At The Gates feels a bit like a flawed gem. It’s far from perfect, but full of intricacies, and it offers a wonderful new take on the 4X genre. Having spent almost 50 hours with the game, every minute has been rewarding. In fact, it’s easily the most refreshing strategy game I have played in years.

As there is no voice-over, all your interaction with the game’s story is text-based, and when the writing is as bad as it is in ATOM RPG, it becomes a chore and all enjoyment of the world is drained out of it. That’s not to say I’m going to stop playing it. As a system it is a genuinely good game, but as a world into which one sinks oneself, it’s viscous.

Catherine Classic is a fun puzzler, with a great art-style and a fairly catchy narrative. But Vincent lacks appeal as a protagonist, he’s just so bumbling and incompetent and irritatingly unsure of himself. If nothing else hooks you, the puzzles will — but I’m questioning why this game is a classic, I just don’t think I got it.

There’s a lot to love here, and if you’re a fan of the farm-sim RPG you’ll feel right at home in Portia. Sadly, the overall presentation leaves a little to be desired - by easing back on scope and placing a greater focus on polishing what has already been achieved, there could be something great here, but as it stands, it’s a very solid concept built on unsteady ground.

Megacorp is a refreshing expansion, mainly because it shows that economy can be fun and interesting when it is represented by interesting features and not just by numbers and a same-old 4x market and trade system. But much of that seamless simplicity is lost in the convoluted additions of the 2.2 update. Stellaris is still a great game and this is a good expansion, but it unfortunately lands in what seems to have been received as a negative update.

Last Year: The Nightmare is off to a great start. It's a fun team-based horror title that is addictive to play and you can get lost in for hours, whether as the killer or the potential victims. My only real complaint with the game is that three levels is a bit on the slim side, but to their credit the maps are fantastic and exciting to play across the board.

Overall, Bad Dream: Fever, is a beautifully written, beautifully drawn, beautifully designed game that does a tremendous job molding a realistic world with the uncertainty of a nightmare. The characters presented are memorable, even if one of them talks too much, and clearly a lot of time went into their design as they fit perfectly into this world. The backgrounds and clickable sprites are all drawn with utmost care and attention to detail, making them the most impressive aspect of this game. The puzzles, while some were more cumbersome/clunky than others, were enjoyable and satisfying to solve. This game would be perfect for fans of the point-and-click genre as well as fans of a good mystery game.

There really isn’t too much to say about Project Warlock because it’s really quite a simple game. There aren’t a ton of bells or whistles, but runnin’ and gunnin’ both feel solid.

While not drastic pieces of content, for their price, Celestial Worlds and Harmonic Memories add a valuable boost of replayability, the best friend of any strategy player. I would especially recommend both DLCs for any player who has yet to play one of the Endless Space 2 races, as the new quest-line, music, unique planets and improvements add a slightly richer campaign experience on the whole.

Vermintide 2 has shown us the possibility of what could be for the series, so it’s hard to know what this remaster stands for. Is this a fond farewell to the overdone town setting, as in the new year Fatshark moves into newer and fresher regions of content, with the possibility of a third race perhaps? Or is it, as remasters so often are, a case of substituting for content that is actually ‘new’? I of course hope it’s the former. Back to Ubersreik is a good remaster, certainly a more complete piece of content than Shadows over Bogenhafen, but it still leaves me slightly nervous about the future of Vermintide 2 DLC.

Mutant Year Zero: Road to Eden is a good time and deserves to be checked out by fans of the genre. It isn’t something most will be able to jump right into with immediate success, but it’s a game that has a lot to offer for those willing to take the time to learn its ins and outs.

Jagged Alliance: Rage is a fun game when judged on its own merits. It’s certainly not a proper sequel, and perhaps that would be a bit too much to expect from a game that’s selling for a mere 20 bucks. It does have a few whiffs of what made Jagged Alliance great though, and if this would have been sold as a way to whet our appetites for a full sequel coming out next year, I think it would have landed much better with the fans than it did. As it stands, Jagged Alliance: Rage is a cute distraction, a fun-for-a-while-not-quite-Jagged-Alliance that will polarize fans more than it had intended, but should not be dismissed right out of hand.

It can be hard to recommend sidescrolling platform-puzzlers these days with the sheer number of fantastic ones hitting the market every single year for quite some time now, but My Memory of Us is worth your time. With a unique atmosphere, well-told story, quality visuals and voice acting, and a run time short enough to make it perfect for a weekend finish, I think just about everyone will find [their time] and money well spent.

