Tomodachi Life: Living the Dream's gameplay isn't meaty enough, and it's disappointing that there are some features missing that were present in the 3DS version, like the Concert Hall. But the game is undeniably bursting with charm and is a decent distraction for a little while. Playing it in short bursts is the ideal experience, and while I don't feel the same kind of pull to never stop playing like I do with more well-rounded cozy games, I still plan on checking in on my Miis from time to time. $60 is too steep of an asking price for what's on offer, though.

Saros is an excellent, heart-pounding action game that is easily one of the PS5's best exclusives. The combat is exhilarating and Carcosa is a blast to explore. The quality-of-life features make it more accessible than Returnal, and while that might upset some purists, it helps Saros avoid some of the frustrating pitfalls that roguelite games sometimes fall into. Saros is one of the year's best releases and a must-have for PS5 gamers.

There's something special about engaging with a piece of work that is a labor of love, as Vampire Survivors was before it. Vampire Crawlers doesn't try to be something it's not. It doesn't try too hard to be different, because it doesn't need to. Poncle has found his niche, with his retro Castlevania-inspired world and frequent dopamine hits making me a fan of his work in mere minutes, yet again.

Replaced is full of surprises. From the very first frame, I was surprised by its striking art style which, while on clear display in the game’s trailers, is infinitely more arresting with hands on sticks. I was surprised by how the combat sandbox, while not revolutionary, evolved into something challenging and exciting, and I was surprised by how much Replaced managed to surprise me late into my playthrough—a hallmark of a passionately, artfully crafted video game. Coming from the consistently solid indie publisher Thunderful, Replaced is the debut release of Sad Cat Studios. The gaming world is no stranger to impressive indie debuts, with the past several years playing host to several up-and-coming industry darlings, like last year’s Sandfall Interactive, maker of Clair Obscur. While Replaced is perhaps not on the same level as that game, I would argue that it puts Sad Cat Studios in the same league as the likes of Sandfall, with its impressive, nuanced, and inventive art style, writing, and game design. Even when Replaced stumbles, it quickly recovers with an astonishing setpiece, gorgeous view, or new mechanic, which keeps it on the up-and-up throughout its 11–12 hour runtime. It's still a bit early, but Replaced has definitely earned its place among the best indies of 2026. Replaced Is an Audiovisual Feast review-roundup-replaced-a-site Replaced Press Image 10 Replaced Press Image 9 I’m not sure that I’ve seen a game that looks quite like Replaced. The closest point of comparison might be Square Enix’s HD-2D games (e.g. Octopath Traveler), or the fantastic Tails Noir, but those don’t have the incredible attention to detail, nor the panache, of Replaced. Perhaps this is due to linearity: Replaced is a predetermined sequence of levels, for the most part, which helps it draw attention to its own beauty in subtle ways. For instance, the camera perspective will pivot slightly if you enter certain areas, indicating a difference in elevation or dimension. You'll see most of Replaced's environments just once, which only elevates the game's sense of style and confidence. Replaced’s visual design is overflowing with this kind of attention to detail. Characters are 2D sprites and backgrounds are composed primarily of 3D models, and juxtaposing these elements lends Replaced the same aesthetic texture as the aforementioned HD-2D games, but with a degree of darkness that’s missing from most titles under that label. I mean that both figuratively and literally: Replaced’s use of light is often mesmerizing, turning the player-character into a silhouette or illuminating him in a soft glow. And the game’s dystopian cyberpunk world, which is appropriately grimy and ramshackle, lends environments narrative and thematic intrigue as much as surface-level