully makes its cast the stars of a genre none of them has ever been near. Robust in how it plays and confident in its presentation, Kingdom Battle is exactly the kind of bold and fun exclusive Switch needed in its first year.

What Remains of Edith Finch is an astonishing patchwork of inventive ideas rich in unforgettable moments. This is interactive storytelling in its truest form. A narrative adventure game that serves as another nail in the coffin of the reductive and derogatory term 'walking simulator', imbued with the ideas of a talented team working at the peak of its powers. This is a game that needs to be played. It's an essential new text in the history of video game storytelling.

It's quite literally everything the first game was and more, which might not mean more revolutionary features but does mean a greater depth and variety of options for the new players it is sure to ensnare. With free updates promised for the best part of a year, the game will only improve, and this time it'll have the audience it deserves.

What Arms lacks in personality and content it makes up for in raw joy and a best-in-class motion control set-up that feels both comfortable and natural. Arms showcases once again that Nintendo is peerless when it comes to subverting genres without sacrificing what makes them great. Time will tell if Arms has legs to match Splatoon, but the early round scoreboards are certainly swinging in its favour.

Rime is a beautiful ode to life, loss and childhood that's as much a pleasure to behold as it is to play. Genteel puzzling and exploration make for great bedfellows in a memorable adventure only let down ever so slightly by some minimal frame rate stutter and a final act that while emotionally resonant provides little challenge or escalation in terms of gameplay. Nearly four years on from its much-hyped debut, Rime proves itself to be have been absolutely worth the wait.

Prey's greatest success is its approach to choice and exploration. For players looking for a direct and focused single player shooter experience, this will undoubtedly disappoint and perhaps even frustrate, but for players looking for a smart and immersive world rife with intrigue and tension, Prey is a quality companion for some true classics.

Little Nightmares is the kind of horror game we don't see often enough, one that doesn't shock with fountains of viscera but crawls under the skin. Its flavour of terror is unnerving, burrowing its way deep inside you to nest and feed. Its story is one of hope, innocence and corruption that plays, often sadly, to contemporary fears. Issues with its presentation rob it of the same classic status as Inside, but if you're in the market for a slice of horror rich in artistry and carnal dread, Tarsier Studios have crafted a must-have.

Outlast 2 serves up an expertly crafted horror experience that will likely find itself burrowing into you even after your time in the Sonoran desert has come to an end.

Mario Kart 8 Deluxe takes the best game in the series and improves it. It looks better, plays better, the soundtrack remains an utter joy and the inclusion of a fully-featured and fiendishly fun Battle Mode is the cherry on top. This is the best Mario Kart game ever, and it's hard to see exactly how Nintendo will ever be able to improve upon it.

Persona 5 isn't just a rank and file member of Japan's streak of game of the year contenders in 2017, it's a blistering RPG masterpiece that cements itself among the all-time greats. Tagging along with the Phantom Thieves of Hearts on their psychedelic capers triggers a contact high of dazzling sights and sounds, with enough thematic depth to match its relentless swagger. It's a game that'll try to steal your own heart, and you'll willingly oblige.

Before playing it, I had Nier pegged as a fun hack-and-slash game. What I didn't bargain for was an existential RPG that would soon have me questioning almost everything I saw. Featuring a gripping plot that tackles surprisingly hefty themes, its brilliant writing not only makes you think twice about your role in the game's world but occasionally even about your place in our world too. It's certainly not without its flaws, but regardless of your typical gaming preferences, you owe it to yourself to check this wonderfully weird experience out.

In reinvigorating the Zelda series, Nintendo has rediscovered what gave it life all those years ago, capturing a spirit of adventure that flows through Breath of the Wild like the breeze on Hyrule's fields. Link and Princess Zelda's battle to save Hyrule and vanquish evil has rarely felt like such a personal journey, thanks to a masterful game defined by its peerless, charming and truly beautiful setting. A masterpiece.

Horizon: Zero Dawn is a stellar open world game. Guerrilla has crafted a magnificent and utterly gorgeous adventure game with surprising depth that rewards player skill and will more than likely prove to be PS4's next major action franchise. It's just a shame the game's open world is so desperate to validate its own existence that it never lets you truly enjoy the thrill of the hunt.

Sniper Elite 4 is a good game by many metrics, and is the best in the series so far. It's a good shooter, a good stealth game and has exceptional shooting mechanics, but as a whole it's rarely exceptional. It's one of the better stealth games of the last few years, with several distinctive ideas combined to create a tense game that, while not all that much bigger in scope than its predecessor, feels bolder and more interesting. The generously sized levels and varied objectives offer a unique experience. The slow-motion carnage of the kill cam, in the era of Twitch and YouTube, will undoubtedly remain a big draw, but look away from the skeleton crushing rifle rounds for a minute and there's an intelligent stealth game with tons of content and plenty of replayability.

