In all, Mirrored Souls is a very solidly built puzzle game with an interesting mechanic and a very serene art style. The only real issue to be had is the difficulty curve, but the break levels can really help balance out the curve and make it so that players can really enjoy the journey of Ravi and Daru.

Payday 3, from a performance perspective, is an unsightly abomination, which veers unpredictably and drastically between visually-impressive beauty, and screen-tearing, game-breaking insensibility. Its small map pool, inconsistent mission design, and low-quality cutscenes consisting merely of a few PNG files accompanied only by VO and the OST, all collide to form something that can best be described an an early access game. Something that, with the benefit of several years' redemption, might one day live up to the high standards it chose to set for itself. But today is not that day.

The sum of Lies of P's parts is grand, but it manages to be even more than that. Despite frustrating "gotcha" moments and a few cheap enemy encounters that feel out of place in something so finely crafted, the whole experience holds a level of polish you'd expect only of seasoned veterans. Truth be told: I wouldn't be surprised to find out that this was a side studio of a certain, well-known developer, and I don't think I can be more glowing than that. Even in the end, after I fawned over the combat system and its dichotomous weaponry, happily sought out bits of information to expand upon the engaging story I was involved in, and felt the ecstasy of conquering a multi-hour boss, I wanted to go back for more. And despite the already unique pitch of "gothic, horrific Pinnochio adaptation," the developers are keen to let you know their future plans are even more ambitious (and tailor-made for me), which somehow elevates Lies of P even further beyond face value.

In a world where we are still lacking a proper translation for the original The Legend of Sword and Fairy, among other classic Chinese games, it's hard to not applaud a fresh release for these otherwise unknown and inaccessible titles. I can't imagine that the demand for a fresh release of Xuan Yuan Sword was particularly great in the English-speaking world, but it's release here is valuable for simple archival reasons. It's also a great buy if you're craving a classic JRPG that was previously unavailable to anyone who couldn't read Mandarin.

I may have had a couple of gripes about some rather minor aspects of gameplay, but that definitely should not be a turn off to playing this game. Everything is very well thought out and as players complete repair missions and acquire advanced repair licenses it will open up a large universe filled with space repairs galore! Who wouldn't love that? Well, probably the guy that isn't all that mechanically inclined, but Space Mechanic Simulator is a niche title after all.

This reviewer can't go into too much detail about the story of Stan and Under the Waves - some things are best experienced by the player first hand after all, and the story that is spun along the seafloor is definitely one of those. Players will learn more about Stan through his isolation, all the while exploring the beautiful ocean. If you're a fan of oceanic visage, emotional stories, crafting mechanics, wide ranging exploration, or some combination of them all, Under the Waves might just be the game for you.

I have enjoyed Starfield and will continue to do so as I clock up the hours, completing my huge list of unfinished quests. But I also enjoyed the various instalments of Fallout, and Starfield feels very much like a Fallout game with a space skin and with space combat. But even then, the space combat can be somewhat diminished with the Fast Travel option. The Fast Travel also reduces the exploration that players often find enjoyable in grand scale RPGs such as this. Starfield does have its minor issues, but it does plenty of things right. The combat is smooth and satisfying, the crafting enables players to improve their equipment in a relatively easy way and the game’s soundtrack is superb, ultimately setting the tone for an enjoyable experience that has you scouring the galaxy for a series of artifacts.

It is a failure, plain and simple. While there is still hope that it can be salvaged, with time, that's no excuse for a launch like this. One can usually forgive a bad launch. However, it is far more difficult to forgive an unplayable launch...

While it doesn't add too much to the genre, it is easy to get into and makes sure that players who might be new to survival games shouldn’t be too overwhelmed. This makes it a very good entry point into the genre, but it may not do enough to set itself apart for people who spend a lot of time playing survival games. [Easy Access Provisional Score = 78]

Texas Chain Saw Massacre cuts its way to the top of the modern asymmetrical multiplayer horror market. While its darker tone and more sophisticated mechanics, compared to some of its competitors, may alienate some more casual players, diehard horror enthusiasts will find much to enjoy here. While it's uncertain what longevity this game has in store, something that is largely dependent on the developers, and the assumption of post-launch free content updates, here's hoping that Texas Chainsaw Massacre continues to raise the hairs and bring forth screams from its playerbase for many years to come…

Atlas Fallen has much going for it, with satisfying combat, lovely visuals within the desolate environment, plenty of collectibles, and the fun sand-sliding mechanic to traverse between quest locales. But it also suffers from a several issues – not the least being the bland storyline and dialogue. Chatting to quest givers is somewhat tedious, but luckily once you head off into the dunes this is easily forgotten.