allure. Perhaps the greatest strength of Replaced’s aesthetic smorgasbord is its cinematography. Most 2D games, if they feature cutscenes at all, will include them as mere extensions of the regular 2D stage. In other words, the cutscenes are static, without much thought given to the movement of the virtual “camera.” But Replaced will pan, zoom, and rotate its camera, which not only makes for a more dynamic cinematic experience, but also highlights the strengths of the 2.5D style, as the camera will move between the various layers of the game-world, making it feel like a series of painstakingly detailed, multilayered dioramas. Confronting Uncle Ben and the Termites in Replaced Replaced’s World and Story Will Keep You Guessing I think that Replaced’s narrative is best experienced blind, so I won’t go into great detail about it, but suffice it to say that if you like games like Cyberpunk 2077, you’ll probably resonate with Replaced’s story to some degree. It hones in on the sociocultural commentary of the cyberpunk genre, but also its outlandishness, presenting a high-tech world defined, in large part, by some of the worst and most inventive aspects of humanity. The only drawback of the Replaced story that’s worth mentioning is its pacing. Perhaps Sad Cat Studios simply wanted to pad out its game, or perhaps it had to mold the story around pre-designed setpieces or environments, but there’s a good bit of downtime in Replaced that doesn’t always work. Sometimes it's fine, like when you first visit an implausibly cozy settlement built in an abandoned train station. The story slows down so you can enjoy new sights, sounds, characters, and even side activities, but other times, Replaced will grind its narrative to a screeching halt by having you embark on glorified fetch quests and other busy work, right as things are starting to get interesting. This is a problem that can impact Replaced’s gameplay as well. Gameplay is Replaced’s Weakest Link Replaced Press Image 1 Replaced Press Image 8 Replaced Press Image 7 ✕ Remove Ads I didn’t expect much from Replaced’s combat sandbox, which presents itself as a watered-down version of the Batman Arkham combat. At their core, fights are about performing basic combos and counters with the press of a button, but the system blossoms into something more complex with the introduction of special abilities, different enemy types, and new defensive options. It’s certainly not the most expressive or experimental combat system out there, but it’s consistently entertaining and exceptionally flashy: you’ll always feel cool after clearing a room. Subscribe to the newsletter for deeper indie game coverage Get deeper breakdowns—subscribe to the newsletter for visual analysis, narrative context, and design insights that explain what makes indies like Replaced stand out, plus curated picks to help you find more bold, artful games. Email Address Get Updates By subscribing, you agree to receive newsletter and marketing emails, and accept our Terms of Use and Privacy Policy. You can unsubscribe anytime. The same can’t quite be said about the game’s platforming, which sometimes feels sluggish and imprecise due to slow character movement, limited midair control, and inconsistencies like how the player-character will sometimes magnetize to ledges that they wouldn't be able to reach regularly. Platforming sections are also typically more about timing and precision than freedom: you’ll regularly engage in activities like waiting for a spotlight to pass before walking down a corridor, or jumping between hazards on a timer. Such challenges are fine, but also disappointingly pedestrian and predictable, and are often akin to the filler that affects Replaced’s narrative. ✕ Remove Ads Although I can identify areas where Replaced falls a little short, I’m still walking away from the game impressed and satisfied. Its visuals are stunning, its story is risky and full of heart, and what its gameplay lacks in complexity, it makes up for in variety, never feeling complacent even despite occasional pacing issues. Replaced is a terrific experience, especially for the price and hopefully, it’s also just the beginning for Sad Cat Studios.

