Tedious talk-fest.

A solid, whirlwind of a horror movie, with more twists and turns than a hula hoop competition.

Far from a disaster, but doesn't rank with Mann's best work.

Scoop is about 50 minutes of plot padded with 40 minutes of Woody being Woody.

Its storyline is very predictable and cliché but teen girls will no doubt have a good time with this movie anyway.

The Ant Bully, though short and well voiced, is nowhere near as important or influential as it tries to make itself seem and it feels more unnecessary than anything else.

The idea of a gay version of "American Pie" might not seem too tasty, but Another Gay Movie offers a fabulous surprise in not only matching that rude boy classic's unapologetic rude humor but by establishing its own identity as a genuinely funny and often touching coming of age comedy.

Like a good rock record, Brothers of the Head isn't easily explained. But its original fusion of real and surreal will cling to your cranium for years.

I was desperate to eat at Shopsin's by the end.

It's the journey that offers the most enjoyment. Well, that and the beauty pageant climax, which I won't spoil here, but is one of the funniest scenes from film in recent memory.

A treasure in celebrating remarkable women with a unparalleled zest for life.

Ultimately, Smith finally achieves that perfect balance between humor and heart that he's been dancing towards with all his films.

Lady is more of an ensemble picture, and truly the Cove is the most ethnically diverse and community-minded apartment complex in the continental United States.

One of the best movies of the year, and a great accomplishment for Messrs. Harmon and Schrab. Maybe now we’ll get a feature length "Robot Bastard" movie.

Neither fun nor funny.

A little boring and extremely long for what it is, all that Azumi really has going for it are several eye-popping battle sequences, including the climax which is a totally delicious celebration of graphic violence, and some nice camera work.

Theaters showing Mad Cowgirl should install seatbelts, because audiences are in for the ultimate wild ride.

Little Man is putrid.

Fails to satisfy.

After sitting through this movie, you will want to throw something more pungent than rice at The Groomsmen.

While the episodic script feels fragmented, Macy’s consistency unifies Edmond’s journey.

The film is a wonder and a joy to watch on any number of levels.

Exactly the kind of thing most of us have in mind when we think "popcorn movie." It's largely brainless, pretty to look at, and produced solely as a lead-in to another moneymaking sequel for Disney.

Isn't as dark or sinister as its source material, but it comes closer than any other filmed attempts to this point. It may only be a decent movie, but it's a pretty fine PKD adaptation.

Cantet weaves a dark, disturbing story of hedonism, casual racism and the lethal consequences of self-indulgence in his superb drama Heading South.

Actually one of the better comedies I've seen this year speaks volumes for the quality of the performances and the caliber of the script.

I wanted to like Superman Returns, but Singer and company are so concerned about doing justice to Superman’s past, they fail to generate much interest in what, if any, future the franchise might have.

The backdrop of this seedy motel is just the perfect place to illustrate the awkward times of early teen life.