Epic Mickey 2 is a misunderstood exercise of nostalgia that fails in every effort to be better than the first game.

An odd mix of homage, parody and documentary of the RPG genre.

Fun for playing with friend while doing a party at home, but it's too casual and it doesn't take advantage of the PlayStation Move.

Only recommended to die-hard fans of the king of pop. It has great music and choreographies, but as a musical game it's just not that good.

Still fun and intense, but there's no justification for the frequent slowdowns.

A lackluster third person action game that doesn't respect the name of this cult franchise.

The idea of selling the hardware (a joystick) with software (a videogame) is nice. It's just a shame that the game part ends up being so bad.

Only for fans of the movie. It's a shame that although not being the typical tie-in going for easy money the final result is as mediocre.

The idea was interesting, but Knack's development team is unable to use it in a fun way nor show what the new machine can do.

The Conduit can offer a short time of fun to fans of the genre, but the effect won't really last much.

Everything in Brave Soldiers is so dull and uninspiring that even fans of the series won't be able to fully enjoy the game.

It's always fun to race through FUEL's huge scenarios without a particular reason, if you're patient enough.

Among the Sleep has a starting point that's quite different of what we usually expect and wants to leave you with a powerful message, but it fails in trying to get there.

Spyborgs is like a blind date: clumsy and confusing, but promising some nice moments in the future.

It has very good ideas, but somehow the game derailed while on its cursed development.

More of the same, but not better. Dynasty Warriors Next doesn't boost the strategy elements and insists on its boring and tedious action.

Hatoful Boyfriend is not as bold and eccentric as it seemed. It's a typical visual novel, nothing else, nothing more.

SEGA deserves some respect for trying, but this fails (again) as becoming "the Kinect game for hardcore players".

In an era of downloadable and indie games with complex mechanics, All Zombies Must Die doesn't seem to be aware of its own limitations.

Kinect's lack of accuracy is again the root of all problems. The dance minigame is cool, but the rest of the game fails because it's never clear which kind of audience it tries to appeal.

Speedthru's biggest mistake is being a mediocre puzzle game that's not addictive enough.

Bad design decisions destroy a few good ideas and brief glimpses of quality.

NFS: Nitro tries to do things well, but fails in almost everything.

Another clear example that Kinect developers must think new ideas instead of just adapting old gameplay mechanics that, honestly, don't work quite well with Microsoft's camera.

Much better than the movie, but as a game there are far better options than this generic and derivative hack 'n slash.

Eurocom's latest game lacks ambition. It has nice graphics, but the sports are incredibly simple when you play them.

The irony is that Deadpool makes fun of many gameplay mechanics, only to end up using them poorly.

This is a different Final Fantasy, but that doesn't mean it's necessarily good.