Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. The movie whips up a big old puree of ingredients borrowed from other cinematic recipes.
  2. A bummer - slack rather than loose, tired rather than fun.
  3. Sweetness makes the raunch in this honestly funny movie even funnier.
  4. Every movie about cuddly dwarf statues in an English garden should have music this big.
  5. The story and setting may be ancient, but under the direction of Kevin Macdonald (The Last King of Scotland), and with a nicely textured screenplay by Macdonald's Scotland coscreenwriter Jeremy Brock, the vigor is fully modern.
  6. If this is what it sounds like when a new millennium goes pop, I'll take it.
  7. A far-below-par thriller that desperately wishes it were a different movie - a longing it shares with the audience.
  8. As we go deeper into the cave, walls squeezing, water rising, the movie has a narrative pull as sure as gravity.
  9. For a film ostensibly about the importance of finding a little spice and flavor in your life, From Prada to Nada is surprisingly bland.
  10. An indistinct romantic-dramedy-ish something or other about the rekindled romance of an actress (Rachel Bilson) and her childhood best friend (Tom Sturridge).
  11. Opportunities for bad behavior abound in Waldman's novel - the author's prerogative. Roos, though, hasn't cracked the puzzle of how to explore that behavior on screen in such a way that the characters behave badly in interesting, rather than arbitrary, ways.
  12. This shot-on-film-and-video trifle reveals a Bombay (that's what all the characters call it) that "Slumdog Millionaire" didn't: a delicate metropolis sunk in torpor.
  13. The Rite commits the supreme sin of making the devil dull.
  14. As it is, The Mechanic is ham-fisted pulp, like Robert Rodriguez's "Machete" taking itself seriously.
  15. At once an unsentimental portrait of the ambitious singer who thought himself bound for glory, and an affecting elegy for a time when song was a form of revolution.
  16. Skarsgard's utter finesse in the role provides a satisfying warmth.
  17. The class warfare in The Housemade feels dated, but there's something nicely kinky in this lusciously photographed erotic Korean thriller by Im Sang-soo.
  18. In his debut feature, the director is wise enough to move his hand-held camera wherever Steen wants to go.
  19. It's also filled with scenes of extraordinary survival challenges. But the result is oddly impersonal and undifferentiated.
  20. Adam is cute and all, but the real strings worth tying are those that bind this sisterhood of sharp, interesting, sexually active women together. Where's THEIR starring movie?
  21. At best, his poker-faced vignettes nail the icy comedy of war: A man chats on his cell phone, unworried about a tank targeting him a few feet away. At worst, they're totally opaque and unmoving.
  22. The dilemma of The Dilemma is that the conundrum at the center of the story isn't particularly hilarious.
  23. It's hard to empathize with the family in the indie drama Every Day when each member is so sitcom-ready.
  24. Paul Giamatti, dialing down his trembly-voiced neurotic energy to good effect, gives a holy hell of a performance as Barney Panofsky.
  25. In a last-minute tweak, the production has also been meaninglessly 3-D-ified - never mind that there's nothing whatsoever 3-D-ish going on. Maybe those clumsy 3-D glasses are meant to let moviegoers mimic the superhero mask-wearing experience?
  26. The best thing about it is Claire Foy's performance as the seething, caged is-she-a-witch?. Foy, like a Brit Kristen Stewart, has an entrancing sparkle of disdain.
  27. What it does have is an overwhelming bittersweet melancholy at the passing of life from middle age into…well, you could call it late middle age.
  28. The film keeps throwing things at you: drunk scenes, adultery scenes, "All About Eve" rise-of-the-young-rival scenes. Yet despite the presence of some appealing actors, none of it quite adds up.
  29. Tonally scattershot and more than a little heavy-footed.
  30. The movie's redemptive structure is a bit routine, yet I watched nearly every scene with a sense of discovery. Coppola is a true filmmaker, and in Somewhere she pierces the Hollywood bubble from the inside.

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