Record Keeper isn’t offensive. It can sometimes be a little fun. But it’s not incredibly engaging.

Ghostwire: Tokyo is not a bad game. I was interested enough to stick with it and engage with as much of it as possible. If you have more patience for open-world exploration and tedious collectable-finding than I do, then you might get more out of it. I didn’t go into detail about this, but the story is decent and well-told, and that counts for something. This game is also bursting with visual flavor and interest, the kind of which you won’t find elsewhere. But the majority of the game is spent in that open-world formula. Clear fog, gather items and souls, turn in for XP and money, do sidequests and tasks for that area. It’s all in the service of filling a percentage bar, and it just gets boring after a while. No matter how pretty or interesting the surroundings were, once I got well and truly stuck in the rut, I honestly stopped noticing.

This isn’t the best Picross game. The original Picross for DS is still better. Picross 3D (also for the DS), which has you solving logic puzzles in three dimensions, is way better...But this is still a fine game. And, if you enjoy Picross but don’t put it on a pedestal like I do, you may find some more enjoyment from the Pokémon elements than I did.

It doesn’t pander to the player like a child, taking a long time to reach a modicum of difficulty. It’s under the impression that we’re here for a challenge and provides just that for us. Fairly, that is, so that the only one to blame for our violent rage quits are ourselves.

Sly Cooper: Thieves is Time is a fantastic addition to the series and a great entry point for newcomers. Most of my gripes are minor, but the aggressive load times present the biggest detriment to the game, and the need for a PS Vita might irritate anyone who wants to collect everything these time periods have to offer. The rest is just a few hiccups in history, but they shouldn’t stop you from enjoying the latest chapter in the Cooper story.

It doesn’t rely on stereotypes or tropes to find easy answers, and it could be a source of comfort to those who can empathize with these problems. That’s why I liked the tale. It treats all of its characters with a kindness and empathy that unsheathes their complexities.

I loved my time in the Aegean. The game has its flaws, and I gamed those flaws to find an easier way to victory. But I hope the team can patch the economic systems — or at least explain them — so that it makes more sense. I don’t think they can do anything about the sea battles except to say that this game didn’t have that big a budget. I would also have liked to have some staged battles that laid out the events of The Iliad or the sacking of Troy in a narrative path. But the game can provide fans of the series with many hours of fun. And that’s no small achievement.

Sorcerer King offers a nice strategic balance, and the feeling of carving a swath through a landscape already dominated by your enemy gives the game a fun, challenging feel.

I’m blown away by how well thought out the base design in Dead or Alive 5: Last Round is.

Evoland II may not offer the most amazing gameplay of any title you pick up this year, but its charm, writing, and storyline will keep you entertained and playing on through all the genres and graphical styles it represents. It’s a mashup on a grand scale — and a successful one — bringing together many of the elements that make us love all those games individually.

Yes, the Metroidvania space is becoming crowded with great games, but Sundered fits in with the best of them.

In Sheep’s Clothing continues on the brutal and downright insane path that Smoke and Mirrors began. It’s a little on the short side, but Telltale uses the time to maximum effect through heightened drama and expansion of the game’s world and society. It’ll leave you excited for the final episode and angry that you can’t play it immediately after finishing this one.

It’s not a starfigter game in the line of X-Wing or Colony Wars that I’ve longed for on modern consoles, but it’s fun, and it has potential. I just wish its controls were a bit more user-friendly.

Kingdom has solid ideas that get lost in its own simplicity. It’s a little too conceptual, and I found that it had a hard time holding my attention after a few in-game days. It has a whole kingdom out there to explore, but it just isn’t varied or interesting enough to warrant the type of commitment it ask of the player.

Insurgency is going to win fans for its gameplay. The action is highly competitive and focused. It brings me about as close to a real gunfight as I’ll likely ever want to get.

I guess the best accolade I can give this game so far is that it’s another Far Cry game, and it’s a good one at that. It’s nice to see the return of the player character’s actual character. The villain is monstrous yet complex. Things explode. But it’s probably going to feel like a drag for far longer than it should, both in gameplay and in the story.

I love the idea of Where the Water Tastes Like Wine. It has a lot of personality, and several days after I finished it, I was still humming some of the songs to myself. However, it’s impeded by a few gameplay quirks, like how tedious it is to move around. And most of all, I’m still very disappointed by how I wasn’t able to see the final chapter through to the end.

I'm a fan of more King's Bounty, yet the magic is missing with this latest expansion. The Viking faction isn't as fun to play as other groups. The tweaks to combat, though, give players more tactical options, something any player of a strategy-RPG can appreciate.

It’s just so easy to pick up and get lost in for a few hours at a time. You can credit Techland for that success because it picked a few ideas and really got them right.

It’s like a free game, and not an awful one. But when you judge on its own, it’s novelty quickly becomes tedious.

Some corners were cut in terms overall production values and the gameplay may be too watered down for fans of more technical fighters, but if you're still on the fence about Naruto, this is the game that will make it or break it for you.

It’s content to give you a solid, lasting sense of satisfaction from pushing buttons in the right order and hearing some good music.

The game's cast and gameplay are just as inventive as they were in the past, and I had trouble controlling that "one more match" urge while playing. The content available is comparable to most modern games, and this should be required playing for any fan of the genre.

It feels like the Gentlebros were having a blast making this game. After beating the boss, there are plenty of other side quests to go on if you’d like, and the generous save system makes it possible to play it for just a little while and then put it down. Cat Quest doesn’t reinvent the RPG genre. Instead it just does it well, with some cute cats to boot.

The lack of polish in some areas and questionable design decisions in others can overshadow Tokyo Jungle's moments of brilliance. As I finished the story, however, I realized I couldn't stop smiling: It knows how absurd it is, but it doesn't care. The developers takes the ridiculous concept and runs with it all the way, mainstream tastes be damned. That's something you really have to admire.

The story just doesn’t live up to the exhilarating gameplay, and a weak, unresolved ending gives a poor final impression. Thankfully, the game can re-enter your good graces once you’re done with the plot, and you can just spend hours running across rooftops for fun. The occasional death-inducing fall will frustrate you, but Mirror’s Edge: Catalyst’s first-person platforming feels so good when it works that you won’t easily give up.

This game offers a potential for endless hours of fun...We all expected a knock-off, but this fighter has an identity that's completely unique.

Most of all, it’s ambitious. Mobile games and music games both tend to get short shrift when it comes to emotional narrative arcs. Lost in Harmony commits to one, and does its best to bring that through in level design, musical selections, and even small details like costume picks.