Entertainment Weekly's Scores

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For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
  1. Positive: 4,958 out of 7797
  2. Mixed: 2,079 out of 7797
  3. Negative: 760 out of 7797
7797 movie reviews
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  1. And Then I Go
    In quiet, often dream-like interludes that frequently burst open into scenes of brutal verbal or physical violence, director Vincent Grashaw explores what it’s like to be Edwin, so battered by anxiety and anger and a crushing sense of unfairness that he hardly sleeps at night.
  2. RED
    Unfortunately, while RED's stars may have gotten better with age, its many clichés have not.
  3. Jackass 3-D
    More than ever, Johnny Knoxville and his boys belong to a very elite club of idiocy. They martyr themselves for our diversion, driven at every moment to ask: Are you not entertained?
  4. Carlos
    A rivetingly journalistic account of a scoundrel's rise and fall.
  5. Gerrymandering
    Arnold Schwarzenegger appears as the rare politician who supports reform in this timely exposé of how our democracy has slipped off its tracks.
  6. Secretariat
    This pleasantly rote movie will rouse you.
  7. I Spit on Your Grave
    Now it's just some thin chick in her underwear, kicking butt.
  8. It's Kind of a Funny Story
    It's Kind of a Funny Story may be the first psych-ward drama to draw on John Hughes movies for tonal reference.
  9. Life as We Know It
    There's something about Holly: She's the most ridiculous, irritating, two-dimensional rom-com heroine since...Katherine Heigl's last rom-com.
  10. Nowhere Boy
    By the end of Nowhere Boy, you'll feel you know John Lennon better than you ever did.
  11. My Soul to Take
    Wes Craven's first new movie in five years is a brainless, joyless, and yes, you might even say, soulless teen slasher.
  12. Marwencol
    This tender documentary considers the mysteries of both art and coping.
  13. Case 39
    An aggressively inept demon-seed chiller starring a bunch of grown-ups who should've known better.
  14. The Social Network
    The power of The Social Network is that Zuckerberg is a weasel with a mission that can never be dismissed. The movie suggests that he may have built his ambivalence about human connection into Facebook's very DNA. That's what makes him a jerk-hero for our time.
  15. Let Me In
    The surprise of Let Me In is that director Matt Reeves (Cloverfield) hasn't just remade the Swedish cult vampire film "Let the Right One In" into a more fluid and visceral movie. He's made it more dangerous.
  16. Freakonomics
    As a movie, Freakonomics is like Jujubes for the brain - it starts to get cloying halfway through the box.
  17. Douchebag
    It's a minimalist "Sideways," not so much mumblecore as talkycore.
  18. Wall Street: Money Never Sleeps
    A lot of Money Never Sleeps - too much - is about Gekko père's desire to reconnect with his very angry daughter.
  19. You Again
    Yes, You Again. We've met before.
    • 53 Metascore
    • 83 Critic Score
    Legend of the Guardians: The Owls of Ga'Hoole
    Director Zack Snyder (300) has crafted the rare 3-D eyegasm that's worth the premium ticket price.
  21. Buried
    The political angle is gratuitous, even foolish, and certainly a distraction from the movie's visual strengths.
  22. Enter the Void
    Director Gaspar Noé proved a shock poet in "Irreversible" (2003). In Enter the Void, he's a shockingly tedious show-off.
  23. Waiting for 'Superman'
    Powerful, passionate, and potentially revolution-inducing documentary.
  24. You Will Meet a Tall Dark Stranger
    The best scenes are hilarious sessions between the great Gemma Jones and the wonderful Pauline Collins as a charlatan fortune-teller.
  25. Easy A
    Easy A has some agreeable fast banter, but it's so self-consciously stylized that it wears you out.
  26. Alpha and Omega
    Underwhelming in the style of most off-brand CG, Alpha and Omega is livened by pretty Rocky Mountain backdrops and leadened by stock characters and the wolves' weirdly prissy behavior.
  27. Devil
    A pocket-size supernatural thriller that plays a bit like Agatha Christie's "Ten Little Indians" retold by an unstable Sunday School teacher.
  28. The Town
    A rich, dark, pulpy mess of entanglements that fulfills all the requirements of the genre, and is told with an ease and gusto that make the pulp tasty.
  29. Catfish
    In Catfish, the camera's-rolling readiness to trawl for drama leaves a slimy aftertaste.
    • 69 Metascore
    • 58 Critic Score
    Never Let Me Go
    It's a very tony fantasy of class oppression and fascist medical exploitation (themes that may speak louder in England), but it's a lyrically inert movie.
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