Yet another light weight PG-13 film that poses rather well as an honest to goodness horror film.

An original and utterly unconventional tragedy of fantasy and reality, and the potential lethal results of worlds colliding. Ed, glad to have you back.

A good film, but it should’ve been a great one.

The romance here is rich and the laughs plentiful.

Another rah rah girl power film, is your formula sports film.

You’re unlikely to come across a more powerful film this year.

A film like this has to be seen. It's beautiful, it's encouraging, and it really inspires its audience to commit to something positive.

The recreational vehicle has a long and storied tradition in American cinema, from "Damnation Alley" to "Lost in America" to "Stripes." Sadly, RV shares little of its namesake' nationwide appeal.

A brutal mystery that's more beautifully poetic than the previous entries but still just as captivating. From opening to closing credits, every image is photographed as if it were a painting; even those involving ferocious violence are wonderful to look at.

The most frustrating aspect of Police Beat is that it's clear everyone involved has great talent...Too bad all their efforts are lost in the service of pointless material.

Do not, under any circumstance, approach this film lightly. Prepare to be depressed, agitated and shocked. And prepare to see a brilliant work of cinematic art.

It is definitely the weakest movie of the Weitz catalog and will certainly be forgotten faster than Hung himself.

Plays like a 108 minute episode of Hawaii 5-0, minus the exotic locale.

As I sat through this two hour stumble through what looked like fog, I just kept thinking to myself how this might be the best looking bad film I've ever seen.

The ultimate goal is entertainment and from an entertainment standpoint, The Almost Guys succeeds.

The series has turned into the cinematic equivalent of a flat bicycle tyre – it starts off with lots of air in it, but can quickly go flat when punctured.

A tough sit, but it attracts more than repels you. It commands your attention. Once it lands its hooks in you, there's no tearing away.

Without much help from a weak script, and barely in need of some carefully tuned cinematography, Mol fuels so much of the film that a handful of lackluster elements seem to work.

Ultimately a complex meditation on this moral conundrum, a raw tale of survival against impossible odds, and a dashing adventure yarn all in one.

The story's no great shakes here. However, the power of this film lies in the sexual tension boiling between the characters and that makes for a great date movie.

About as flat as a five day old soda.

Unfortunately, director Paul McGuigan tries to make it all serious at the end, and this isn't the kind of story that should be taken seriously.

Another disastrous comedy aimed at second-graders and anyone else who thinks farts are still funny.

Lackluster dialogue, ludicrously unbelievable storyline, and the fact that the entire film looks and sounds like it was shot on a camcorder mean nobody outside of the studio’s target demographic is likely to check this out.

There's no denying Banderas' talent as an actor, and he's admittedly fun to watch. The rest of the cast are serviceable, meaning Woodard finds new ways to show us how this Latin heartthrob melts her icy exterior.

Entertaining and highly watchable but in the end, it just feels trite.

A rich drama that gradually evolves into a feel-good story.

All of these soldiers were valiant in their efforts to not fight in a war they felt was a deceitful practice in government fraud, and they succeeded through all the hardships.