In short, Heroes of Might and Magic: Olden Era is practically everything I could have asked for in a new game in the series: an experience familiar enough with the past to connect with my fondest childhood memories of keyboard and mouse, whilst adding new features such as factions and game subsystems to make me think and immerse myself fully in its universe and gameplay. It's a new era for strategy, and I'm delighted to be back on this path.

When it stumbles, it falls flat on its face, but when Masters of Albion succeeds, it reminds you why Molyneux is still in the business after all this time. It has a quality to it that lets you overlook a lot of its most glaring flaws, a sense of humour that reminds you of your first time playing Fable, and a unique, ambitious approach to a genre we don't see enough of these days (aside from the other recently released god game Sintopia). Masters of Albion is not a triumph. It won't knock Fable down to become Molyneux's new legacy-defining game, but it certainly leaves its impression. [Early Access Score = 60

There is a saying that "it's the journey and not the destination that counts," and those are words I have always lived by. But what do you do when the journey is sadly boring and all you want is to reach the destination? I'm not really sure which target audience will appreciate this game. It's for ages three and up, and maybe a very small child would enjoy flying a parrot on an uneventful adventure with no point whatsoever, but what do I know? But I need something more and, above all, something meaningful.

Earnest Evans Collection is not the throwback to the great games of yesteryear that I had hoped for. Rather, it is a reminder that for every old retro game we love and look back on with nostalgic glasses, there were also lots of half-baked wannabes.

Taxi Chaos 2 lacks (apart from the obvious lack of speed and a fun open city to hang out in) charm and attitude. Everything feels flat on all levels, and the mere fact that there isn't a killer soundtrack is one of many ingredients that reveal a lot about how limited the production probably was.

I find it difficult to recommend anyone to get the Switch 2 Edition unless they know they play New Horizon a lot and just want the same thing, but a little bit better. And the free content from Version 3.0 is, as I said, free, but it really feels like Nintendo has just tried to create content with a lot of grind to make it take time rather than be entertaining, and the Quality of Life stuff really should have been included from the start.

Drywall Eating Simulator is a game that talks about the present without understanding it. It's not subversive, not provocative and definitely not funny - just tiresome. So by all means, stay as far away as you can from Drywall Eating Simulator, don't even get it for free. Spend what little time you have on this earth on something more sensible.

It wasn't enough that mechanically Fast & Furious: Arcade Edition is an over-the-top yawner, but when gameplay and narrative-wise the game doesn't really have any logic, let alone much sense, I don't know what the creators were thinking.

There was a nerve to explore, but instead we get slapdash jump scares that fool no one. It's a shame, because the game is really nice at times, but never quite becomes anything more at any point. Therefore, I cannot in good conscience recommend Bad Cheese to anyone, except perhaps for a quick look at the aesthetics.

Super Robot Wars Y has an acceptable foundation to stand on as already mentioned, but no effort has been put into making a good final product. Everything feels cheap and substandard, and what could be an entertaining title is reduced to an underwhelming adventure that isn't worth your time or money.

If you are keen and interested in an action role-playing game about Greek gods and heroes, this is worth keeping an eye on. If you don't mind limited content at first, this is worth a try. However, if you want the full experience, you're better off playing something else while waiting for 1.0. [Early Access Score = 70]

Grounded 2 strikes me as a very traditional survival game in practice, even if the intuitive design and the enjoyable and memorable world stand out as highlights. This is a game that you will love for a few hours and then steadily lose interest in, unless you're a die-hard survival fan that lives and breathes this genre. [Early Access Score = 70]

Cyanide has a decision to make. Either they can deliver a fun and relaxing arcade game or they can give us a console version of Pro Cycling Manager. Because this game is more like a rider who has single-handedly tried to catch a breakaway by running away from the peloton and is now caught in the middle - tongue out of cheek and legs cramping.

If you are looking for something simple and cute, this might appeal to you and with a low price tag, some may still find it worth it. But since there are so many better alternatives, it was not for me.

Tamagotchi Plaza is definitely not worth your time, and even those who really love Tamagotchis won't find anything to enjoy here... unfortunately.

My patience has been tested more than in any game in a very long time, and my simple advice is to avoid this game as much as possible. If you want a post-apocalyptic isometric perspective and world to explore, I would rather recommend Interplay's Fallout games, which did this much better back in the 90s.

All the technical mishaps have affected the rating significantly in themselves, but if there had been a more exciting game design alongside them, I would probably have been able to overlook much of it. Unfortunately, a promising premise falls short on several other points, which is a great shame, and the whole thing ends up being a real disappointment.

To a T can probably be classed as a cosy little game with a nice story, but there's nothing new here. Katamari Damacy offers so much more fun, and the only thing that To a T has that makes it even slightly unique is the premise that orients around the T-pose.

If there was one thing I never thought I'd write about Leslie Benzie's first self-directed game, it was that it would be perceived as unimaginative and generic. At least I thought that originality and attitude would be present here, even if it looked unfinished beforehand. That didn't happen, and it's easy to see that MindsEye was not only released about six months too early, but that it also resembles a ten-year-old GTA copy with most of its elements being undercooked.

Unidentifiable and boring, that's Football Heroes League in a nutshell and I hope Run Games can stir the pot and fix the game before it's released, but to be honest I don't think it's possible without throwing everything in the bin and starting from scratch. [Early Access Review Score = 20]

As much as I like Metro 2033 and as much as I wanted La Quimera to be a "new Crysis" or a "new Killzone", there's no getting away from the fact that in my world this is more like an asset dump in the Unreal engine, crammed with poor design choices, useless enemies, generic gameplay and a lousy story.

If the ambition is to create a new game for the Neo Geo format and for it to feel like a flirtation with the past, well then at least that bit is done with gusto.

Into the Dead: Our Darkest Days is a fantastic foundation for PikPok to build on, and while the current loop became monotonous for me, especially without a narrative framework to refer to other than the stories I created myself, I respect it immensely. [Early Access Score = 70]

It's a very original concept with a lovely visual style, so it doesn't feel like a complete waste of time. But in the end, unfortunately for me, there's a predominant feeling of boredom rather than quality entertainment.

Neon Blood's short running time is an advantage because there is not enough content and ideas to fill more hours of entertainment. However, I wish Chaotic Brain had chosen to give the story more weight and a darker tone. They never managed to engage me and it feels like they themselves were lost and didn't really know in which direction they wanted to take the adventure.

After seven hours and a laugh-inducingly goofy ending, the cosmically mysterious horror remains mostly a jumble of mazes and unfinished game design. The horror-adventure genre is too crowded to make room for Pneumata, and I think we'll forget about this game and wish Deadbolt Interactive better luck next time.

For a short while I have fun, when for once things go well for me. If it had continued like that without me being brutally punished time and time again, I'm sure there would have been a nice and addictive little game in there somewhere.

With more time in the oven and especially co-op, this could have climbed several ratings, but at the moment it's hard to recommend this to anything but die hard fans of Funko Pop. But even for them, the question is whether it is not better to spend the money on some more plastic figures for the collection instead.