While MOUSE may fall into some trappings of the first-person shooter genre, it escapes largely unscathed and with the cheese. It is easily one of the most unique first-person shooters to hit the market in years, and it's definitely the most charming of the lot. Fumi Games poured every ounce of ink, sweat, and stubborn dreams it had into MOUSE: P.I. For Hire, and it's clear the end result was worth the effort.

Pokemon Champions is easier to tolerate because its monetization model doesn't seem to be predatory or egregious, like what we see with many other free-to-play games. It delivers fun Pokemon battles that look great, but the game's biggest issue is the lack of content. Anyone that needs a little more than endless Pokemon battles isn't going to get a lot out of Pokemon Champions, but at least those that do decide to play it regularly won't have to break the bank to enjoy it.

Pragmata certainly starts strong, but it doesn't have quite enough to stay completely engaging all the way to the end credits. It's a highly-polished sci-fi game with fun combat and exploration, but its lackluster story and characters keep it from reaching its full potential. Still, it's exciting to have a completely original IP from Capcom, and while Pragmata doesn't live up to the high bar set by some of the studio's other efforts, it's a mostly worthwhile adventure.

At first glance, Marathon may seem like a fundamentally solid game with a lot of potential, but one that simply feels too intimidating to invest in. But if players are willing to jump over the unnecessary hurdles in Marathon's opening hours, they'll likely discover that Marathon doesn't just live up to its potential, but it exceeds it, with the current version offering a host of replayable maps, an engaging progression system, and a core loop that should keep extraction shooter fans coming back time and time again.

The shortcomings of Raccoin are, ultimately, far from game-breaking, and I still find it fun, charming, and mechanically unique: it can net you a few dozen hours of solid gameplay, easily. However, we are living through an unprecedented era of deep and vast roguelikes, many of which offer hundreds of hours of constantly evolving gameplay. Against just a handful of these more avant-garde and ambitious titles, Raccoin, despite being well-made and enjoyable, feels unessential. It may only be marginally less compelling than something like Slay the Spire 2 or Balatro, but in this time-consuming genre space, that makes a massive difference.

From the moment Life is Strange: Reunion begins to the very last choice, that answer is woven into every conversation, every contemplative moment, and every relationship. The answer lives in the same way Max Caulfield and Chloe Price navigate the weight of their pasts, the burdens of their present, and the uncertainty of their futures. And by the time the credits roll, it's clear the answer to my question was always meant to be felt, understood, and ultimately accepted, one way or another.

If you played MLB The Show 25, you can probably skip MLB The Show 26, but if you are someone that didn't check out last year's version, the new game will likely provide more value. MLB The Show 26 is iterative, not essential, and while it delivers fantastic core gameplay and enough content to keep hardcore baseball fans busy for hours on end, the franchise could definitely benefit from a more significant and daring upgrade soon.

Crimson Desert will likely appeal most to players who enjoy getting lost in an incredibly detailed and realistic open world and figuring things out for themselves, even when the game isn't always clear about how everything works. Those who value exploration and long-form progression will find plenty to dig into, especially if they don't mind learning it all through a fair amount of trial and error. On the other hand, players who prefer a more streamlined experience, a stronger narrative focus, or systems that clearly communicate their rules may find the journey more frustrating than rewarding. Even though Crimson Desert initially seemed like a game for everyone, it's not, but it is one that everyone should at least try.

With fun multiplayer and an addicting story mode that is virtually impossible to put down once you get going, Pokopia has absolutely nailed the concept of combining the world of Pokemon with the life-sim genre. It's as good as the best life-sims, and a must-buy for Switch 2 owners. And if you don't have a Switch 2 yet, Pokopia is one of the best reasons to go out and buy the console ASAP.

There are nits to pick with Toxic Commando​​​​​, but how egregious they are will ultimately come down to player preference. Some may find its accessibility a win for the multiplayer experience, while some may find it too easy. Some will appreciate its lack of bloat, while others will want deeper skill trees and more customization. All in all, though, fans of cheesy horror and zombie co-op shooters will find plenty to love in it. John Carpenter's Toxic Commando is not a game-changer, but it doesn't pretend to be, and it's all the better for it.

Small gripes aside, Monster Hunter Stories 3 is a fantastic, one-of-a-kind experience that I won’t soon forget. Its monster-collecting and battle systems are uniquely engaging on a level far beyond typical JRPG grinding, which injects almost every other element of the game with depth that would otherwise be lacking. It doesn’t have the mass appeal of something like Clair Obscur—I don’t imagine it will stray too far beyond its target demographic—but Monster Hunter Stories 3 proves that Capcom is on the right track with this franchise, positioning it to grow into a JRPG institution on the level of Final Fantasy and Dragon Quest.

Planet of Lana 2 won’t tickle the dopamine centers of your gamer brain, but there’s a very strong chance it will pull on your heartstrings. More than this, it will engage your imagination like few other games can, presenting its one-of-a-kind world with the utmost confidence and panache. And with best-in-class art direction and arresting musical composition to boot, Lana 2 is more than deserving of a spot on the narrative-platformer Mount Rushmore, right alongside the likes of Inside and Gris.

WWE 2K26 lives in the long shadow cast by the improvements seen in WWE 2K22 throughout WWE 2K25. It even makes its own improvements to the tried-and-true formula, but it ends up disappointing far more than its predecessors. The in-ring action still hits hard, and most modes deliver the experience fans have come to expect, offering just enough variety to keep the hours ticking by. There’s fun here, but it's undermined by a lack of creative ambition. Creativity within its offerings is what elevates a good wrestling game into a memorable one, but WWE 2K26 often feels trapped in a creative plateau.