Overall, Lucid Dream is a point and click game that won't wow you over some others like Broken Age or something really experimental like The Neverhood. The game's exploration on the effects of depression and loss are interesting and I really enjoyed the contrast between Lucy's reality and the dream worlds she explores. Lucid Dream's visual representation of this is mostly intriguing and pretty to look at, but it needs some better music to really pull the elements together.

The narrative attempts to hit all the emotional beats, but the execution is fumbled as a result of not being able to control for non-linearity. Series veterans may appreciate the added lore this game brings, but don’t expect much in the way of a satisfying resolution. It’s great to see Gunfire Games refreshing the Darksiders formula — they just haven’t quite nailed the dismount on this one.

Stories, stories, stories. RimWorld sets you up for an ever changing game in which only your engagement remains the same, potentially for hundreds of hours. And when you’re done with the vanilla version of RimWorld, there are thousands of mods that enhance or change the game in such a way that it is all fresh again. I am in awe of RimWorld, and it deserves a Big Fat 10 out of 10.

Overall, Warhammer: 40,000 Mechanicus is a solid entry into the 40k universe for fans of the franchise and accessible enough for those who aren't into Warhammer, but are looking for a good strategy title to kill time with.

To be honest, Hitman is an eternal, few game franchises have ever used the same set of mechanics as successfully, and the focus on improving them has led them to this revamp, which makes assassination newer and fresher than ever. If you like Hitman, you will love this.

Overall, I did have fun with The Shapeshifting Detective. It’s a very competently made FMV, and one with a unique enough twist to earn a spot among its peers. I do think that there was a lot more potential in the concept than what the final product ended up delivering, but such is the case with many first shots at a new idea. Here’s to hoping we’re in line for a sequel that gives the concept some more room to grow.

I love Surviving Mars, one of my favourite management games this year, but while this expansion adds lots of little things, it doesn’t add anything significantly new, or even successfully realize the ‘race’ it titles itself for — I’m sad to say, it feels like a pricey update.

Fallout 76 is Fallout, and it isn't Fallout at the same time. And for all the hype around the multiplayer, both friend and foe, it seems inconsequential most of the time. Just passer-bys on the street more often than not, it's there but it doesn't matter. It's a fun game, but I don't think it's going to be a timeless classic I return to time and time again years from now once I feel I've had enough.

Despite not particularly caring for Drowning as a complete package, I do want to stress that I think the writing paints an affecting picture of depression without slipping into cliched, manufactured drama. I did enjoy connecting with the protagonist as much as one can enjoy getting into a troubled mind, and I think it does a good job of using personification to make depression as relatable as I can imagine it is for someone like me who’s never experienced it first hand. I just don’t particularly love how it all came together as an interactive experience.

Curse of the Vampire Coast has an excellent roster of units, lords and monsters who all fight with a wonderful symbiosis we’ve rarely seen before. But, unfortunately, the campaign leaves something to be desired, and feels far less mechanically focused than previous race-packs.

Thronebreaker is a pretty decent RPG and an interesting exploration into previously unseen parts of the Witcherverse, but to avoid dullness in the long term it needs to introduce more cards and a greater degree of consequence for player choices, especially those who go in head first, trying to bite off more than they can chew. I think The Witcher Tales will have to resolve the disparities caused by being both Witcher Tales the RPG and Witcher Tales the card-game, to truly achieve greatness in future installments.

I think Achtung! will probably bring you some slight joy if you are both a fan of Lovecraft and Isometric tactics games, but it’s hard to feel it fulfils the original IP when it’s so lacking in narrative.

Despite my few complaints, Assassin’s Creed: Odyssey truly is an incredibly entertaining game that proves Origins was no fluke. I’m back on the hype train, baby, and I can’t wait to see where the next stop is (even if I wish it’d rest at the same station for another year or two). No longer a simple stealth game, but instead a massive, detailed, sprawling roleplaying game, Odyssey just might be one of my favorite games of 2018 so far.

I just don't get it, how can such a promising idea fall so flat? The Works of Mercy had the potential to be something truly special. But good ideas alone amount to little, when the end result is beautiful, boring, and buggy.

I cannot help but feel there is a 10 out of 10 game on the other side of my issues with Pathfinder: Kingmaker. It still has a way to go before it reaches its full potential but the vision the developers had for the game is starting to come through; A punishingly hard game, quite unlike anything we’ve seen, that satisfies craving for a deep, engaging and well written cRPG.