For 7,797 reviews, this publication has graded:
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68% higher than the average critic
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2% same as the average critic
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30% lower than the average critic
On average, this publication grades 2.2 points higher than other critics.
(0-100 point scale)
Average Movie review score: 67
| Highest review score: | 13th | |
|---|---|---|
| Lowest review score: | Wide Awake |
Score distribution:
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Positive: 4,958 out of 7797
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Mixed: 2,079 out of 7797
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Negative: 760 out of 7797
7797
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Owen Gleiberman
The Trip looks like a lark - and is - yet there's a sneaky resonance to the way it celebrates what acting means to these two rogue cutups.- Entertainment Weekly
- Posted Jun 8, 2011
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Reviewed by
Owen Gleiberman
The lesson is that fun can't be planned, but the film is so airless (think iCarly as a videogame) that there isn't a truly playful moment in it.- Entertainment Weekly
- Posted Jun 8, 2011
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Reviewed by
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Reviewed by
Lisa Schwarzbaum
Loving, Playful, and spectacularly well made, Super 8 is easily the best summer movie of the year - of many years.- Entertainment Weekly
- Posted Jun 8, 2011
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Reviewed by
Lisa Schwarzbaum
McAvoy and Fassbender are a casting triumph. These two have, yes, real star magnetism, both individually and together: They're both cool and intense, suave and unaffected, playful and dead serious about their grand comic-book work.- Entertainment Weekly
- Posted Jun 2, 2011
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Reviewed by
Owen Gleiberman
Michael Sheen and Maria Bello both have wrenching moments in this quiet, oblique drama. Yet the movie isn't really convincing.- Entertainment Weekly
- Posted May 29, 2011
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Reviewed by
Lisa Schwarzbaum
The movie darts, dreams, and sometimes seems to dance. The great Plummer, meanwhile, creates an inspiring, fully rounded man in late bloom, and McGregor responds with a performance to match.- Entertainment Weekly
- Posted May 29, 2011
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Reviewed by
Adam Markovitz
Though it doesn't work as entertainment, this numbingly chipper rom-com (directed by Dermot Mulroney) might be of historical value someday as an A-to-Z guide to the genre's most overworked clichés.- Entertainment Weekly
- Posted May 29, 2011
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Reviewed by
Owen Gleiberman
The film is so self-conscious it seems to be dictating your every reaction.- Entertainment Weekly
- Posted May 29, 2011
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Reviewed by
Owen Gleiberman
Harper Lee hasn't been interviewed in 47 years, but this meditation on her only novel, "To Kill a Mockingbird," puts you inside her skin.- Entertainment Weekly
- Posted May 27, 2011
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Reviewed by
Lisa Schwarzbaum
Malick clings to the promise of grace: His vision of the afterlife is a dreamy beach, enhanced by an excellent playlist of fine classical music, and promising the peace that surpasses all understanding. Plus a beautiful sky.- Entertainment Weekly
- Posted May 25, 2011
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Reviewed by
Owen Gleiberman
At times, Kung Fu Panda 2 suggests "Bambi" redone as an episode of Oprah. Yet it's a more-than-worthy sequel.- Entertainment Weekly
- Posted May 25, 2011
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Reviewed by
Owen Gleiberman
Here, as in "The Hangover," the laughs aren't just staged, they're superlatively engineered.- Entertainment Weekly
- Posted May 25, 2011
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Reviewed by
Lisa Schwarzbaum
Allen has fun in his imaginary French capital, turning his star-studded cast loose to interpret their characters as they wish.- Entertainment Weekly
- Posted May 18, 2011
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Reviewed by
Owen Gleiberman
On Stranger Tides isn't nearly strange enough. Its one real act of piracy is stealing away your excitement.- Entertainment Weekly
- Posted May 18, 2011
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Reviewed by
Adam Markovitz
Its B-movie sins are many, worst among them an icy hero and a plot that feels like it was built from relics of other, better films.- Entertainment Weekly
- Posted May 13, 2011
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Reviewed by
Lisa Schwarzbaum
Nothing in this enjoyably twisty, cool/ hot, genre-grafting Italian psychological thriller by Giuseppe Capotondi is what it seems. And the more you try to solve the narrative puzzle, the more you may want to watch it again - or at least argue about what's real.- Entertainment Weekly
- Posted May 11, 2011
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- Entertainment Weekly
- Posted May 11, 2011
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Reviewed by
Owen Gleiberman
This underworld fairy tale is so soggy and sentimental it's like a new genre: Hallmark noir.- Entertainment Weekly
- Posted May 11, 2011
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Reviewed by
Owen Gleiberman
The film hinges on too many conventional crises (a car accident, a divorce), but the fact that Burns is better at atmosphere than story isn't all bad.- Entertainment Weekly
- Posted May 11, 2011
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Reviewed by
Owen Gleiberman
As the checkout girl everyone's got a crush on, Natalie Portman makes a winsome return to her "Garden State" gawkiness.- Entertainment Weekly
- Posted May 11, 2011
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Reviewed by
Lisa Schwarzbaum
Like Bill Murray and Greg Kinnear before him, this funnyman reveals serious acting chops.- Entertainment Weekly
- Posted May 11, 2011
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Reviewed by
Owen Gleiberman
She's an Everywoman you can believe in, showcased in the kind of deft comedy of feminine passion - where deep despair meets Wilson Phillips - that a great many people have been waiting for. Now that Wiig and company have built it, will they come?- Entertainment Weekly
- Posted May 11, 2011
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- Entertainment Weekly
- Posted May 4, 2011
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Reviewed by
Owen Gleiberman
Last Night is on to something fascinating. It meditates on the meaning of adultery: the purposes it serves, beyond sex.- Entertainment Weekly
- Posted May 4, 2011
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Reviewed by
Owen Gleiberman
So scrupulously researched and argued that only a fool would ignore its findings.- Entertainment Weekly
- Posted May 4, 2011
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Reviewed by
Lisa Schwarzbaum
There's a pomo twist to the whole overeager enterprise, in all its theoretical, film-school charm: Similar to 2010's "Machete," the movie was born from a fake 
 trailer commissioned by Grindhouse directors Quentin Tarantino and Robert Rodriguez.- Entertainment Weekly
- Posted May 4, 2011
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Reviewed by
Owen Gleiberman
You'll laugh - a lot - but you'll also shed tears of recognition at this funny, salty, strife-torn look at the agony and ecstasy of family.- Entertainment Weekly
- Posted May 4, 2011
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Reviewed by
Lisa Schwarzbaum
This is high-quality work from a professional (Gibson) who, news reports have suggested, has recently sunk to terrible lows in his nonprofessional life.- Entertainment Weekly
- Posted May 4, 2011
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Reviewed by
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- Entertainment Weekly
- Posted May 4, 2011
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- Entertainment Weekly
- Posted May 4, 2011
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