The key to the game is the pitch perfect control system. A customisable auto-targetting system lets players select between hard or soft auto systems, the latter subtly guiding your reticule rather than aggressively yanking it toward specific enemies. Both are smart, seamless and intuitive, allowing newcomers to acclimatise to the turbo-charged pace.

A masterclass: breezily new, yet quintessentially in character with its illustrious forbearers.

A crowd-pleasing game, which offers only glimpses of what could be if this team were only allowed to take some braver risks with Croft’s next expedition.

The Horizon offshoot has unshackled the Forza franchise, letting it run free into the wild, and this new adventure ensures that we don’t take that freedom for granted. Everything is bigger and better, everything is designed to make damn well sure that we’re having fun.

It’s been a while since I’ve played a game that fostered such gentle intimacy between characters – and there’s cooperative multiplayer, too, if you fancy recruiting real-life friends as fellow adventurers.

Like many of Nintendo’s best-loved franchises, Luigi’s Mansion 3 is imaginative, humorous and highly inventive. It may be nearly two decades old but the series continues to evolve in pleasing ways.

For our money, this is the best rhythm-action game money can buy – it would be a travesty if it failed to find an audience this time around.

If this review feels chaotic, then that’s a fair reflection of the game. It is mad, fun, fantastical chaos and I honestly love it. Before I started writing this, I had left my Arisen and her endearingly incompetent pawn in an ancient battleground patrolled by a dragon. We blasted it with a couple of ballista bolts, and then it flew over and crushed the ballista with a claw, at which point I realised we were somewhat outgunned here and ran for some castle ruins to hide from the creature. This seemed like a good idea until skeletal warriors rose from the ground, and I realised the castle is extremely haunted. I don’t know how we’ll get out of this situation. But I do know it will be an adventure.

The Taken King is the first time since launch that it’s been possible to say to new players that now is the time to start playing Destiny. The flaws have been ironed out, and the future’s bright.

To enjoy Returnal you have to abandon the idea of accomplishment, and stop looking for the breadcrumb trail of pleasing achievements that typically pulls you through a game. Forget about making progress. Forget about seeing the end. Once you do that, you can lose yourself in the near-infinite pleasure of the movement and combat, and the near-infinite mystery and creeping horror of Atropos. Every try is different, and yet also the same. But, with the right mindset, you can find meaning and pleasure in that instead of despair.

This is a rare example of racing fun for the masses and the maestros, one that’s expertly engineered and polished to a level that would make a Concours d’Elegance winner envious. It may make some controversial design choices, but in terms of the on-track experience, it’s the FM series’ most engaging drive yet.

Does Cyberpunk 2077 live up to the hype? Is it significantly deeper than Watch Dogs: Legion or Yakuza: Like a Dragon? Is it as good as Grand Theft Auto V? The answer to all of these questions is no. The sheer size of the world, its astonishing architecture, its set-piece battles, its stylistic bravado – all are testament to the efforts of a talented workforce. But you have to play by its rules, accepting Night City’s xenophobia and misogyny as unavoidable fictive components. Unlike Los Santos, this is not a multifaceted sandbox where you’re free to create whole new activities unforeseen by the designers. You’re there to do missions and side-missions, and the world only yields thus far. You’re always a tourist, never a citizen...In this way, Cyberpunk 2077 resembles a vast, futuristic Las Vegas. You come here and have a hell of a week, but then you wake up one morning feeling jaded and complicit, and you realise that the glitzy signs lead nowhere, the noise is meaningless, and when you look beyond the strip, there is only desert.

What has made this game special is the extra layer of polish on an idea that was already refined, and the resistance to adding unnecessary extras: in this way, it feels like a Nintendo game. Rocket League is simply a joy to play, win or lose. And with friends? Wow. This is the most fun you’ll ever have behind the wheel of a rocket powered football playing car.

Quarrel is just a lovely, skilfully-crafted joy. Denki's genius is in making you feel that hours in the game's company have been educational rather than a time-killing indulgence. That is the loftiest aim of all word games. Few really achieve it.

Cadence of Hyrule is a potent combination of nostalgic looks, creative takes on emotionally charged Zelda music and unusual, rhythm-powered moment-to-moment play. Stylish and excellent fun, this tribute captures the excitement and sense of discovery that makes Zelda what it is: a real adventure.

The sheer volume of quests and weapons and monsters also means that, quite apart from being a brilliant game, this has incalculable longevity. The life of a hunter isn’t for everyone. But if killing something massive, carving it up, and making a snazzy hat seems in any way appealing, then Monster Hunter Generations might be your game of the year.

There is a genuinely brilliant strategy game lurking under all this flimsy Nintendo wrapping. For younger audiences, these complaints probably won’t matter, but for the fully-grown Nintendo faithful, Sparks of Hope’s paper-thin narrative, juvenile jokes and disappointing hub worlds are hard to ignore, despite the fantastic fights.

Codemasters has been making rally games since the original PlayStation era, but it is now closer than ever to perfecting its craft.

We are admittedly right at the beginning of The War Within’s two-year life cycle, but this is the best that WoW has been performing in years. While Blizzard will surely continue to grapple with Warcraft’s place in the modern gaming landscape, especially ahead of WoW’s 20th anniversary, the game feels more relevant than it has in a long time.

It helps, too, that the music is superb, vaguely reminiscent of Blade Runner’s Vangelis soundtrack at times, and it changes subtly with the decisions that you make. It’s just a shame that Citizen Sleeper fizzles out at the point where it’s set to explode. There are far more stories to tell in this fascinating universe, and this is some of the finest video-game sci-fi writing out there.

Inquisition gets under your skull like red lyrium.

It’s great to finally get to play as Zelda, but working out how to take an active without being able to fight is rather hard work.

More than just Fallout in space, this action-RPG is a delightful sci-fi romp with razor-sharp writing, lashings of humour and enough content to entertain you for months.

Super Street Fighter IV 3D, despite being a beat-em-up, is one of the most grown-up-feeling games we have ever encountered on a handheld console. It is commendably lacking in compromise and makes good use of the 3DS's unique abilities.

It might not quite match the narrative prowess of BioWare’s Knights of the Old Republic, but Jedi: Survivor has so much else going for it. Whether you’re tracking down optional bounty hunters, solving the puzzles in those Jedi temples, or searching Koboh’s many obscure thoroughfares for character upgrades, the game’s tactile controls and precisely balanced challenge make it consistently rewarding. Meanwhile, its biggest moments rival anything games like God of War or Elden Ring can throw at you. Be assured, this is the Star Wars game you’re looking for.

Neither of the two controller layouts felt particularly comfortable – particularly mapping Fire to the L/R1 buttons rather than the more comfortable/conventional L/R2. Also, compared to the open-plan nature of the original, Crysis 2 is decidedly more linear. It may focus attention on the action, but it's a pity the total freedom of Far Cry, compromised for the original Crysis, continues to be constrained here.

This prequel takes a blunt force trauma approach to problem-solving and demon-killing, with a slower pace but more spectacular weaponry.

Snake Eater is a melodramatic delight, offering a brilliant introduction to – or excuse to revisit – one of gaming’s most gloriously idiosyncratic masterpieces.