Simultaneously a new Ghostbusters movie and an enjoyable videogame. Rough around the edges, but the superb scripting and unique humour make this a breath of fresh air.

Ultimately, this game is a true celebration of all things Ghostbusters, and all the fans shouldn't wait to get this if the Wii is all they have.

Simultaneously a new Ghostbusters movie and an enjoyable videogame. Rough around the edges, but the superb scripting and unique humour make this a breath of fresh air.

Ultimately, this game is a true celebration of all things Ghostbusters, and fans shouldn't wait to get this if the PlayStation 2 is all they have. For those with little love for the series, it's still a good action game, even if the no-frills levels and abbreviated campaign are bound to leave you feeling like you're sitting at the kids' table while the adults feast.

But ultimately, this expansion will live or die based upon its song selection.

If these (songs) seem a little tired to you or you don’t want to pay for the whole collection, maybe just hold off and see if these make their way into the online shop eventually.

If these (songs) seem a little tired to you or you don’t want to pay for the whole collection, maybe just hold off and see if these make their way into the online shop eventually.

Sound good? Then you’ll be in heaven with this new pack, especially if you bought Guitar Hero Metallica and have the dual bass pedals going. If these seem a little tired to you or you don’t want to pay for the whole collection, maybe just hold off and see if these make their way into the online shop eventually.

Although it’s beset by blandish graphics and wickedly uneven difficulty, Prototype delivers a fast-paced, relentlessly amoral and wonderfully brutal sandbox adventure in a detailed city filled with cool things to see and do.

LEGO Battles certainly drops the baton on a couple of essential basics, but its light-hearted tone, unit variety, hidden trinkets, and sheer volume of maps keep it a good value for dedicated fans of this angular toy world.

Although it’s beset by blandish graphics and wickedly uneven difficulty, Prototype delivers a fast-paced, relentlessly amoral and wonderfully brutal sandbox adventure in a detailed city filled with cool things to see and do.

Although it’s beset by blandish graphics and wickedly uneven difficulty, Prototype delivers a fast-paced, relentlessly amoral and wonderfully brutal sandbox adventure in a detailed city filled with cool things to see and do.

Class of Heroes delivers some quality dungeon crawling, which will wake up the back-tracking, corner-hugging, poke-at-everything completionist within you. Unfortunately, the game strays too far into the casual realm when it comes to combat. It’s simply too easy for its own good, which slightly sours what might’ve been an awesome JRPG.

It's not a perfect game, but it has a definite charm, and fans of the SNES era RPGs will probably find a lot to like.

Even in its most blatantly obvious moments, the game’s plot is still distinctly Indy - minus that whole fun aspect, of course.

Miami Law isn't horrible. But its fast-paced 24-style plot just doesn’t mesh with the slow and methodical gameplay found in point-and-click titles like these.

Too little evolution from past GH games.

To be blunt, EA should’ve done one of three things with Tiger on the PS2 – restore some features that all other platforms enjoy, sell it for $10 as a “roster update” of sorts, or just put it out to pasture once and for all.

At least Tiger’s PSP offering this year resembles a full-fledged title (unlike his counterpart on the PS2, which is embarrassingly devoid of features). Even so, though, we can’t justify shelling out 40 bucks for what amounts to a fresh coat of paint, no matter how well it plays.

Swords & Soldiers will certainly make you laugh, but it’s also just as likely to give you a serious hand cramp from the many hours of your time it will commandeer.

The Legendary Starfy never completely shakes the sluggish nature of its initially vanilla gameplay, and the game offers very little challenge for hardened platform veterans, but it's a pleasant romp that continually improves as it progresses.

Knights in the Nightmare isn't a bad game; the combat system is addictive as hell, and though the various elements of the game that might seem like an odd mix, together they make a lot of sense. It just tries to do too much, so instead of a historic must-play that changes the genre forever, we get a quirky, worthwhile oddity.

The game also suffers from a lack of content.

InFamous shows huge potential, but it’s ultimately held back from greatness by too-sticky controls and its surprisingly bland ruin of a city. It’s still fun, but there’s a lot of room for improvement in the strongly hinted-at sequel.

In short, CGS is a lot like its own hero, Killian - stuck in second place between mediocrity and exceptional.

A broken core of a game.

Quite simply, there is a sh.t-ton to keep track of. But no matter, these worries fall away the more you play. And soundly beating the crap out of another guy will be a walk in the park.

And the multiplayer? It works very well.