For 7,797 reviews, this publication has graded:
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68% higher than the average critic
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2% same as the average critic
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30% lower than the average critic
On average, this publication grades 2.2 points higher than other critics.
(0-100 point scale)
Average Movie review score: 67
| Highest review score: | 13th | |
|---|---|---|
| Lowest review score: | Wide Awake |
Score distribution:
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Positive: 4,958 out of 7797
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Mixed: 2,079 out of 7797
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Negative: 760 out of 7797
7797
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Lisa Schwarzbaum
Writer-director Tanya Hamilton's intellectually ambitious debut drama Night Catches Us is all the more notable for setting well-drawn fictional characters in a fraught, real moment in civil rights history.- Entertainment Weekly
- Posted Dec 7, 2010
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Reviewed by
Adam Markovitz
There isn't a shred of subtlety in their clowning - or in any part of the movie, which clumsily shoots for operatic highs and lows. But with so many borrowed bits and pieces, the only feeling it successfully evokes is déjà vu.- Entertainment Weekly
- Posted Dec 6, 2010
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Reviewed by
Owen Gleiberman
Kevin Costner, as Bobby's carpenter brother-in-law, does the finest character acting of his career.- Entertainment Weekly
- Posted Dec 6, 2010
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Reviewed by
Lisa Schwarzbaum
It's the beaming movie-star intensity of the complicated comic Carrey in the role of the dominant lover and Obi-Wan Kenobi McGregor as the gentle beloved that makes this unfettered, stranger-than-fiction picture pop.- Entertainment Weekly
- Posted Dec 6, 2010
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Reviewed by
Owen Gleiberman
Lurid and voluptuous pulp fun, with a sensationalistic fairy-tale allure. You can't take it too seriously, but you can't tear your eyes away from it, either.- Entertainment Weekly
- Posted Dec 6, 2010
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Reviewed by
Lisa Schwarzbaum
Terry Gilliam-ish territory here, spiked with imagery from Holocaust nightmares and drug trips. Attention, university film clubs: Here's your cult-ready midnight-movie programming.- Entertainment Weekly
- Posted Nov 27, 2010
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Reviewed by
Lisa Schwarzbaum
A riveting and unexpectedly inspiring essay on the peace that comes from shared physical and mental concentration.- Entertainment Weekly
- Posted Nov 27, 2010
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Chris Nashawaty
A well-made but overly idolizing documentary.- Entertainment Weekly
- Posted Nov 27, 2010
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Reviewed by
Adam Markovitz
The cooking scenes are fun, but Samir's reawakening and romance with a co-worker (Jess Weixler) hold about as many surprises as a prix fixe meal.- Entertainment Weekly
- Posted Nov 17, 2010
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Reviewed by
Lisa Schwarzbaum
Waving a dubious flag of feminist inclusivity, Cole and screenwriter William Ivory turn cartwheels insisting that girl power, even in the 1960s, trumped class divisions.- Entertainment Weekly
- Posted Nov 17, 2010
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Reviewed by
Lisa Schwarzbaum
Damon's how-to-break-the-law lesson - as ludicrous as anything else in this enjoyably zigzaggy exercise in accumulating peril - grants Neeson the fun of experimenting with an American ex-con accent for his one scene.- Entertainment Weekly
- Posted Nov 17, 2010
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- Entertainment Weekly
- Posted Nov 12, 2010
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Reviewed by
Lisa Schwarzbaum
These guys are not charming; they're horrifying in their ignorance, and they cause real damage. But there's a weird relief to be found in the opportunity to laugh ourselves sick at their expense, if only for an instant.- Entertainment Weekly
- Posted Nov 10, 2010
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Owen Gleiberman
Where Broadcast News mourned the trivialization of the nightly news, Morning Glory asks you to learn to stop worrying and love the trivia.- Entertainment Weekly
- Posted Nov 10, 2010
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Reviewed by
Lisa Schwarzbaum