IO Interactive's new, episodic Hitman is a triumph. The developer knew how to revive its ailing series and did so with aplomb, crafting a robust set of core mechanics and designing superb levels around them. Reminiscent of everything Blood Money did so well, from its focus on gameplay over story to its cold, sardonic presentation and dark sense of humour, this is Hitman as it is and always should be.

Sloppy combat inherited from its handheld predecessor thankfully fails to smother Gravity Rush 2's gleefully avant-guarde design and its enigmatic leading lady. Kat and Dusty's sophomore outing sees the series' potential explode in vibrant, joyous fashion. The rough edges are still there, but you'll have to squint to see them as PlayStation's refreshingly eccentric franchise soars to spectacular new heights.

Despite some small niggles – such as stealth being so rudimentary it feels redundant, and the aforementioned uninspired late-game location – this is the best horror game since Creative Assembly's wonderful Alien Isolation. It's best if players slowly creak open the game's doors themselves, discovering the story and set-pieces on their own, as this is an experience that works best when it's free to surprise you, like a rotting doberman crashing through a window.

Despite the awkwardly linear path through Pokémon Sun and Moon's sumptuous tropical setting, the breadth of content, refreshed design and breezy humour make this sunny Alolan holiday one to remember. With the Nintendo Switch on the horizon, the latest set of Poké-adventures would make a tremendous swansong for Nintendo's dual-screened handheld, with Game Freak proving you can always teach an old Rockruff new tricks.

Despite the awkwardly linear path through Pokémon Sun and Moon's sumptuous tropical setting, the breadth of content, refreshed design and breezy humour make this sunny Alolan holiday one to remember. With the Nintendo Switch on the horizon, the latest set of Poké-adventures would make a tremendous swansong for Nintendo's dual-screened handheld, with Game Freak proving you can always teach an old Rockruff new tricks.

Combine this emergent excellence with some of the most intricate, memorable missions you've ever seen, and Dishonored 2 is a strong contender for game of the year.

I was expecting Watch Dogs 2 to be more enjoyable than its predecessor, but I didn't expect it to be so well designed and full of heart. Watch Dogs 2 isn't reinventing the open-world game and fans of Ubisoft's special brand of go-places-and-pick-things-up gameplay will feel right at home, but it's one of the best examples the genre has to offer – as long as you don't want to shoot anything.

Titanfall 2 boasts the best FPS campaign since Modern Warfare, and it comes bundled with an exciting, hyper-fast multiplayer that will keep you entertained for months. This is proof that Respawn is still the best shooter developer in the business. Like a Pilot zipping along a vertical surface, I can only hope the developer maintains its impressive momentum.

EVE Valkyrie is a simple game, but keeping the scope small has allowed CCP to achieve something special. This is the space dogfighting game, and I can't imagine playing another space combat game now I've experienced Valkyrie. The microtransactions are a particularly gross negative from CCP, but it's the only misstep in a near flawless dance.

Battlefield 1 is a bold reinvention of the Battlefield series, proving not only that DICE aren't afraid to move in brave new directions, but also that they have a genuine understanding of what makes a Battlefield game really tick. Series veterans will feel immediately at home in the multiplayer, while those scared by the online battlefields will find the campaign, while short, provides a great diversion and a good way to ease yourself into the chaotic world of Battlefield.

Gears of War 4 offers everything you'd expect from a Gears title, and a surprising amount of great new ideas that enhance the core gameplay. Its campaign has problems in terms of story and characterisation, but in terms of fun is up there with the best the series has produced. The overall impression is that Gears of War is in thoroughly capable hands The Coalition. With more confident storytelling the studio could well produce a classic.

Lovingly remade in high definition and enhanced via optional PlayStation VR support, Rez Infinite crystallises, polishes and preserves Rez's legacy, making it an essential purchase for PSVR adopters and standard PS4 owners alike. The untethered 3D-cyberspace of Area X presents a tantalising vision of the IP's potential future and adds an extra layer to what is undoubtedly the definitive edition of Mizuguchi's masterpiece.

Tumble VR is easily one of the most comprehensive games among the PSVR's launch line-up, both in terms of longevity and mechanical depth. While not the kind of quintessential puzzle game that can stack up to this year's best (The Witness), Supermassive Games' virtual reality stack-a-thon stands tall on Sony's virtual reality machine.