Shadow Gambit: The Cursed Crew doesn't necessarily excel at either its narrative or character-related RPG beats, but it does enough to get by, while its gameplay carries it to safe harbour.

SPRAWL doesn't reinvent the wheel, but it instead pulls together several established and classic design and gameplay elements to deliver a well-rounded package that succeeds in what it wants to do. Combat is enjoyable and hectic, and though the melee system probably could have used a bit more depth, slowing time to line up the perfect headshot never gets old. The Sprawl may be a largely familiar cyberpunk setting, the the narrative set-up is intruding enough to hold interest. For those looking to scratch a twitch-shooter itch that works equally well for short-burst or longer play sessions, SPRAWL offers a package worth looking into.

While acting as quartermaster is fine, it doesn't seem unreasonable to hope that the core gameplay loop would bring a bit more to the table. While the in-game progression system is interesting in theory, most unlocks are merely upgrades of existing buildings or units, with minor efficiently bonuses. Limiting player customization to almost exclusively cosmetic oversight, rather than camp utility, does little to incentivize longterm play. One Military Camp gets the basics of base-building down fine, but asking anything more of it might be expecting too much...

The poor puzzles don't detract from the core stealth action, but unfortunately the same cannot be said for the unfathomably idiotic enemy AI.

Blasphemous 2 is built on the back of the insanely funded Kickstarter success of the first game, with improved visuals, an even more cohesive art style that still evokes Francisco Goya and Spanish history, more fluid animations, and an extra step up in the music and voice acting. It really is an improvement in every way, and does so without forgoing what made the introduction special. While intimate knowledge of the original entry is not required, it serves to enhance both the world of Blasphemous and the story of the Penitent One. Throw in The Game Kitchen's house-made documentary for good measure, and you've got an enthralling franchise of mystery, misery, and history, capped off by not only one of the best games of its genre, but a fine entry in all of gaming. Any shortcomings be damned, as its stellar elements do more than repent for them.

Lisa: The Painful certainly didn't need a remake, and this remake is far from the most technically impressive. That said, the game is still an absolute classic and the re-release is a great chance for those who haven't played the game before to pick up the most depressing and hilarious RPG of all time.

In the end, people will remember Fight Forever in one of two ways: either as a missed opportunity or as a stepping stone to something great. For something akin to a freshman effort, it has a lot to offer, and might be more of a victim of circumstances than anything else. Its largest competition is coming off a great game, and even though the styles are different, there's still an element of trying to simulate something fake connecting the two. With reports coming out that development was scaled back during its many delays, there's no doubt that the version we got was the best we could expect in a timely manner. These elements combined to make something fun in the moment, but possibly forgettable shortly after. If it hopes to have legs, it's going to need more free updates (like the announced battle royale mode that looks as ludicrous as it sounds) to entice its players to stick around. When you're in the action, though, you can practically see the CRT and corded controllers connecting you to the dropkicks and pins. For better or worse.

In all, Double Dragon Gaiden: Rise of the Dragons is a fun and nostalgic beat'em up with a pleasant amount of replayability, before even mentioning the local co-op to allow for even more of that good old arcade feeling. The only real issue this reviewer found while playing is that players may feel railroaded by whichever route through levels they find the easiest. That being said, if you're a fan of Double Dragon, beat‘em ups, or roguelike games that toy with a different genre, then Rise of the Dragons comes highly recommended!

Overall, Bookwalker is an engaging game that takes an interesting premise and uses it to tell a story full of mystery and creativity. I enjoyed the meta-ness of me controlling a fictional character as he wrestles with how and if to control other characters that are fictional to him. World-building, puzzle-solving, and quality visuals and writing make Bookwalker a satisfyingly complete package well worth checking out.

