Ravenlok is a short, but highly enjoyable adventure to spend time with, and if you have children, this can be a great title to discover together. The challenge is minimal, but the atmosphere is great, and even if there are some flaws in the presentation, the short playing time ensures that the bad never overshadows the positive.

I would actually like to be able to recommend Strayed Lights, but it's a bit difficult to do so, unless you really enjoy games that are just a little bit like Journey. And that's a bit of a shame, because there are some really good ideas here that, given a little more time in the oven, could have helped create a really exciting and different adventure.

Humanity is a fine puzzler that brings some unique challenges to a rather saturated genre. The puzzling and platforming mechanics keep the gameplay feeling fresh level after level, and the UGC focus means that you'll never tire of levels and challenges to overcome.

I rarely had a dull moment in the open world, which is brilliantly designed right down to the smallest 1x1 Lego piece. The activities are varied and thanks to the precise controls, exploring every nook and cranny of Bricklandia is a pure joy. On the other hand, the actual races was a disappointing affair, which more than anything else made me long for the almost 25-year-old Lego Racers.

For those who want an easy-to-play, entertaining and Contra-like action game, Wild Dogs feels like a natural choice. The game is as classic as it gets, both in appearance and game mechanics.

On one hand it has an excellent appearance and overall ambience, but then lacks narrative development and compelling gameplay.

Warhammer 40,000: Boltgun is a game that hits hard. It has you feeling like the most badass thing in the galaxy in one minute, before reminding you the universe is a terrifying and deadly place the next.

In its open world, narrative, combat, and traversal, The Legend of Zelda: Tears of the Kingdom proves itself to be a triumph, a game that will be remembered not only as a phenomenal sandbox experience but an outstanding achievement as a game.

It's not particularly immersive or hard to put down, and it's not overly pretty, either. But that said, it's an enjoyable and light-hearted Hades copy for up to four players that nicely frames and captures the right kind of Turtles atmosphere and is just challenging enough for those who like the roguelike approach.

Dimfrost Studio has managed the feat of making one of the cosiest games I've ever played, only to completely change its character and become one of the most creepy I've ever experienced.

One issue that Minabo may face is that, beyond its amusing names based on spanish jokes, and what I'm sure has been the most effective marketing campaign in the history of Spanish game development, people may not take it seriously.

I find it hard to see Mia and the Dragon Princess as one of Wales Interactive's best works. Compared to the simpler and more well thought out Ten Dates, this game feels like a step in the wrong direction in a multitude of ways.

Seeker My Shadow lacks direction and general focus, which cripples the fun core idea into a confusing game that quickly turns uninteresting.

The Last Case of Benedict Fox is a better detective-exploration-puzzle-adventure than it is a Metroidvania and if you've decided to give it a go, it must be because you love exploring the environment, finding clues and solving puzzles.

Puzzling Places executes its simple idea successfully. The clear appearance and calm atmosphere supports light puzzle solving, and handling those snazzy jigsaw pieces makes time fly easily.

Darkest Dungeon II is still promising, but lacks meat around its bones. The 3D art style has been a success, but many changes to core mechanics are either underbaked or too plain, and the user interface needs more love.

Redfall is a humongous disappointment, as there are parts of this game that still feature semblances of that Arkane brilliance. The map has potential, there's just nothing to do in it, and the story delivers intrigue at times and shows that the small town America-meets-vampire concept is still very much alive and well. But, this game is an unmitigated disaster at times. It does very little to make you want to keep playing, and even if you do find something to enjoy, the horrible and outright disgraceful performance does everything it can to kill that passion in you.

I would have liked to see Afterimage get at least six more months in the oven before being released to the world and my recommendation is to wait and see what the developers decide to do with the title. Because more work is clearly needed here to really do the game's potential justice and bring it to the finish line.

There's so much inside Age of Wonders 4 that it's hard to give a good overview in the space of this review. What's clear is that Age of Wonders 4 is a very solid 4X turn-based strategy game with so much customisation that the potential for replayability is nearly endless.

Star Wars Jedi: Survivor is a great continuation of this series. It's overflowing with references and other minor beats that each paint a wonderful and thorough picture of A Galaxy Far, Far Away, and the gameplay is simply an improvement of Fallen Order's outstanding formula.

This is a thoroughly enjoyable and entertaining title, suitable for both League of Legends fans and newcomers. The Mageseeker stands out perfectly as its own unique game.

Everspace 2 offers great graphics, awesome music, brilliant sounds, and a fantastically fun gameplay cycle. I didn't anticipate that this easy-to-play, intense action setup would last for an entire game, but I'm not dissatisfied or bored after 50 hours with the title.

This is soulless, unimaginative and stupid in its design and just a way for Gameloft and Disney to try to make a quick buck on an ever-growing sub-genre.

I feel well equipped to state that Mighty Doom is a stain on the series' reputation. Not only that, it reminds us that the mobile market remains a toxic swamp filled with ghosts pretending to be something completely different than they really are.

Curse of the Sea Rats has many fine qualities that make it a good game and if only some of its shortcomings had been cleaned up, it could definitely be a game that should not be missed.

WayForward have done great work in restoring a tactical cartoonish classic to make it incredibly fitting to the Nintendo Switch as a platform, both on TV and in handheld.

Dead Island 2 is an entertaining adventure, especially if you have someone to play co-op with. It's meaty, it's long, and at times it's really neat. A sort of odd and digital Los Angeles vacation, if you will. But it's also so faithful to the original that it's almost completely void of surprises and feels structurally old.

I love the concept of this game and I think it has potential for the future, there are just simply too many areas that all work against each other for God of Rock to be able to stand tall on its own right now.