After overcoming some issues in its launch week, Poker Club has stabilised as an ambitious, functional yet unremarkable poker simulator. The innovations that aim for increased immersion manage to slow down the action to the point they become almost tedious. There’s more than a few issues that still need to be remedied in Poker Club and Ripstone have promised fixes are on the way. The potential is not yet realised but there’s every chance this game might fluke a win at the river.

It may not be perfect, with a control scheme that’s functional but still a little too clunky, and it’s almost impossible to recommend to anyone who owns a capable PC. However, if you only own an Xbox, all of the main features are there, the match engine is better than ever and it’s a great title to dip in and out of for 30 minutes at a time.

A delightful central relationship gives this love story RPG wings, but generic survival beats and somewhat empty worlds leaves Haven not quite the essential indie experience we were hoping for.

A minimal-looking aesthetic that fits the Switch perfectly, Absolute Drift is a delight to get absorbed into. You won’t master it straight away, but when you get the hang of it you’ll be hooning about in no time.

Skunkape have done a fantastic job of refining everything that needed to be updated but have left the prevailing spirit of Sam & Max Save The World untouched. For fans of the genre or for anyone who enjoys absurd irreverent humour, this is a ‘must play’ title that has the capacity to have you in fits of laughter.

Ponpu is weird, wacky and regularly wonderful. It’s a slick take on Bomberman that understands what made the original games so great and evolves it for the modern day. It’s a shame that the multiplayer modes are undermined by ineffective identifying marks that make it difficult to see who’s who. Thankfully a decent sized and suitably challenging single player campaign makes up for that.

Mornia is a top-down 2D pixelart world that is a gruesome joy to explore and attempt to liberate. It’s difficulty will put some off, but Morbid: The Seven Acolytes is a competent and accessible souls-like experience, that gives everyone a level playing field with its minimalist systems and simple move sets.

It takes a bit of getting used to, as expected, and is a bit heavy-handed with its combat and vague on storytelling. But once you’re getting used to its nuances, Chronos: Before the Ashes opens up into a great little Soulsborne affair.

For new players, Concept Destruction on PS5 will provide 2 hours of no frills car smashing before it gets dry. The structure of the game, emphasising survival rather than the cathartic crashing, feels at odds with the fun the game can deliver elsewhere. For PS4 players, the upgrade here can barely be described as such and beyond an easy Platinum Trophy, is hardly worth a download.

Spirit of the North remains a beautiful but hollow experience on PS5. The 4K 60 frames upgrade is glorious to behold, but the lack of DualSense integration in a game that’s crying out for it and hangups from the last-gen version makes it difficult to recommend.

Controlling like a more leisurely-paced Geometry Wars, Sparkle 4 Tales is a languid affair which could have used a little more focus and drive to make it something you’ll want to stick with until the end. As it is, it’s an aesthetically pleasant experience that I struggled to care about after the first thirty minutes.

While it has lost some of its uniqueness in the 2 years since it launched on PC, BFF or Die still has the capability of lighting up an evening with friends on PS4. 1-4 player co-op puzzles that are more to do with your group dynamic than what’s happening on screen deliver equal doses of hilarity and chaos despite a few frustrating levels. This one would be perfect for a gaming group or as part of a playlist of party games sandwiched between Gang Beasts and a Jackbox game.

Planet Coaster arrives on consoles in scintillating form, offering up near-unlimited options to create the theme park of your dreams with ease. If there’s a hidden gem in the PS5 launch line-up, this is it.

It will mentally tax you at times, but Bridge Constructor: The Walking Dead is a treat to play. A couple of technical issues here and there don’t ruin the experience, and any faults usually fall on your shoddy workmanship.

Inexpensive and familiar physics puzzles with a quirky art style will grant any King Oddball player with a few short hours of mindless entertainment. The lack of any new content or utilisation of the DualSense controller means if you’ve already played this on the myriad platforms it’s already on, there’s no need to double dip. This one’s for those that have already completed all of the PS5 launch games and are scratching around for anything else to play.