Those familiar with the series will feel quite at home, as will general turn-based tactics fans. Genre stalwarts, such as overwatch and defensive position, aren't going anywhere, but the layers on top of all that are where Jagged Alliance 3 most proves its worth. Finally, I've found the type of one-more-turn game I've been looking for. I was challenged by it in the most satisfying ways: planning, leadership, and patience. Despite the flaws, I wanted to see the campaign through from the opening encounter, and I felt rewarded for that. To sum it up: Jagged Alliance is back.

I must say that developer Milestone has done an excellent job with this newest version of MotoGP. The graphics are simply stunning and everything runs smoothly on the Unreal game engine that was added a couple of years ago. There's a wide range of game options that can be customized in order to suit all motorcycle racers requirements for difficulty. The only problem that I see for sports games like MotoGP is that it's kind of a niche sporting category. Americans love NASCAR and Indy and Europeans love Formula One; but how popular is motorcycle racing? I don't know but after playing MotoGP 23 I have to say that I am now a fan of the sport and the game!

There really is a lot more depth to this new version of Tennis Manager 2023. In addition to the above improvements, all of the various screens have been improved. The manager and player statistics look really good and they contain expanded stats which can help to track the academies player progress. Even though I'm not a fan of personal data sharing and location tracking in games, these days it does appear to be a growing aspect of computer and video game development. I would prefer that Rebound CG and other developers rely more on their creativity and game quality to be able to draw more people in to purchase their products. The fact that we are constantly being bombarded with ads on TV, cell phone, on the Internet and everywhere, that I for one want to be ad free in the games that I play. However, even with that said, Tennis Manager 23 is a worthwhile game and that's based on the efforts made to improve things in game. If you don't mind sharing even some of your personal information and DOB certainly is very personal then you don't have anything to worry about.

It's unfortunate, because this game absolutely has the potential to turn itself around, as its core foundation is sound, but there are few redemption stories in the gaming industry, and not many publishers allow developers the time or resources to attempt such. Park Beyond isn't by any means a terrible game, but even post-launch, it's been left in such a terrible state that most players probably won't have the patience to distinguish the latter from the former.

As the description of the plot implies, Doomblade is a delightfully grimdark story and world. Every creature and environment is ugly or disturbing in some way, and whenever you get into any serious combat the soundtrack starts blaring out heavy metal music. In a world of pastel-colored indie games the stress how cozy and none-threatening they are, Doomblade is a welcome change of pace.

Aliens: Dark Descent is, without a doubt, one of the best games in the franchise's history. It's campy and ridiculous, intimidating and unsettling, tactical and yet still casual. It attempts to pull off a number of different (and often even opposing) themes and mechanics, and impressively rarely fails outright at any of them. The story, dialogue, and cutscene animation all work in tangent to produce a compelling narrative that stays true to the typical narrative conventions of the Alien franchise, taking what would normally be a forgettable cast and setting, and making them stand out through their reactions to situations and their contrasting personalities and approaches to dealing with the threats that face them.

Miasma Chronicles is a perfectly passable game, one with an admittedly long campaign that fairly justifies the modestly-high retail price. The problem is that the campaign in question feels far longer than it ought, because most aspects of its narrative and dialogue fail entirely to bring the player closer to the characters they're playing as, a critical failing for any game calling itself an RPG. Decent performances from the voice cast almost manages to redeem the game's storytelling failings, but never fully. The combat is often excessively repetitive, and the killcam system often seems more interested in capturing footage of the foliage presumably for a nature documentary, than focusing on the far more interesting bleeding and screaming enemy flailing around on the ground. Hopefully Miasma Chronicles does eventually get a sequel, because it does manage to lay down a lot of potentially interesting groundwork, albeit without ever managing to fully capitalize on it.

While it may not entirely hit as a whole, Amnesia: The Bunker marks a high point for the series in many ways. It continues to feature impressive graphics and sound design, and a few of the mechanics here should join other constants. It falters a bit in its story, which is suitably mysterious and mystical, but at least partially predictable from a very early stage. It doesn't drag the experience down too much, but just enough. Still, it feels like a best-in-class dread simulator that doesn't overload you with a series of ever changing objectives, keeping your mission tight and focused throughout, allowing that sense of dread to be its main propellant.