Despite its sparkling near-future setting, Pragmata succeeds because it feels like a throwback to gaming’s recent past. It’s a beautifully made, heartfelt single player adventure with a novel combat idea, and it prioritises storytelling and atmosphere. Where attempts at heartwarming games often come across as off-puttingly saccharine, Pragmata pulls off its father-daughter relationship with surprising deftness.

It’ll be tempting to reach for your phone and start looking for a solution when you get stuck in Tunic, but resist the impulse if you can. Just … be stuck for a while. The resultant wandering and thinking will lead you somewhere unexpected, and before you know it you’ll have found the way forward by yourself. It feels like a luxury to play a game that isn’t constantly prodding you towards the next objective, and that instead allows you the space to daydream.

For button-mashers and hardcore smashers alike.

In the areas that really matter – on the pitch – this year’s model is by far the best version of PES yet, and easily matches its rival.

Jusant is an eco-fable, and like other such titles you play the role of a restorer. What the game deftly tells us through its world-building, narrative, and exquisite climbing is that the role requires both ambition and imagination. This is no better summed up than by the jump your character must make from one handhold to another, an act that suspends them in midair for a perilous, heart-in-mouth moment. Lodged in this little leap of faith is the entire spirit of adventure, the quality that ultimately makes the rehabilitation of Jusant’s stricken mountain possible.

From Life Is Strange to Undertale to Knights and Bikes, independent games have proved a rich and evocative medium through which to explore the theme of friendship. Pieced Together is another example, a careful, beautiful little game that, in more ways than one, turns nostalgia into art. After finishing it, I was inspired to contact an old pal I haven’t spoken to in ages and wasn’t sure I ever would again. Good games can be like good friendships: they encourage us to see things anew.

Yet the characters are also the game’s greatest strength, and throughout they are expertly drawn, both literally (with comic book artist Guillaume Singelin once again providing some gorgeous portraits) and in terms of their compelling and heartfelt backstories. Despite its bleakness, the world of Citizen Sleeper 2 is full of compassion, and it’s a joy to return to the universe Gareth Damian Martin has created.

Robo Recall is an almost perfect VR arcade experience. The only downside is that the cost of entry for Oculus Rift and Touch – even with a new lower price of £598 – is still too high for many, when you include the cost of the PC needed to run it. But that’s not the game’s fault.

Everything you hated about the first three years of the game has been refined, removed, or reappraised, and the game that was left was one that makes sense from toe to tip.

If MK7 is so brilliant, though, where's that fifth star? I'm withholding it because the best thing you can say about this is that while it improves on a near-perfect 64-bit game, it doesn't make any major advances. The 3D is excellently done, but totally disposable (in fact, you probably will dispose of it before you get your first cup).

If you like games that are so big you can immerse yourselves in them for months, The Master Chief Collection offers excellent value. It’s an absolute monolith of a package, beautifully presented for the 21st century. And with the remastered next-gen GTA V due to arrive shortly, it seems that, at least as far as video games are concerned, nostalgia is the future.

This is a very slow game, and while I enjoyed the gentle journey, the constant stream of new things to learn sometimes made me feel as though I were trapped in an endless tutorial. But breaking up your list of tasks with some independent creation and exploration time makes it a lot more tolerable. After completing a long series of main missions, I unwound by creating my own dream cabin and garden, as the villagers built a huge pyramid. (It was not lost on me that this division of labour seemed entirely unfair.) That gentle back-and-forth between idle creative play and world-saving missions makes Dragon Quest Builders 2 absorbing and likable.

The crime scenes are so weird that you never know where this game is going to take you, but you’ll always have what you need to figure it out.

If any game ever challenged the old distinction between graphics and gameplay this is it, because simple as its systems are, and even as dull as the fetch-questing can sometimes be, the look and script and voice-acting carry this rocketing over the finish line – as well as through the taste barrier. In some ways this game is to the RPG genre what the animated series is to celebrity voice overs: a comic impersonation.

A fun and life-absorbing game, yes, but a fickle one. In so many ways, it's like the real thing.

Characters are memorable and well drawn, literally and figuratively, and the game ably tackles thorny issues such as the consequences of school bullying, and the terrible toll taken by anxiety, depression and domestic abuse. For the most part, the 12-hour runtime flies by as you get to know every delightful nook and cranny of the cosy neighbourhood; only the final third drags a little. It feels worthwhile after the superb ending, though, which ensures that this game will live on in your memory for a long, long time after the credits roll.

In general, 2016’s Ratchet & Clank is a successful mixture of old and new, improved by the inclusion of features that came in later games in the series, and with a modern polish, but retaining its core of silly fun.

If you’re looking for a sliver of joy in bleak times, Nintendo always delivers.

Total War: Three Kingdoms is a wonderfully torrid period epic that understands the greatest stories are written about people, not empires.

Far Cry 4 truly shines in the almost bacchanalian sense of freedom it bestows on the player as they traverse through its environment.

Death Stranding remains kind of ridiculous: a bloated prog rock album of a game created by a man with a large film collection, an indulgent publisher and a budget few creators could ever dream of. But out of such ostentatious ingredients, astonishing moments can occasionally arise. If you were looking for a PS5 game that informs us that, yes, near-photorealistic visuals can lift a work in more than a surface aesthetic sense, this is it. The image of the dead rising as twisted smoking shadows above the gnarled countryside is something that will live with me for a long time. It all goes to show that sometimes, it really can take a £500 games console and a multimillionaire developer with an Ultravox fixation to make magical things happen.

Prince of Persia: The Lost Crown isn’t a sequel or a prequel to any of the other games, it is a new journey for the series, and its first step is a confident leap. It’s not only that the most notable elements of the series’ different iterations – its setting, traps, time powers, and combat – all find a natural home in this new shape, it’s that it plays like one of the best games in its newly chosen genre, as good as a game as Metroid Dread or Hollow Knight, not an imitation of them. It’s been 13 years since the last wholly new Prince of Persia game; if this is its new direction, it is exciting to see where it will land.

While it seems passé to mention licences, Fifa again dwarfs its rival where real kits, faces, stadia and presentation are concerned. Although some of these elements can be tackled in PES with a quick file download, this factor remains a deal-breaker for many fans, cementing Fifa 17’s status as the complete footballing package. The Journey, really, is just the beginning of what is on offer here.

Beneath the monotony of the dingy corridors, identikit jaw-flapping monsters and endless lava streams, the game routinely offers a masterclass in level design.

Marvel Snap is the perfect smartphone game: easy to get into, visually attractive, and simple to play in bite-size chunks, but it also offers masses of strategic depth.

The graphics are occasionally stunning – with long draw distances rendering outdoor and space locations particularly effective and, so far, relatively lag and glitch free – an achievement in itself for most MMOs.

Its gorgeously lush visuals are quite simply among the best ever seen in a game, offering an object lesson in how stylisation has the power to trump photorealism even in the 4K age. Some players will lack the time or patience to put in the effort that any heavyweight role-playing game demands – this is a 50-hour adventure at least – but it puts forward an irresistible case for your attention. As video games are once again weathering ignorance-fuelled attacks that paint them as universally gun-centric, violent and nihilistic, Ni no Kuni is a timely counterpoint.

I have become obsessed with this game in the last week, with the moments of quiet, uninterrupted, intense concentration it has given me at a time when focusing is difficult. The game has a simple concept, executed very well, with precise controls and finely balanced difficulty, but it is the magical ambience and an urge towards self-mastery that keep drawing me back, hurtling downhill with my heart in my mouth.