A serving of "True Blood's" Ryan Kwanten in his native accent is the chief selling point of this picturesque, contentedly imitative Australian Western/thriller/Coen-brothers homage, the feature debut of writer-director Patrick Hughes.- Entertainment Weekly
- Posted Nov 3, 2010
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Reviewed by
Lisa Schwarzbaum
Rachid Bouchareb's intensely dramatized, passionately partisan story of militancy in the struggle for Algerian independence from France after World War II makes effective use of "Godfather" storytelling theatrics.- Entertainment Weekly
- Posted Nov 3, 2010
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Reviewed by
Owen Gleiberman
Deepens the saga of New York's former governor and attorney general into the paradoxical morality play it really was. Spitzer, almost three years after he was caught soliciting escorts, comes off as chastened but still regal, like a hawkeyed Jewish Kennedy.- Entertainment Weekly
- Posted Nov 3, 2010
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Reviewed by
Owen Gleiberman
Fair Game gets you riled up all over again at a deeply unpatriotic abuse of power.- Entertainment Weekly
- Posted Nov 3, 2010
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Reviewed by
Lisa Schwarzbaum
Perry has taken Shange's feminist word-and-movement portraits of disenfranchised African-American women and turned those howls into...a maddeningly choppy mess of a Tyler Perry movie.- Entertainment Weekly
- Posted Nov 3, 2010
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Reviewed by
Lisa Schwarzbaum
A dark and hilarious thwomping of the whole miserablist British gangster genre.- Entertainment Weekly
- Posted Oct 27, 2010
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Reviewed by
Lisa Schwarzbaum
The cast, though, includes a great bunch of Brit faves who have all done better work elsewhere.- Entertainment Weekly
- Posted Oct 27, 2010
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Reviewed by
Lisa Schwarzbaum
The affectionate, bemused, structurally unkempt portrait is at its best capturing Merritt's close collaboration with his longtime friend and bandmate Claudia Gonson.- Entertainment Weekly
- Posted Oct 27, 2010
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Reviewed by
Lisa Schwarzbaum
Rileys has been casually dubbed "Kristen Stewart's stripper movie," but the handle doesn't stick: Stewart may wear skimpy clothes and grind once or twice from the neck down, but from the neck up she's all hollow, bruised eyes, twisted little mouth, and classic, coltish K-Stew rebellion.- Entertainment Weekly
- Posted Oct 27, 2010
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Owen Gleiberman
Mostly an epic rehash of the tale Larsson has already told, and that makes it, at two hours and 28 minutes, the first movie in the series that never catches fire.- Entertainment Weekly
- Posted Oct 27, 2010
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Reviewed by
Owen Gleiberman
A true-life adventure that turns into a one-man disaster movie - and the darker it gets, the more enthralling it becomes.- Entertainment Weekly
- Posted Oct 27, 2010
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Reviewed by
Lisa Schwarzbaum
The ever-magnetic Sam Rockwell is Kenny, Minnie Driver is full of beans as Betty Anne's best friend, Melissa Leo is wicked good as an ornery cop, and, in her two chewy scenes, Juliette Lewis reminds fans why we want her to run free forever.- Entertainment Weekly
- Posted Oct 21, 2010
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Reviewed by
Owen Gleiberman
Even when nothing is happening, the often dead-silent shots tend to grow scarier the more you look at them.- Entertainment Weekly
- Posted Oct 21, 2010
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Reviewed by
Lisa Schwarzbaum
The signature Eastwoodian music that the director lays over the proceedings - piano tinkle, guitar pluck, and an echo of Rachmaninoff out of Noël Coward's Brief Encounter - can't hold the assemblage together.- Entertainment Weekly
- Posted Oct 21, 2010
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Reviewed by
Owen Gleiberman
This rotely cheeky, Anglo-plastic adultery comedy is set in the golden-green English countryside, and it makes a few quirky nods toward artistry, but it's really just a glib concoction.- Entertainment Weekly
- Posted Oct 20, 2010
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Reviewed by
Lisa Schwarzbaum
Milla Jovovich slinks cartoonishly as Stone's seductive wife, on a mission to compromise the lawman. Lordy.- Entertainment Weekly
- Posted Oct 20, 2010
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