The switch to an “open world” does bring with it some hiccups, but Scott Pilgrim EX is still a great beat 'em up in the tradition of its predecessor. It’s an assault on the senses in all the right ways, and having Scott Pilgrim creator Bryan Lee O’Malley on board as a writer (along with Scott Pilgrim Takes Off co-creator BenDavid Grabinski) ensures that this universe is handled with all the care and love that fans hope. At $30, some might call it short, but when you see how much variety is packed into the design, you understand that Tribute Games pushed itself as much as possible.

Resident Evil Requiem's gripping story and intoxicating gameplay blend are wrapped up in a perfectly-polished experience with eye-popping graphics and a blood-pumping soundtrack. Resident Evil Requiem is a horror gaming masterpiece and one of the best games Capcom has ever made. It's the ultimate Resident Evil game and will be remembered as fondly as the franchise favorites in the years to come.

God of War Sons of Sparta is an okay prequel—the problem is that it feels like it was released before the original 2005 game, not just taking place before it. Its safe approach feels like a game made generations ago, not one released in 2026, and makes it a chapter in Kratos' life that is forgettable.

Mario Tennis Fever's single-player is a letdown, but the overall package is stellar. The game looks great, has catchy music, features a variety of fun game modes, and most importantly, it absolutely nails the core gameplay. Mario Tennis Fever is the best Mario Tennis game yet, and sets a high bar for future Mario sports games on the Switch 2.

Tokyo Scramble is weird enough that it is sometimes entertaining, and it's technically playable from beginning to end, but there's so little enjoyment to be had that I don't recommend it. It's the worst Switch 2 exclusive to date, and with a lineup that includes games like the boring Nintendo Switch 2 Welcome Tour and the wildly overpriced Survival Kids, that's saying something.

In the end, High on Life 2 understands what made the original work and pushes it forward in ways that actually matter.

Romeo Is a Dead Man is like a Suda51 brain blast, a trippy and irreverent vision beamed directly into our minds by Grasshopper Manufacture. There's not a stuffy, responsible business committee in the world that would approve of this game, which is exactly what makes it worthwhile.

Crisol isn't a perfect survival-horror game, but that's not to say that it's not a solid time overall. I really enjoyed Crisol's combat and though the levels are a little bloated, the game still delivers a fairly solid rendition of the classic survival-horror gameplay loop. Genre fans should definitely make sure to give it a look.

Ultimately, Nioh 3 feels like a confident step forward for the series, expanding player freedom through its Ninja style, Style Shift system, and deep build-crafting without losing what makes Nioh work. While its open-field design can lean on tired ideas, it rarely drags the experience down, and the game's combat is the strongest it has ever been. I enjoyed my time with Nioh 3 enough to immediately jump into New Game Plus, which says a lot on its own, and I'm looking forward to seeing how things play out now with the increased difficulty and customization options it offers. It also helps how well the game runs on the PS5, where it has performed smoothly for me from start to finish with no technical issues to speak of. For longtime fans and newcomers alike, Nioh 3 proves that the series still has room to grow, experiment, and surprise.

Despite my disappointment with it, I acknowledge that others may fully embrace Code Vein 2's art style, and really, my biggest issue with the game is its lackluster open world. Everything else is quite good, with Code Vein 2 offering a fun, well-rounded Soulslike experience that should appeal to genre fans. Even though it may not reach the same highs as some of the heavy-hitters that inspired it, Code Vein 2 is still a great time from start to finish and an easy recommendation.

Despite the fumble here, I think that an open world Metroid Prime game can work, but it can't be a half-measure like Beyond is. Beyond could have been a revolutionary step forward like Breath of the Wild was for Zelda, but instead it's a weird in-between that is only fun when it is recycling its old ideas and everything new it tries falls flat on its face. Metroid Prime 4: Beyond has an identity crisis and the result is a baffling open world surrounded by solid dungeons that still fall short of what came before.