Virginia is astounding in many ways. The way it conveys its meaning through visuals, character tics, a few hundred written words and one incredible score without uttering a single line of dialogue is remarkable. Confident and measured use of editing lends a sense of style, but Variable State's swagger turns to over-confidence in the final stretch and leaves Virginia on a befuddling rather than satisfying note.

If this review appears overly-critical, it's born out of frustration. Pro Evolution Soccer's base gameplay has basically been nailed down, but off the pitch it still struggles compared to EA's Fifa. It's been the same story for years. Konami should be capitalising on the quality of its core play by improving other elements of its beautiful game: chiefly its presentation, style, and game modes. Whatever shortcomings it has before and after the whistle blows however, the pure footballing experience of PES remains second-to-none.

Reigns is a Python-esque text adventure rougelike played out with the swipe-mechanics of Tinder. If that sounds at all appealing, then Reigns is absolutely worth the small investment. Light and undemanding, it offers short, great bursts of play perfect for the mobile platform.

Technical niggles aside, Bangkok is a confident return to form for Hitman's first season – after the characterless trudge through Marrakesh and the fun, but throwaway mid-season summer special episode. While Sapienza is still the undisputed highlight, Club 27's tight, multi-tiered design and wonderfully vile pair of targets show that IO Interactive isn't ready to rest on its laurels.

Deus Ex: Mankind Divided doesn't reinvent the wheel, nor does it need to. Compelling, tightly paced and most importantly, fun to play, Mankind Divided has created an exquisitely detailed world and now it wants to turn you loose in it. A stronger contender for Game of the Year in a year already filled with great games, what are you waiting for?

No Man's Sky is about cutting your own path through a galaxy teeming with possibilities. It is a playground in which to let loose the human urge to explore and discover, supported by a deep crafting system that keeps players engaged in their journey. Improvements could be made, new features could add greater depth, but Hello Games' achievement here is nothing short of incredible.

It's an astonishing conclusion as haunting and evocative as anything you'll see in a game this year.

A great package: fun, accessible and extremely well-made. It's a shooter as much for those pledge their lives to online play, as those chiefly interested in the occasional fun foray. It's an instant classic that, with the kind of good post-launch support Blizzard is known for, could prove the go-to shooter for an entire generation of gamers.

If this really is the last we see of the Uncharted series, A Thief's End will have been a remarkable and surprisingly inventive farewell. More so than either sequel before it, Uncharted 4 builds on the formula in unexpected but natural ways, while telling a story that is more mature and thoughtful than previous games, but which still retains the series' beloved blockbuster thrills. The best in the series, and another Naughty Dog classic.

Intelligent, fresh and endlessly enjoyable, Doom is more than a tribute to its beloved progenitor. Taken in its own right, this is the most finely crafted, technically impressive pure shooter in over a decade, proving that id Software, even after 26 years, is an adept, sophisticated game-maker. It may not create the same tectonic shift in video game culture as its ancestor, but personally, I prefer this Doom to the original. By refining, meticulously, several age-old and taken-for-granted game mechanics, Doom proves that excitement, spectacle and even narrative cohesion can exist in games seemingly composed of the basest elements.

IO's strong start is becoming a hot streak, and all eyes will be on the third episode, set to be released in May.

While the game is an absolute masterclass in action RPG design, there is an inescapable sense that old ground is being re-tread. A reliance on geographical call-backs, stock-enemies and series in-jokes muddy the tone and mystique that made its direct predecessors such a joyfully bleak experience. While the superbly visceral gameplay, intense boss fights and improved online features mark FromSoftware's latest out as one of 2016's best, Dark Souls 3's flickering fire is ultimately engulfed by its own bright history.

Firewatch is a simple game that tells a simple, far from impactful, tale, which approaches greatness thanks to superb writing, acting and design work. Gameplay is kept light and straightforward, but is always engaging – befitting a game that revels in the unique storytelling potential of games. This is a new studio's debut title, but it bears the quality of a product made by a team of veterans who have a great deal more to offer.

It's a testament to the quality of XCOM 2 that despite performance hiccups on a mid-range PC I have been unable to put it down. It's at once radically different and reassuringly familiar, improving what needed to be improved and refining what needed to be refined without losing the core appeal of the series. XCOM has once again proven itself to be the strategy king.

After a decade of uncertainty, and one sizeable misstep, Hitman 2016 is a triumphant course correction for a beloved franchise. Purely in terms of gameplay, this is perhaps the best the series has ever been. What matters now is how IOI handles the remaining episodes, and whether they can iron out the smaller technical problems.