Timeless and strange, Katamari Damacy is as original now as it was when first released. There’s nothing else like it. REROLL is a faithful remaster, but on PS4 that means retaining a very out-of-date control scheme, and no new features, but even that can’t hold back this big ball of fun.

Of all of the PS4 games that have had PS5 upgrades, WRC 9 shows the most improvement. Sharper visuals in 4K running at a consistent 60 FPS transform an average looking game into a gorgeous one. Combined with an unchanged driving system that needed no tweaking and excellent DualSense implementation that elevates it, this takes 1st place as the best racing game on PS5 so far.

On its own merits, Bright Memory is short, rough around the edges and has a somewhat forgettable storyline. But as proof of concept and a playable teaser for the forthcoming Bright Memory Infinite, it’s a tantalising look at what’s to come and I personally cannot wait. For the price of a large Big Mac meal, it’s a no-brainer.

A terrifying and unnerving experience to play, Visage pays tribute to those that came before it spectacularly. A few minor issues won’t spoil the fun, but you won’t help but notice them as you uncover the truth. You have been warned.

Fight is one of, if not the single worst fighting game on PlayStation 4. A few saving graces mean there’s maybe an hour of car crash entertainment here but beyond that, this game is a pale imitation of the classics in the genre. It either demonstrates a severe lack of understanding of the design tenets that make for a fun and competitive fighting game or that Sabec just didn’t care enough to implement them. I’d prefer to get punched in the face than play this game again.

A unique FMV game that’s both poignant and entertaining, Five Dates is essential for fans of this genre regardless of a few flaws. Excellent acting, a smart replayable structure and culturally important subject matter make this an easy recommendation, even for those that don’t traditionally like games.

Often as generic as its name, Battle Hunters needed a far more nuanced plot to really make use of its bloated 28 strong cast of heroes. That being said, the game world and it’s combat (despite not working as it should) are entertaining enough to fill it’s 15 hour length.

So Speed 3: Grand Prix could be a fun F1 arcade game if you take away the game’s main selling point. It would have been a nice spiritual successor to Virtua Racing, but only if you don’t play the game as intended. You can have some fun bashing up other cars but it’s all rather pointless so it kinda makes this nothing more than glorified dodgems.

Tetris, the granddaddy of all puzzlers, has hit the dance floor in his sequined disco outfit. It’s the best you’ve ever seen him, dazzling, blinding even. He’s dancing with your friend who’s half his age, but the moves he’s rocking are old-school dad-dancing and oh so dated.

In the absence of the real thing, Pure Pool is the closest you’ll get on your Switch. Career may be a bit lacking, and multiplayer a bit vacant, but when it looks this good you won’t care. There’s enough to keep you racking and chalking up to experience.

One moment it’s cute and funny and the next it’s dry and drawn out. A peculiar mix of engrossing visual novel and average dungeon crawler, Undead Darlings ~no cure for love~ will please those who have the patience to push through its moments of drudgery. For everyone else, a purer form of each genre might be more entertaining.

The reason Let’s Sing 2021 works as well as it does is because it feels more like a game than many of the titles it shares DNA with. Whereas most previous karaoke games were of the common “sing a single song and we’ll give you a score” variety, this feels the template on which all future games should be based upon. A more extensive core tracklist would be nice, and I hope future iterations might do a bit more to cater for the quieter singer, but this feels like an excellent pushing-off point for the franchise and the genre as a whole. [Tested on XSX]

>Observer_: System Redux represents a solid improvement over the 2017 original and, therefore, a worthwhile upgrade. It’s a little too long for my liking, but it looks gorgeous at points and tells a terrific story that’s worth experiencing. With a reasonably friendly price, it’s also a relatively cheap way to show off your new toy. Absolutely worth a look.