It's true that, at times, it feels a bit disjointed, the dialogue is occasionally annoyingly clunky and given that it has no online element, you could argue that it's hopelessly old-fashioned. But if you like the sort of gameplay that Resident Evil offers, it will bring you a lot of enjoyment, more or less from start to finish.

Ezio Auditore is, simply put, the only reason one needs to pick up a copy of Assassin's Creed: Revelations. While it doesn't feel like the step forward for the franchise that its two predecessors did in their day, Revelations can confidently stand shoulder to shoulder with the better titles of 2011.

Right off the bat, the world contained in Fall Of Cybertron is far more impressive visually than that of its predecessor.

Like any good puzzle game, there is special satisfaction in working out a solution to a conundrum that has stumped you, and that’s the best reward in the game. Call of the Sea ramps up the story towards the end, but I cared far more about the clues than Norah and Harry’s tale. It frustrates as the best puzzles often do, but no solutions feel unearned or gimmicky. This is definitely one for the pencil-chewers to check out.

It's possible to lose days in Assassin's Creed 3, although if players stick doggedly to the campaign, they'll clock in about 20 hours. On top of that, there's a multiplayer – and for a game where the focus for most of the fanbase will be the single-player, this one's actually rather good.

It's a mighty fine game – for my money, the best in the Halo franchise – that deserves to accumulate a cult following. Microsoft should be applauded for having the balls (and the money) to exhume it in such a magnificent manner.

Despite its fantasy-sport emphasis, it has an underlying stamp of authenticity – it still requires you to adhere to the basics of rallying, keeping things smooth, braking early and balancing the throttle to get satisfying four-wheel drifts going.

Beneath the monotony of the dingy corridors, identikit jaw-flapping monsters and endless lava streams, the game routinely offers a masterclass in level design.

What this game brings is something that remains startlingly elusive in the modern canon: a co-op experience that genuinely requires you to work together. For a wildly violent first-person shooter, Payday 2 sure does promote a heartwarming spirit of unity.

If you buy a WiiU, you'll simply need to get a copy of ZombiU. It's a true survival-horror game, channelling the heart-in-mouth claustrophobia of early Resident Evils and Alone In The Dark, and adding Dark Souls' refusal to compromise as the icing on top. Play it in a darkened room, and you'll remember what gaming is all about.

Reviewing a Call of Duty game today is a bit like reviewing a military theme park: it’s impossible to give a holistic appraisal. You might find the rollercoasters thrilling, the ferris wheel tiresome, and the hotdogs tasty, but consider its murky ties to the US military-industrial complex deeply problematic. Certainly, however, the game has expanded in such diverse and deliberate directions that most players will find at least one diversion to suit their tastes and play styles, and for this the developers are to be commended. Wrangling an annual series into a persistent online framework is obviously an unwieldy challenge for artists, designers and programmers alike, as they seek to marry the past and future of video game delivery. Within those difficult, arguably misguided constraints, MWIII is, campaign aside, a minor triumph of engineering and design.

This trek across forbidding crags and through crumbling caves demands resilience and determination, but rewards it with a wonderfully rich and atmospheric sense of place.

There’s nothing so gauche or straightforward as a Miss Marple denouement reveal, where you discover whether or not your conclusions were correct. In Paradise Killer the truth is more complicated and, counterintuitively, all the more satisfying for it.

Angry Birds Go! is great fun now, with plenty of potential for evolution in 2014 and beyond. A few tweaks to the in-app purchases aside, it'll be raising eyebrows for positive, not negative reasons.

There are plenty of co-op shooters on the market, and some intriguing titles on the way (Sons of the Forest, Gotham Knights, Redfall), but Extraction has military gadgets, dank horror and heart-stopping stealth, and those are qualities that, although not original, make for a heck of a game.

Knights and Bikes captures the nostalgia of British childhood holidays in worn-down caravan parks and small-scale adventures in seaside towns. Designed to be played with a friend, with both of you tapping a button to careen around on extremely 80s bikes, it is energetic and charming enough to make you laugh all the way through.

This is a very slow game, and while I enjoyed the gentle journey, the constant stream of new things to learn sometimes made me feel as though I were trapped in an endless tutorial. But breaking up your list of tasks with some independent creation and exploration time makes it a lot more tolerable. After completing a long series of main missions, I unwound by creating my own dream cabin and garden, as the villagers built a huge pyramid. (It was not lost on me that this division of labour seemed entirely unfair.) That gentle back-and-forth between idle creative play and world-saving missions makes Dragon Quest Builders 2 absorbing and likable.

As I sat late into the night, clicking through strange websites, discovering secret pages and file-sharing boards, reading about online fallouts between made-up strangers, I was reminded so strongly of my teenage late nights on the weird internet that I felt temporarily unmoored. It is an extraordinary feat of scene-setting, and totally unlike anything I’ve ever played before.

Shogun 2 is a magnificent looking game with huge play and replay value. In terms of ambition and progression for the series, it arguably takes half a step back, but the huge leap forward in graphics and gameplay more than makes up for it.

EA Sports FC 25 is perhaps not the major structural leap forward that its predecessor was – it is, to use the classic phrase, an evolution not a revolution. To get the most out of its major new technical features, you’ll need to really dig down into the depths of the pre-match menu systems – and that’s not for everybody. Meanwhile, Ultimate Teams is as problematic as ever with its carefully greased compulsion loop of in-game purchases and micro-improvements to your fantasy squad.

Fantasy tabletop warfare meets historical strategy simulation in a game that should be inaccessible but ends up exciting.

What's this? A movie tie-in game that's actually good?

The brilliance here – as with all the best Resident Evil games – is the way it switches modes when you least expect it. You can be deep in thought, wandering familiar corridors searching for the solution to a puzzle, when suddenly a werewolf leaps out at you from a previously safe place, or a creepy doll falls from a shelf, and you jump five feet off the sofa. At the same time, it is rife with the ludicrous: weird voice acting, an unfathomable plot, hokey environmental storytelling – but none of it really matters when you’re being chased up some stairs by a gigantic slime creature that giggles like a baby.

Whatever you think about the series and its problematic role in how the mainstream games industry works, how it is perceived and the types of communities it engenders, this is slick, thrilling entertainment. Nowhere else will you be blasting a giant robot in a corporate science lab one minute, and then playing a modern take on Atari’s Super Sprint the next. Value matters right now, and in this as in almost everything else, Call of Duty does not hold back. It is a maximalist paean to the ultimate, troubling truth of video game design – shooting stuff on a TV screen is a hell of a lot of fun.

A complicated beast, and easy to write off as a money grab for this lucrative new market created by Skylanders. However, see the game in the hands on young players and the different pieces fit together coherently.

There's no doubt that [it] is far and away the best PlayStation 4 launch title. It feels fresh and innovative throughout – after playing it, we checked out Call of Duty: Ghosts on the PS4, which felt one-dimensional and strangely old-fashioned – looks stunning and through its beautifully fettled multiplayer side, offers infinite replay value. It towers above previous versions of Killzone in terms of quality and taking a much more interesting approach.

If anything, this fictionalised version of his life is less dramatic than the reality, but it’s a lively and surprising comedy that portrays a weird slice of Shakespeare’s London with modern wit.

Stacking is right up there with the likes of Braid and Limbo as an absolute must-download.